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Stanislao Lista
Stanislao Lista (Salerno, December 8, 1824 – 1908) was an Italian sculptor active in Naples. Biography Stanislao Lista carved one of the four lions in marble in Piazza dei Martiri, Napoli. The lion, hit by a sword, is dedicated to the Carbonari soldiers, who died in the wars of 1820. He is author of the angels in the facade of Naples Cathedral who carry the symbols of Saint Januarius, on the tower at the right side, and a large statue of Giovanni Paisiello located in the Vestibule (architecture), vestibule of the San Carlo Theater in Naples. Lista studied design under Giovanni Tamburini of Bologna, and architecture and perspective with his father. After two years of study in Salerno, he traveled to Naples to study under Gaetano Forte, then in the Royal Institute of Fine Arts, Naples, Institute of Fine Arts of Naples. He first exhibited a painting ''La Phità'' (1845), which gained him a stipend. In 1852, he exhibited in Naples: ''David defeats Goliath'', which was awarded a fir ...
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Stanislao Lista
Stanislao Lista (Salerno, December 8, 1824 – 1908) was an Italian sculptor active in Naples. Biography Stanislao Lista carved one of the four lions in marble in Piazza dei Martiri, Napoli. The lion, hit by a sword, is dedicated to the Carbonari soldiers, who died in the wars of 1820. He is author of the angels in the facade of Naples Cathedral who carry the symbols of Saint Januarius, on the tower at the right side, and a large statue of Giovanni Paisiello located in the Vestibule (architecture), vestibule of the San Carlo Theater in Naples. Lista studied design under Giovanni Tamburini of Bologna, and architecture and perspective with his father. After two years of study in Salerno, he traveled to Naples to study under Gaetano Forte, then in the Royal Institute of Fine Arts, Naples, Institute of Fine Arts of Naples. He first exhibited a painting ''La Phità'' (1845), which gained him a stipend. In 1852, he exhibited in Naples: ''David defeats Goliath'', which was awarded a fir ...
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Order Of The Crown Of Italy
The Order of the Crown of Italy ( it, Ordine della Corona d'Italia, italic=no or OCI) was founded as a national order in 1868 by King Vittorio Emanuele II, to commemorate the unification of Italy in 1861. It was awarded in five degrees for civilian and military merit. Today the Order of the Crown has been replaced by the Order of Merit of Savoy and is still conferred on new knights by the current head of the house of Vittorio Emanuele, Prince of Naples. Compared with the older Order of Saints Maurice and Lazarus (1572), the Order of the Crown of Italy was awarded more liberally and could be conferred on non-Catholics as well; eventually, it became a requirement for a person to have already received the Order of the Crown of Italy in at least the same degree before receiving the Order of Saints Maurice and Lazarus. The order has been suppressed by law since the foundation of the Republic in 1946. However, Umberto II did not abdicate his position as ''fons honorum'' and it rema ...
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Italian Male Sculptors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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19th-century Italian Sculptors
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Giovanni De Martino
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also

* * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) {{disambig ...
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Antonio Mancini (pittore)
Antonio Mancini (14 November 1852 – 28 December 1930) was an Italian painter. Biography Mancini was born in Rome, Papal States, and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823–1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of the ''Verismo'' movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in ''Il Saltimbanco'' (1877–78) captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. In 1871 two of his works, exhibit ...
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Raffaele Armando Califano Mundo
Raffaele Armando Califano Mundo (23 December 1857 in Naples, Kingdom of the Two Sicilies – 1930 in Naples) was an Italian painter. His first master was the watercolor artist Giovanni Giordano Lanza (1827–1889), then he briefly studied at the Academy of Fine Arts of Naples, then he went to work in the studio under Stanislao Lista. He specialized in interior vedute, including ''Interno di San Domenico Maggiore San Domenico Maggiore is a Gothic, Roman Catholic church and monastery, founded by the friars of the Dominican Order, and located in the square of the same name in the historic center of Naples. History The square is bordered by a street/alle ... a Naples'', displayed at the Exhibition of Fine Arts in Turin del 1880 and the 1881 exhibition at Naples. He also painted landscapes and genre. His painting of ''Mario'' canvas exhibited at the 1882 Italo-Spanish Exposition in Berlin; his painting ''Causeries'' was sold to Augusto Riccardi, Diplomatic Consul of Austria-H ...
