StarDance (Czech Season 6)
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StarDance (Czech Season 6)
The sixth season of '' StarDance (Czech Republic)'' debuted on Česká televize on November 2, 2013. Eight celebrities were paired with eight professional ballroom dancers. Marek Eben and Tereza Kostková were the hosts for this season. Couples The ten professionals and celebrities that competed were: Scoring Chart : indicate the lowest score for each week. : indicate the highest score for each week. : indicates the winning couple. : indicates the runner-up couple. Average score chart This table only counts for dances scored on a 40-point scale. Highest and lowest scoring performances The best and worst performances in each dance according to the judges' 40-point scale are as follows: Couples' highest and lowest scoring dances Scores are based upon a potential 40-point maximum. Dance chart The celebrities and dance partners danced one of these routines for each corresponding week: * Week 1: Rumba or quickstep * Week 2: Cha-cha-cha or waltz * Week 3: Jive or tango * ...
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Anna Polívková
Anna Polívková (born 24 March 1979 in Prague) is a Czech actress. In December 2013 Polívková won the StarDance (Czech season 6), sixth season of StarDance (Czech TV series), StarDance with her professional partner Michal Kurtiš. Selected filmography Films * ''Po čem muži touží'' (2018) * ''Pohádky pro Emu'' (2016) * ''Účastníci zájezdu'' (2006) * ''The Idiot Returns'' (1999) TV series * ''Živě z mechu'' (2016) * ''Až po uši'' (2014) * ''Ordinace v růžové zahradě'' (2005) References External links * Biography on csfd.cz
1979 births Living people Actresses from Prague Czech film actresses 20th-century Czech actresses 21st-century Czech actresses Czech stage actresses Czech television actresses Academy of Performing Arts in Prague alumni {{Czech-actor-stub ...
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Quickstep (dance)
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Black Americans. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston, shag, peabody, and one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the leader often closes his feet, and syncopated steps are regular occurrences (as was the case in early foxtrot). Three characteristic dance figures of the quickstep are the chassés, where th ...
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Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, locking, house dance, waacking etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African American and Latino people who created the style were generally not accepted into dance studios because of their race. A significant feature of street dan ...
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Samba (ballroom Dance)
The international ballroom version of samba is a lively, rhythmical dance with elements from Brazilian samba. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique As a ballroom dance, the samba is a partner dance. Ballroom samba, even more than other ballroom dances, is very disconnected from the origins and evolution of the music and dance that gives it its name. Most steps are danced with a slight downward bouncing or dropping action. This action is created through the bending and straightening of the knees, with bending occurring on the beats of 1 and 2, and the straightening occurring between. However, unlike the bouncing of, e.g., Polka, there is no considerable bobbing. Also, Samba has a specific hip action, different from that in other ballroom Latin dances (Rumba and Cha-Cha-Cha). The ballroom samba is danced to music in or time. It uses several differe ...
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Paso Doble
Pasodoble (Spanish language, Spanish: ''double step'') is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute (double the average of a regular unit, hence its name). This military march gave rise recently to a modern Spanish dance, a musical genre including both voice and instruments, and a genre of instrumental music often played during Bullfighting, bullfight. Both the dance and the non martial compositions are also called pasodoble. Structure All pasodobles have binary rhythm. Its musical structure consists of an introduction based on the dominant chord of the piece, followed by a first fragment based on the main tone and a second part, called "the trío", based on the sub-dominant note, based yet again on the dominant chord. Each change is preceded by a brieph. The last segment of the pasodoble is usually "the trío" strongly played. The different types of pasodoble- popular, taurino, militar- can vary in rhy ...
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Slowfox
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ...
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Tango (dance)
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries as the result of a combination of Rioplatense Candombe celebrations, Spanish-Cuban Habanera, and Argentine Milonga. The tango was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. The tango then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in lower-class districts of Buenos Aires and Montev ...
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Jive (dance)
The jive is a dance style that originated in the United States from the African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing. History To the players of swing music in the 1930s and 1940s, "jive" was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop/jitterbug to Europe around 1940, where this dance swiftly found a following among the young. In the United States, "swing" became the most common word for the dance, and the term "jive" was adopted in the UK. Variations in technique led to styles such as boogie-woogie and swing boogie, with "jive" gradually emerging as the generic term in the UK.Pa ...
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Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ...
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Waltz (dance)
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, th ...
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Česká Televize
Czech Television ( cs, Česká televize, italics=no ; abbreviation: ČT) is a public television broadcaster in the Czech Republic, broadcasting seven channels. Established after the Velvet Revolution in 1992, it is the successor to Czechoslovak Television founded in 1953. History 1953–1992: Czechoslovak Television Founded on 1 May 1953, Czechoslovak Television (ČST) was the state television broadcaster of Czechoslovakia used as a state propaganda medium of the then socialist state. It was known by three names over its lifetime: cs, Československá televize, sk, Československá televízia (until 1990) and (from 1990 until 1992). ČST originally consisted of a single channel and limited experimental broadcasting in 1953. Regular broadcasts began on 25 February 1954 and on 10 May 1970, a second channel was launched. The broadcast language of ČST was predominantly Czech in the first channel, Slovak for selected programming, and both for news. The second channel was sp ...
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Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. W ...
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