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Statues Of Brahmā And Indra
The Statues of Brahmā and Indra, or Bonten and Taishakuten are a pair of Nara period Buddhist sculptures made in the 730s-750s, depicting the Buddhist deities Brahmā and Indra. Made of lacquer, it was venerated at Kōfuku-ji. Among the many statues that dispersed in the Meiji Restoration, they were sold off by the temple, and ended up in the collection of Avery Brundage, who built up the founding collection of the Asian Art Museum in San Francisco, where the statues now are. Provenance ''Brahmā and Indra'' respectively were incorporated into the Buddhist pantheon from the Hindu pantheon approximately the 1st-century BC. With the importation of Tang dynasty culture to Japan during the Asuka period and the Nara period, the Hosso school of Buddhism quickly took hold, helmed by the Fujiwara clan, who made Kōfuku-ji their patron temple. In the 730s, the Western Golden Hall of the temple was constructed, and commisssioned by Empress Kōmyō, in memory of her mother, Agata no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmā
Brahma (, ) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu and Shiva.Jan Gonda (1969)The Hindu Trinity, Anthropos, Bd 63/64, H 1/2, pp. 212–226.Jan Gonda (1969)The Hindu Trinity, Anthropos, Bd 63/64, H 1/2, pp. 218–219. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Pantheon
Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd edition, Routledge, , p. 8; Quote: "(...) one need not be religious in the minimal sense described to be accepted as a Hindu by Hindus, or describe oneself perfectly validly as Hindu. One may be polytheistic or monotheistic, monistic or pantheistic, even an agnostic, humanist or atheist, and still be considered a Hindu." The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1901, Kofukuji Temple, Group Record Of Damaged Buddha Statues, Old Photograph
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * ''19-Nineteen'', a 2009 South Korean film * ''Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 2001 alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian Art Museum, San Francisco
The Asian Art Museum of San Francisco – Chong-Moon Lee Center for Asian Art and Culture"About" Asian Art Museum website. Quote: "Strategically located on the Pacific Rim and serving one of the most diverse communities in the United States, the ''Asian Art Museum of San Francisco – Chong-Moon Lee Center for Asian Art and Culture'' is uniquely positioned to lead a diverse, global audience in discovering the distinctive materials, aesthetics and intellectual achievements of Asian art and cultures, and to serve as a bridge of understanding between Asia and the United States and between the diverse cultures of Asia." (emphasis added) is a in |
Shintoism
, also called Shintoism, is a religion originating in Japan. Classified as an East Asian religion by scholars of religion, it is often regarded by its practitioners as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. With no central authority in control of Shinto, there is much diversity of belief and practice evident among practitioners. A polytheistic and animistic religion, Shinto revolves around supernatural entities called the (神). The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshipped at household shrines, family shrines, and ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony between humans and and to solicit the latter's blessing. Other common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haibutsu Kishaku
(literally "abolish Buddhism and destroy Shākyamuni") is a term that indicates a current of thought continuous in Japan's history which advocates the expulsion of Buddhism from Japan.Encyclopedia of Shinto - Haibutsu Kishaku accessed on March 15, 2008 More narrowly, it also indicates a particular historic movement and specific historic events based on that ideology which, during the , produced the destruction of Buddhist temples, images and texts, and the forced return to secular life of Buddhist monks. It is a |
Shinbutsu Bunri
The Japanese term indicates the separation of Shinto from Buddhism, introduced after the Meiji Restoration which separated Shinto ''kami'' from buddhas, and also Buddhist temples from Shinto shrines, which were originally amalgamated. It is a yojijukugo phrase. Background before 1868 Until the end of the Edo period, in 1868, Shinto and Buddhism were intimately connected in what was called ''shinbutsu-shūgō'' (神仏習合), to the point that the same buildings were often used as both Shinto shrines and Buddhist temples, and Shinto gods were interpreted as manifestations of Buddhas. However, the tendency to oppose Buddhism as a foreign import and to uphold Shinto as the native religion can be seen already during the early modern era, partly as a nationalistic reaction.. In a broad sense, the term ''shinbutsu bunri'' indicates the effects of the anti-Buddhist movement that, from the middle of the Edo period onwards, accompanied the spread of Confucianism, the growth of stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of National Treasures Of Japan (sculptures)
In the mid-6th century, the introduction of Buddhism from the Koreanic state Baekje to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen. Consequently, early Japanese sculptures from the Asuka period, Asuka and Hakuhō period, Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing. The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics. The Shaka Nyorai, Shakyamuni triad and the Guze Guanyin, Kannon at Hōryū-ji are prime examples. By the late 7th century, wood replaced bronze and copper. By the early Tang dynasty, greater realism was expressed by fuller forms, long narrow slit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agata No Inukai No Michiyo
(655? – February 4, 733), or , was a court lady of early Nara period and mother of Empress Kōmyō. She served in the courts of emperor Temmu and emperor Shomu. In 679, around 15 years old, Michiyo became a Myōbu. On November 708, her clan was given the honorary surname "Tachibana Sukune" by Empress Genmei. In 721 she became a Buddhist nun for a brief period to pray for the health of Empress Genmei. Her first husband was an imperial prince, , a descendant of Emperor Bidatsu. They bore three children - Prince Katsuragi (later Tachibana no Moroe), Prince Sai (later Tachibana no Sai) and Princess Moro. Soon after Prince Minu's death, she married Fujiwara no Fuhito, whose principal wife had died. They had a daughter named Kōmyōshi, who was Fuhito's third daughter. Many of Michiyo's descendants also married Fuhito's descendants. It's unknown if Fuhito's fourth daughter, Tahino, the principal wife of Tachibana no Moroe is also Lady Tachibana's daughter. Their daughter later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empress Kōmyō
(701 – 23 July 760), born Fujiwara Asukabehime (藤原 安宿媛), was the consort of Japanese Emperor Shōmu (701–756) during the Nara Period.Ponsonby-Fane, Richard. (1959). ''The Imperial House of Japan,'' pp. 57-58. Life A member of the Fujiwara clan, her father was Fujiwara no Fuhito and her mother was Agata Inukai no Michiyo (県犬養三千代). During her life she was also known as Asukabehime (安宿媛), Kōmyōshi (光明子), and Tōsanjō (藤三娘), literally the third Fujiwara daughter. In 716, Kōmyō married the future Emperor Shōmu when he was still the crown prince. Two years later, she gave birth to her daughter, Princess Abe, who would later rule as Empress Kōken and Empress Shōtoku. Her son was born in 727 and was soon named crown prince, but he died as an infant. Rumors circulated that Prince Nagaya cursed the infant prince using black magic, and Nagaya was forced to commit suicide in response. Kōmyō was named queens-consort or "kōgō" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara Clan
The was a powerful family of imperial regents in Japan, descending from the Nakatomi clan and, as legend held, through them their ancestral god Ame-no-Koyane. The Fujiwara prospered since ancient times and dominated the imperial court until the Meiji Restoration in 1868. They held the title of Ason. The abbreviated form is . The 8th century clan history states the following at the biography of the clan's patriarch, Fujiwara no Kamatari (614–669): "Kamatari, the Inner Palace Minister who was also called ‘Chūrō'',''’ was a man of the Takechi district of Yamato Province. His forebears descended from Ame no Koyane no Mikoto; for generations they had administered the rites for Heaven and Earth, harmonizing the space between men and the gods. Therefore, it was ordered their clan was to be called Ōnakatomi" The clan originated when the founder, Nakatomi no Kamatari (614–669) of the Nakatomi clan, was rewarded by Emperor Tenji with the honorific "Fujiwara"after the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
