St Martin's Church, Colmar
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St Martin's Church, Colmar
The Église Saint-Martin ('' St. Martin church'') is a Roman Catholic church located in Colmar, Haut-Rhin, France. It is in the principal Gothic architectural style. Because of its past as a collegiate church, is also known als ''Collégiale Saint-Martin'', and because of its large dimensions, as '' Cathédrale Saint-Martin'', although Colmar had never been the seat of a bishopric. History and description In 1972, remains were archaeologically dug out of a first church, built in Carolingian style around the year 1000. Foundations of a second church built on that spot, in Romanesque style, were found as well. The present building had been constructed between 1234 and 1365 as the church of a college devoted to the cult of Martin of Tours, and since defunct. The current, conspicuous helmet crowning the bell tower had been added in 1572 in Renaissance style after a fire. The church is surrounded by several portals of rather small dimensions, speaking relatively to the volume of the b ...
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Colmar
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the ''Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ''H ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Ambulatory
The ambulatory ( la, ambulatorium, ‘walking place’) is the covered passage around a cloister or the processional way around the east end of a cathedral or large church and behind the high altar. The first ambulatory was in France in the 11th century but by the 13th century ambulatories had been introduced in England and many English cathedrals were extended to provide an ambulatory. The same feature is often found in Indian architecture and Buddhist architecture generally, especially in older periods. Ritual circumambulation or parikrama around a stupa or cult image is important in Buddhism and Hinduism. Often the whole building was circumambulated, often many times. The Buddhist chaitya hall always allowed a path for this, and the Durga temple, Aihole (7th or 8th century) is a famous Hindu example. The term is also used to describe a garden feature in the grounds of a country house. A typical example is the one shown, which stands in the grounds of Horton Court in Gloucest ...
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Johann Andreas Silbermann
Johann Andreas Silbermann, also known as Jean-André Silbermann (26 June 1712, in Strasbourg – 11 February 1783, in Strasbourg) was an 18th-century organ-builder, as were his father Andreas Silbermann and his paternal uncle Gottfried Silbermann. Mozart met with Silbermann during his (Mozart's) stay in Strasbourg in 1778, and played on the pipe organs in the two Lutheran churches Saint-Thomas (preserved), and Temple Neuf (destroyed in 1870), which he calls ″Silbermann's best". Pipe organs by J. A. Silbermann in their original instrumental state can be found in the following churches, among others: * St Georges, Châtenois *Jesuit Church, Molsheim The former Jesuit Church (''Église des Jésuites'') is the parish church '' Sainte-Trinité-et- Saint-Georges'' ( Alsatian: ''Sànkt-Georg- und Dreifàltigkeitskirich'') which is the main Roman Catholic sanctuary of Molsheim, France, and the pr ... * St Maurice, Soultz-Haut-Rhin * St Maurice, Soultz-les Bains * St Thomas, Stras ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ...
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Gargoyle
In architecture, and specifically Gothic architecture, a gargoyle () is a carved or formed grotesque with a spout designed to convey water from a roof and away from the side of a building, thereby preventing it from running down masonry walls and eroding the mortar between. Architects often used multiple gargoyles on a building to divide the flow of rainwater off the roof to minimize potential damage from rainstorms. A trough is cut in the back of the gargoyle and rainwater typically exits through the open mouth. Gargoyles are usually elongated fantastical animals because their length determines how far water is directed from the wall. When Gothic flying buttresses were used, aqueducts were sometimes cut into the buttress to divert water over the aisle walls. Etymology The term originates from the French ''gargouille,'' which in English is likely to mean "throat" or is otherwise known as the "gullet"; cf. Latin ''gurgulio, gula, gargula'' ("gullet" or "throat") and similar ...
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Judensau
A ''Judensau'' (German for "Jews' sow") is a folk art image of Jews in obscene contact with a large sow (female pig), which in Judaism is an unclean animal, that appeared during the 13th century in Germany and some other European countries; its popularity lasted for over 600 years. Background and images The Jewish prohibition against eating pork comes from Torah, in the Book of Leviticus Chapter 11, verses 2 through 8. The arrangement of Jews surrounding, suckling, and having intercourse with the animal (sometimes regarded as the devil), is a mockery of Judaism. The image appears in the Middle Ages, mostly in carvings on church or cathedral walls, often outside where it could be seen from the street (for example at Wittenberg and Regensburg), but also in other forms. The earliest appearance seems to be on the underside of a wooden choir-stall seat in Cologne Cathedral, dating to about 1210. The earliest example in stone dates to ca. 1230 and is located in the cloister of the c ...
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History Of Jews In Alsace
The history of the Jews in Alsace is one of the oldest in Europe. It was first attested to in 1165 by Benjamin of Tudela, who wrote about a "large number of learned men" in " Astransbourg"; and it is assumed that it dates back to around the year 1000. Although Jewish life in Alsace was often disrupted by outbreaks of pogroms, at least during the Middle Ages, and reined in by harsh restrictions on business and movement, it has had a continuous existence ever since it was first recorded. At its peak, in 1870, the Jewish community of Alsace numbered 35,000 people. Language and origins The language traditionally spoken by the Jews of Alsace was Judeo-Alsatian (''Yédisch-Daïtsch''), originally a mixture of Middle High German, Old Alsatian, Medieval Hebrew and Aramaic, and largely indistinguishable from Western Yiddish. From the 12th century onwards, due among other things to the influence of the nearby Rashi school, French linguistic elements were incorporated as well; and from ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ...
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