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St Mary's Church, East Bradenham
St Mary's Church, East Bradenham, is a redundant Anglican church in the village of Bradenham, Norfolk, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is under the care of the Churches Conservation Trust. The church stands at the east end of the village. History The church dates from the 14th century, with additions and alterations in the 15th and 19th centuries. Architecture Exterior St Mary's is constructed in flint with dressings in ashlar and brick. The roofs are lead. Its plan consists of a four-bay nave with a clerestory, north and south aisles, a north porch, a chancel, and a west tower flanked by the aisles. The tower dates from the 14th and 15th centuries. Its style is Perpendicular. It is in three stages, has angle buttresses and a battlemented parapet. On the west side is a doorway, over which is a 19th-century three-light window. In the top stage are two-light Perpendicular ...
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Bradenham, Norfolk
Bradenham is a village and civil parish, a conglomeration of East and West Bradenham, in the English county of Norfolk. It is situated some south-west of the town of East Dereham and west of the city of Norwich.Ordnance Survey (1999). ''OS Explorer Map 237 – Norwich''. . Geography The civil parish has an area of 16.55 km2 and in the 2001 census had a population of 722 in 301 households, the population decreasing to 700 in 293 households at the 2011 Census. For the purposes of local government, the parish falls within the Breckland district.Office for National Statistics and Norfolk County Council (2001). Census population and household counts for unparished urban areas and all parishes'. Retrieved 2 December 2005. The River Wissey rises in Bradenham and flows to the west whilst the River Yare rises to the east of Bradenham and flows to the east. History Bradenham derives from the Anglo-Saxon for a broad (meaning large) hamlet. Bradenham is home to St. Mary's Churc ...
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Perpendicular Gothic
Perpendicular Gothic (also Perpendicular, Rectilinear, or Third Pointed) architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture. The pointed arches used in Perpendicular were often four-centred arches, allowing them to be rather wider and flatter than in other Gothic styles. Perpendicular tracery is characterized by mullions that rise vertically as fa ...
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British Institute Of Organ Studies
The British Institute of Organ Studies (BIOS) is a British organisation and registered charity which aims to promote study and appreciation of all aspects of the pipe organ. Further, it acts as a lobbying body to raise awareness of organ issues with appropriate statutory bodies. Membership is open to all. Aims The aims of BIOS are * To promote objective, scholarly research into the history of the organ and its music in all its aspects, and, in particular, into the Organ (music), organ and its music in United Kingdom, Britain. * To conserve the sources and materials for the history of the organ in Britain, and to make them accessible to scholars. * To work for the preservation and, where necessary, the faithful restoration of historic organs in Britain. * To encourage an exchange of scholarship with similar bodies and individuals abroad, and to promote, in Britain, a greater appreciation of historical overseas schools of organ-building. BIOS publishes a quarterly ''Reporter' ...
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Samuel Green (organ Builder)
Samuel Green (1740–1796) was an English organ builder. Green learnt his art under the elder John Byfield, Richard Bridge Richard Bridge or Bridges (died 1758) was a leading English organ-builder of the eighteenth century. In 1748 (according to the ''Morning Advertiser'' of 20 February) he was living in Hand Court, Holborn, London. Works His first recorded organ is ..., and Abraham Jordan, and afterwards entered into several years' partnership with the younger Byfield. Green built a large number of organs for the cathedrals and churches in London and the country, instruments which were famed for their beauty of tone. Green died in near poverty at Isleworth, Middlesex, 14 September 1796, leaving his business to his widow. References External links *David WickensSamuel Green (continued from previous issue) ''BIOS Reporter'' X: 1, (January 1986) 1740 births 1796 deaths 18th-century English people People from Isleworth Organ builders of the United Kingdom Musical i ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Ro ...
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Piscina
A piscina is a shallow basin placed near the altar of a church, or else in the vestry or sacristy, used for washing the communion vessels. The sacrarium is the drain itself. Anglicans usually refer to the basin, calling it a piscina. For Roman Catholics, a sacrarium is “special sink used for the reverent disposal of sacred substances. This sink has a cover, a basin, and a special pipe and drain that empty directly into the earth, rather than into the sewer system” (USCCB, Built of Living Stones, 236). Precious or sacred items are disposed of, when possible, by returning them to the ground. They are in some cases used to dispose of materials used in the sacraments and water from liturgical ablutions. They are found in Roman Catholic, Anglican, and Lutheran churches, and a similar vessel is used in Eastern Orthodox churches. History The ''piscina'' is a Latin word originally applied to a fish pond, and later used for natural or artificial pools for bathing, and also for a wat ...
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Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ...
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Turret (architecture)
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes, as in the Scottish baronial style. A turret can have a circular top with crenellations as seen in the picture at right, a pointed roof, or other kind of apex. It might contain a staircase if it projects higher than the building; however, a turret is not necessarily higher than the rest of the building; in this case, it is typically part of a room, that can be simply walked into – see the turret of Chateau de Chaumont on the collection of turrets, which also illustrates a turret on a modern skyscraper. A building may have both towers and turrets; towers might be smaller or higher, but turrets instead project from the edge of a building ra ...
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