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Costantino Barbella
Costantino Barbella (January 31, 1853 in Chieti – December 5, 1925) was an Italian sculptor, known as ''il Michetti della scultura''. He began his career by modeling terracotta figurines for churches and Nativity Scenes (Presepe). In 1872, Francesco Paolo Michetti encouraged him to use stipend from the province to study at the Istituto di Belle Arti in Naples. He studied there with Stanislao Lista. He was highly prolific in creating small terracotta and bronze statuary, much of it depicting country folk dancing or in animated movement. He also made a few portraits, including of Pope Leo XIII. His work was exhibited throughout Europe, commonly winning awards. He was named cavaliere dell' Order of Leopold II of Belgium, honorary professor of the Istituto Reale di Belle Arti in Naples, and honorary academician at the Istituto di Belle Arti di Bologna. Among his students was Argentinian sculptor Lola Mora.Encyclopedia of Contemporary Latin American and Caribbean Cultures, edited ...
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Ettore Ximenes
Ettore Ximenes (11 April 1855, Palermo 20 December 1926, Rome) was an Italian sculptor. Biography Son of Antonio Ximenes and Giulia Tolentino, a Sicilian noble woman, Ettore Ximenes initially embarked on literary studies but then took up sculpture and attended the courses at the Palermo Academy of Fine Arts. After 1872, he continued training at the Naples Academy under Domenico Morelli and Stanislao Lista. He also established a close relationship with Vincenzo Gemito. He returned to Palermo in 1874 and won a competition for a four-year grant, which enabled him to study and open a studio for sculpture in Florence. In 1873 at Vienna, he exhibited ''Work without Genius''. In 1877 at Naples, he exhibited a life-size statue titled ''The Equilibrium'' about a gymnast walking on a sphere. He would make copies of this work in small marble and bronze statuettes. He exhibited a stucco ''Christ and the Adultress'' and ''Il cuore del re (Heart of the King)'', the latter depicting an of ...
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Francesco Jerace
Francesco Jerace (26 July 1853 – 18 January 1937) was an Italian sculptor. Biography He was born at Polistena in Calabria, in the Kingdom of the Two Sicilies. He trained locally under his grandfather, a sculptor, but moved to Naples where he frequented the Neapolitan Academy of Fine Arts under Tito Angelini. In 1878, he displayed sculptures of ''Eve and Lucifer'' and ''Guappatiello'' (Neapolitan Street Boy) in 1878 at the Neapolitan Exhibition. In 1880, he displayed sculptures of ''Victa'' (bust), ''Marion'', and the ''Legionnaires of Germanicus'' at the National Exhibition in Turin. The Legionnaire sculpture was interpreted by the critic Salazar as a response to the Hermannsdenkmal, then a recently erected monument in Germany to Arminius, the Germanic general that vanquished the Roman Varro in the Battle of the Teutoburg Forest. Germanicus was viewed by later historians as Augustus' response to the defeat as well as the loss of the legionary eagles, and called the ''Ave ...
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Vincenzo Gemito
Vincenzo Gemito (July 16, 1852 – March 1, 1929) was an Italian sculptor and artist. Although he worked in various studios of well-known artists in his native Naples, Rome and Paris, he is considered to have largely been self-taught, the reason he produced such distinctive works for that time, replacing sentiment with outstanding realism. His work was part of the Art competitions at the 1924 Summer Olympics#Sculpture, sculpture event in the Art competitions at the 1924 Summer Olympics, art competition at the 1924 Summer Olympics. Biography image:Palazzo Reale di Napoli - Carlo V d'Asburgo.jpg, left, 150px, Charles V, Holy Roman Emperor Gemito was born in Naples to a poor woodcutter's family. The day after his birth, his mother left him on the steps of the Santissima Annunziata Maggiore, Naples, dell'Annunziata orphanage and he was taken in to live with the other foundlings. He was given the surname Genito - for ''generato'' (“born” in Italian), as was common for orphans, but ...
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Enrico Salvatori
Enrico Salvatori (1852 in Naples – ?) was an Italian sculptor. He studied at the Academy of Naples under the professor Stanislao Lista. In London he exhibited the following works: ''Diana the Hunter''; ''Pastor fido''; ''Plato''; ''Narcisus''; ''Homer''; and ''Berenice'', and obtained a diploma of second class with a silver medal. To a Rome Exposition, he sent ''Head of Dante'' which won a bronze medal. In 1885 Paris he exhibited; ''Brutus'' and ''Cicero'' which won bronze medal and honorable mention respectively. The bust of ''Cicero'' was once kept in the Hall of the Council of Lawyers in Naples. In 1888 at Copenhagen, he exhibits: ''Il Fauno sonante i piattini'' for which he was awarded diploma of honor, as well as winning awards at exhibitions of Liverpool and Paris. Lastly in 1884 at Turin, he obtained honorable mention for: ''Un Narciso Pompeiano'' and ''Two Cups''.
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