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Stanyslav Lyudkevych
Stanyslav Pylypovych Lyudkevych ( uk, Станіслав Пилипович Людкевич; 24 January 1879 – 10 September 1979) was a Ukrainian composer, theorist, teacher, and musical activist. He was the People's Artist of the USSR in 1969. He earned a Doctor of Philosophy in musicology in Vienna, 1908. His name may alternatively be spelled as Stanislaw Ludkiewicz (Polish) or Stanislav Filipovich Ludkevich (Russian). Biography Lyudkevych was born in 1879 in Jaroslau, Austria-Hungary (now Jarosław, Poland). He is a former student of the Lviv Academic Gymnasium. From 1898 to 1907 Lyudkevych studied philosophy in the Lviv University. Although he initially learned music theory privately from his mother who was a pianist, Lyudkevych studied with Mieczysław Sołtys in Lviv and with O. Tsemlinsky and H. Hredener in Vienna. From 1901, Lyudkevych worked as a teacher in Lviv and Przemyśl. From 1905 to 1907, Lyudkevych was an editor of the magazine "Artistic Bulletin". He was o ...
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Mieczysław Sołtys
Mieczysław Sołtys (February 7, 1863 - November 11, 1929) was a Polish composer, conductor, teacher, music and public figure. Biography He studied in Lviv Conservatory as a composer (under Carl Mikuli) and at the same time as philosopher in Lviv University. Then continued to study composition in Vienna and Paris (under Camille Saint-Saens). In the 1890s he was the conductor of the Lviv choirs of the Echo and Lute societies. From 1891 he was a professor, and from 1899 to 1929 he was director of the Lviv Conservatory. From 1919 he was the chairman of the Polish Union of Musicians in Lviv. He died in Lviv, buried in Lychakiv Cemetery. Among his students are Stanyslav Lyudkevych and Yosyf Lerer. Mieczysław Sołtys is the author of five operas, including "Maria, Ukrainian Tale" (1909), two symphonies, three symphonic poems, three oratorios, piano concertos, works for organs, choir and solo songs. His son, , was a prominent Polish conductor and composer. Awards * 1908 - Order ...
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Folk Song
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ...
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Romance (music)
The term romance ( es, romance/romanza, it, romanza, german: Romanze, french: romance, russian: романс, pt, romance, ro, romanţă) has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone. The ''Oxford Dictionary of Music'' states that "generally it implies a specially personal or tender quality". Instrumental music bearing the title "Romance" Typically, a Classical piece or movement called a "Romance" is in three, meaning three beats in the bar * Beethoven: two violin romances (''Romanzen'') for violin and orchestra, No. 1 G major, Op. 40; No. 2 in F major, Op. 50 take the form of a loose theme and variations * Johannes Brahms: ''Romanze'' in F major for piano, Op. 118, No. 5 (1893) * Max Bruch: "Romance for Viola and Orchestra in F" * Arthur Butterworth: Romanza for horn and string quartet with double bass ad libitum (or piano), Op. 12 ...
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Choral Music
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Instrumental Music
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing, an in ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Sinfonietta (symphony)
A sinfonietta is a symphony that is smaller in scale (either in terms of length or the instrumental forces required), or lighter in approach than a standard symphony. Although of Italian form, the word is not genuine in that language and has seldom been used by Italian composers. It appears to have been coined in 1874 by Joachim Raff for his Op. 188, but became common usage only in the early 20th century . Just as the term ''symphony'' itself can refer to pieces of music of varied size and scope, it is difficult to identify common criteria which pieces called ''sinfonietta'' share. Many of the sinfoniettas listed on this page employ larger forces and/or are longer than pieces designated symphonies, sometimes even by the same composer. Examples of sinfoniettas include: *William Alwyn's Sinfonietta for strings (1970) *Malcolm Arnold's Sinfonietta No. 1, Op. 48 (1954), Sinfonietta No. 2, Op. 65 (1958), and Sinfonietta No. 3, Op. 81 (1964) *Alexander Arutiunian's Sinfonietta for st ...
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Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ...
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Taras Shevchenko
Taras Hryhorovych Shevchenko ( uk, Тарас Григорович Шевченко , pronounced without the middle name; – ), also known as Kobzar Taras, or simply Kobzar (a kobzar is a bard in Ukrainian culture), was a Ukraine, Ukrainian poet, writer, artist, public and political figure, folklore, folklorist and ethnography, ethnographer.Taras Shevchenko
in the Great Soviet Encyclopedia, 3rd Edition. 1970-1979 (in English)
His literary heritage is regarded to be the foundation of modern Ukrainian literature and, to a large extent, the modern Ukrainian language, though this is different from the language of his poems. He also wrote some works in Russian (nine novellas, a diary, and an autobiography). Shevchenko is also known for his many masterpieces as a painter and an illustrator.
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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