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Stands For Decibels
''Stands for Decibels'' is the debut studio album by American power pop band the dB's, released January 15, 1981 by Albion Records. The album was commercially unsuccessful but critically acclaimed. At the time of its release, the dB's consisted of singer/guitarists Chris Stamey and Peter Holsapple, bassist Gene Holder, and drummer Will Rigby. The songwriting was evenly divided between Stamey and Holsapple, although Stamey became known for writing the stranger, more avant-garde numbers ("She's Not Worried", "Espionage"), while Holsapple wrote the more accessible, poppier songs ("Black and White", "Bad Reputation"). Both Stamey and Holsapple played keyboards occasionally as well. Holder and Rigby did not receive any songwriting credits (other than a group credit for "Dynamite"). The album was dedicated to George Scott III. "Black and White" was released as the band's first single. I.R.S. Records reissued the album on CD in 1989. Reception In ''The Village Voice''s year-end Pazz ...
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The DB's
The dB's are an American alternative rock and power pop group, who formed in New York City in 1978 and first came to prominence in the early 1980s. Their debut album, '' Stands for Decibels'', is often acclaimed as one of the greatest "lost" power pop albums of the 1980s. The band members are Peter Holsapple, Chris Stamey, Will Rigby, and Gene Holder. Although the members are all from Winston-Salem, North Carolina, the group was formed in New York City in 1978. In 2012, the band completed its first new studio album in 25 years and its first in 30 years with the original lineup. History During 1977, Stamey played bass with Alex Chilton in New York, and recorded "(I Thought) You Wanted to Know" with Television guitarist Richard Lloyd. A single of the latter song, backed with "If and When" (on which Rigby and Holder played), was issued in 1978, credited to Chris Stamey and the dB's. Holsapple joined the group in October 1978, after moving to New York City from North Carolina. Thei ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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The DB's Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Malcolm Garrett
Malcolm Leslie Garrett (born 1956) is a British graphic designer, and Creative Director of Images&Co, a communications design consultancy based in London, UK. He is Ambassador for Manchester School of Art and co-founder of the annual Design Manchester festival, now in its eighth year. He came to prominence in the late 70s and early 80s through his work for music artists such as Buzzcocks, Magazine, Duran Duran, Simple Minds, Heaven 17 and Peter Gabriel. He was an early convert to exploring the opportunities and challenges of design with digital technology, and his London studio was amongst the first of its peers to go totally digital in 1990. Overview In 1998, Garrett received a Prince Philip Designers Prize nomination in recognition of his achievements in design for business and society. In 2003, he was named by ''Design Week'' as one of the "Hot 50 people making a difference in design" for his work as design ambassador. Garrett continues his design practice as Creative Dir ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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British Pop Music
British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to American rock 'n' roll. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of rock bands in the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general Early British popular mu ...
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Pazz & Jop
Pazz & Jop was an annual poll of top musical releases, compiled by American newspaper ''The Village Voice'' and created by music critic Robert Christgau. It published lists of the year's top releases for 1971 and, after Christgau's two-year absence from the ''Voice'', each year from 1974 onward. The polls are tabulated from the submitted year-end top 10 lists of hundreds of music critics. It was named in acknowledgement of the defunct magazine ''Jazz & Pop'', and adopted the ratings system used in that publication's annual critics poll. The Pazz & Jop was introduced by ''The Village Voice'' in 1971 as an album-only poll; it was expanded to include votes for Single (music), singles in 1979. Throughout the years, other minor lists had been elicited from poll respondents for releases such as extended plays, music videos, Re-issue, album re-issues, and compilation albums—all of which were discontinued after only a few years. The Pazz & Jop albums poll uses a points system to formul ...
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The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the ''Voice'' reappeared in print as a quarterly in April 2021. Over its 63 years of publication, ''The Village Voice'' received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. ''The Village Voice'' hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, ''The Village Voice'' changed ownership and severed all ties with former parent company Voice Media Group (VMG). The ''Voice'' announced on August 22, 2017, that it would cease p ...
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Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a job ...
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Vintage Books
Vintage Books is a trade paperback publishing imprint of Penguin Random House originally established by Alfred A. Knopf in 1954. The company was purchased by Random House in April 1960, and a British division was set up in 1990. After Random House merged with Bantam Doubleday Dell, Doubleday's Anchor Books trade paperback line was added to the same division as Vintage. Following Random House's merger with Penguin, Vintage was transferred to Penguin UK. In addition to publishing classic and contemporary works in paperback under the Vintage brand, the imprint also oversees the sub-imprints Bodley Head, Jonathan Cape, Chatto and Windus, Harvill Secker, Hogarth Press, Square Peg, and Yellow Jersey. Vintage began publishing some titles in the mass-market paperback format in 2003. Notable authors * William Faulkner * Vladimir Nabokov * Cormac McCarthy * Albert Camus * Ralph Ellison * Dashiell Hammett * William Styron * Philip Roth * Toni Morrison * Dave Eggers * Robert Caro * Har ...
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Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ...
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