Staatsgalerie Bamberg
The Staatsgalerie Stuttgart (, "State Gallery") is an art museum in Stuttgart, Germany, it opened in 1843. In 1984, the opening of the Neue Staatsgalerie (''New State Gallery'') designed by James Stirling transformed the once provincial gallery into one of Europe's leading museums. Alte Staatsgalerie Originally, the classicist building of the ''Alte Staatsgalerie'' was also the home of the Royal Art School. The building was built in 1843. After being severely damaged in World War II, it was rebuilt in 1945-1947 and reopened in 1948. It houses the following collections: * Old German paintings 1300-1550 * Italian paintings 1300-1800 * Dutch paintings 1500-1700 * German paintings of the baroque period * Art from 1800-1900 (romanticism, impressionism) Neue Staatsgalerie The ''Neue Staatsgalerie'', a controversial architectural design by James Stirling, opened on March 9, 1984 on a site right next to the old building. It houses a collection of 20th-century modern art &mdas ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stuttgart, Germany
Stuttgart (; Swabian German, Swabian: ; ) is the capital city, capital and List of cities in Baden-Württemberg by population, largest city of the States of Germany, German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the Swabian Jura and the Black Forest. Stuttgart has a population of 635,911, making it the list of cities in Germany by population, sixth largest city in Germany. 2.8 million people live in the city's administrative region and 5.3 million people in Stuttgart Metropolitan Region, its metropolitan area, making it the metropolitan regions in Germany, fourth largest metropolitan area in Germany. The city and metropolitan area are consistently ranked among the list of metropolitan areas in the European Union by GDP, top 20 European metropolitan areas by GDP; Mercer (consulting firm), Mercer listed Stuttgart as 21st on its 2015 list of cities by quality o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dead Christ (Carracci) ...
The ''Corpse of Christ'' is a painting by the Italian Baroque master Annibale Carracci, dating to c. 1583-1585 and housed in the Staatsgalerie of Stuttgart, Germany. The work, dating to Carracci's early career, is a manifest homage to Andrea Mantegna's ''Dead Christ'', which he had perhaps seen in the Aldobrandini collection. Christ is portrayed lying in a contorted position, seen from his feet. Differently from Mantegna, Carracci did not paint the mourners at the side, and adopted a more realistic depiction of the body. Sources * {{DEFAULTSORT:Corpse of Christ, The Paintings by Annibale Carracci 1580s paintings Carracci The Carracci were a family of Italian artists. Notable members include: * Agostino Carracci (1557–1602), Italian painter and printmaker * Annibale Carracci (1560–1609), Italian Baroque painter and brother of Agostino Carracci * Ludovico Carracc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marc Chagall
Marc Chagall; russian: link=no, Марк Заха́рович Шага́л ; be, Марк Захаравіч Шагал . (born Moishe Shagal; 28 March 1985) was a Russian-French artist. An early modernism, modernist, he was associated with several major art movement, artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Born in the Russian Empire, today Belarus, he was of Russian Jews, Jewish origin. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Museum of Modern Art, Vitebsk Arts College before leaving again for Paris in 1923 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paul Klee
Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures ''Writings on Form and Design Theory'' (''Schriften zur Form und Gestaltungslehre''), published in English as the ''Paul Klee Notebooks'', are held to be as important for modern art as Leonardo da Vinci's ''A Treatise on Painting'' was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. Early life and training Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Kle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Who's Afraid Of Red, Yellow And Blue
''Who's Afraid of Red, Yellow and Blue'' is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. The series' name was a reference to ''Who's Afraid of Virginia Woolf?'', the 1962 play by Edward Albee, which was in itself a reference to "Who's Afraid of the Big Bad Wolf?", the 1933 song immortalized in Disney cartoons. Barnett Newman started the first painting in the series without a preconceived notion of the subject or end result; he only wanted it to be different from what he had done until then, and to be asymmetrical. But after having painted the canvas red, he was confronted with the fact that only the other primary colours yellow and blue would work with it; this led to an inherent confrontation with the works of De Stijl and especially Piet Mondriaan, who had in the opinion of Newman turned the combination of the three colors into a didactic idea instead of a means of e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barnett Newman
Barnett Newman (January 29, 1905 – July 4, 1970) was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense of place that viewers experience with art and incorporate simplistic forms to emphasize this feeling. Early life Barnett Newman was born in New York City, the son of Jewish immigrants from Poland. He studied philosophy at the City College of New York and worked in his father's business manufacturing clothing. He later made a living as a teacher, writer, and critic. From the 1930s on he made paintings, said to be in an expressionist style, but eventually destroyed all these works. Newman met Annalee Greenhouse in 1934 while both were working as substitute teachers at Grover Cleveland High School; they were married on June 30, 1936.Roberta Smith (May 13, 2000)Annalee Newman, 91, Muse And Support for the Artist''The New York Times''. Career ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piet Mondrian
Pieter Cornelis Mondriaan (), after 1906 known as Piet Mondrian (, also , ; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man." His art, however, always remained rooted in nature. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Franz Marc
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of ''Der Blaue Reiter'' (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it. His mature works mostly depict animals, and are known for bright colouration. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun. In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for ''Die Füchse'' (''The Foxes''). Early life Franz Marc was born in 1880 in Munich, the then capital of the Kingdom of Bavaria. His father, Wilhelm Ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Funeral (Grosz)
''The Funeral'' (often ''The Funeral (Dedicated to Oskar Panizza)'') is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918. The work combines elements of Futurism and CubismWolf & Grosenick, 42 to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants.Friedrich-Wilhelms, Rheinische.Widmung an Oskar Panizza (1917/18). Universität Bonn. Retrieved on 21 May 2009. The painting is dedicated to the German psychiatrist and avant-garde writer Oskar Panizza, noted for his play '' Liebeskonzil'', which draws on the first historically documented outbreak of syphilis and depicts God the Father as a senile old man. Although Panizza's works, in which he rejected all militarism and religious authority, were deemed blasphemous by both the Church and the government of Emperor Wilhelm II, they were later admired by Grosz and other idealists of his generation. The painting seeks to emulate medie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Grosz
George Grosz (; born Georg Ehrenfried Groß; July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He immigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards. Early life Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the third child of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (now Słupsk, Poland). After his father's death in 1900, he moved to the Wedding district of Berlin with his mother and sisters. At the urging of his cousin, the young Grosz began attending a weekly drawing class taugh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Match Seller
''The Match Seller'' (German: ''Streichholzhändler'') is a 1920 oil painting by the German Dada and Neue Sachlichkeit artist Otto Dix. The work is in the permanent collection of the Staatsgalerie Stuttgart. Painted a year after World War I, it depicts a crippled and homeless veteran match seller who is ostensibly ignored by bourgeois passersby on a street in Germany. The painting has been interpreted as a critique the war's brutality and the neglect of veterans in German society, while alluding to the artist's disapproval of the Weimar Republic's societal and political decay. Dix incorporated the collage technique, popularized by Dada artists, to diverge from traditional art forms. The Nazi regime later labeled ''The Match Seller'' as "degenerate art", confiscating it between 1937 and 1938. Description The composition depicts a scene where a homeless and crippled war veteran is seen selling matches on a street in Germany. Several well-dressed passersby flee from the quadrupled a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |