St Ludwig's Church, Celle
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St Ludwig's Church, Celle
St. Ludwig ("St Louis") is the main Catholic church in the town of Celle in the German state of Lower Saxony. It was consecrated in 1838 and was the third catholic parish church of the new diocese of Hildesheim which was authorised by papal bull and was outside of the former bishopric of Hildesheim and Archbishopric of Mainz. It followed in the footsteps of the first two churches: St Clemens in Hanover and St Michael in Göttingen. Its jurisdiction extends as far as the North Sea coast. Louis the Holy, King of France, known as St Louis (german: Ludwig), was chosen as the patron saint – in deference to King Ludwig I of Bavaria, who had supported its construction with money and a collection in Bavaria. The Church of St Ludwig (''Ludwigskirche'') stands on the western edge of the town centre, outside the historic ''Altstadt''. The central axis of the French Garden runs directly to the imposing frontage of the church. Description St. Ludwig is an example of pure neoclassicism. ...
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Cultural Heritage
Cultural heritage is the heritage of tangible and intangible heritage assets of a group or society that is inherited from past generations. Not all heritages of past generations are "heritage"; rather, heritage is a product of selection by society. Cultural heritage includes cultural property, tangible culture (such as buildings, monuments, landscapes, books, works of art, and artifacts), intangible heritage, intangible culture (such as folklore, traditions, language, and knowledge), and natural heritage (including culturally significant landscapes, and biodiversity).Ann Marie Sullivan, Cultural Heritage & New Media: A Future for the Past, 15 J. MARSHALL REV. INTELL. PROP. L. 604 (2016) https://repository.jmls.edu/cgi/viewcontent.cgi?article=1392&context=ripl The term is often used in connection with issues relating to the protection of Indigenous intellectual property. The deliberate act of keeping cultural heritage from the present for the future is known as Conservation (cul ...
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Agostino Steffani
Agostino Steffani (25 July 165412 February 1728) was an Italian ecclesiastic, diplomat and composer. Biography Steffani was born at Castelfranco Veneto on 25 July 1654. As a boy he was admitted as a chorister at San Marco, Venice. In 1667, the beauty of his voice attracted the attention of Count Georg Ignaz von Tattenbach, who took Steffani to Munich, where Steffani's education was completed at the expense of Ferdinand Maria, Prince-elector, Elector of Bavaria, who appointed him ''Churfürstlicher Kammer- und Hofmusikus'' and granted him a liberal salary. After receiving instruction from Johann Kaspar Kerll, in whose charge he lived, Steffani was sent in 1673 to study in Rome, where Ercole Bernabei was his master, and among other works he composed six motets, the original manuscripts of which are now in the Fitzwilliam Museum at Cambridge. On his return to Munich with Bernabei in 1674, Steffani published his first work, ''Psalmodia vespertina'', a part of which was reprinted ...
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Paul Of Tarsus
Paul; grc, Παῦλος, translit=Paulos; cop, ⲡⲁⲩⲗⲟⲥ; hbo, פאולוס השליח (previously called Saul of Tarsus;; ar, بولس الطرسوسي; grc, Σαῦλος Ταρσεύς, Saũlos Tarseús; tr, Tarsuslu Pavlus; la, Paulus Tarsensis AD), commonly known as Paul the Apostle and Saint Paul, was a Christian apostle who spread the teachings of Jesus in the first-century world. Generally regarded as one of the most important figures of the Apostolic Age, he founded several Christian communities in Asia Minor and Europe from the mid-40s to the mid-50s AD. According to the New Testament book Acts of the Apostles, Paul was a Pharisee. He participated in the persecution of early disciples of Jesus, possibly Hellenised diaspora Jews converted to Christianity, in the area of Jerusalem, prior to his conversion. Some time after having approved of the execution of Stephen, Paul was traveling on the road to Damascus so that he might find any Christians ...
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Simon Peter
) (Simeon, Simon) , birth_date = , birth_place = Bethsaida, Gaulanitis, Syria, Roman Empire , death_date = Between AD 64–68 , death_place = probably Vatican Hill, Rome, Italia, Roman Empire , parents = John (or Jonah; Jona) , occupation = Fisherman, clergyman , feast_day = , venerated = All Christian denominations that venerate saints and in Islam , canonized_date = Pre-Congregation , attributes = Keys of Heaven, Red Martyr, pallium, papal vestments, rooster, man crucified upside down, vested as an Apostle, holding a book or scroll, Cross of Saint Peter , patronage = Patronage list , shrine = St. Peter's Basilica Saint Peter; he, שמעון בר יונה, Šimʿōn bar Yōnāh; ar, سِمعَان بُطرُس, translit=Simʿa̅n Buṭrus; grc-gre, Πέτρος, Petros; cop, Ⲡⲉⲧⲣⲟⲥ, Petros; lat, Petrus; ar, شمعون الصفـا, Sham'un al-Safa, Simon the Pure.; tr, Aziz Petrus (died between AD 64 and 68), also known as Peter the Apostle, ...
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Niels Stensen
Niels Steensen ( da, Niels Steensen; Latinization (literature), Latinized to ''Nicolaus Steno'' or ''Nicolaus Stenonius''; 1 January 1638 – 25 November 1686History of Geology – Steno
– Aber, James S. 2007. Retrieved 11 January 2012.
) was a Danish people, Danish scientist, a pioneer in both anatomy and geology who became a Catholic Church, Catholic bishop in his later years. Steensen was trained in the classical texts on science; however, by 1659 he seriously questioned accepted knowledge of the natural world. Importantly he questioned explanations for tear production, the idea that fossils grew in the ground and explanations of rock formation. His investigations and his subsequent conclusions on fossils and rock formation have led scholars to consider him one of the founders of modern strat ...
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Protestant Reformation
The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and in particular to papal authority, arising from what were perceived to be errors, abuses, and discrepancies by the Catholic Church. The Reformation was the start of Protestantism and the split of the Western Church into Protestantism and what is now the Roman Catholic Church. It is also considered to be one of the events that signified the end of the Middle Ages and the beginning of the early modern period in Europe.Davies ''Europe'' pp. 291–293 Prior to Martin Luther, there were many earlier reform movements. Although the Reformation is usually considered to have started with the publication of the '' Ninety-five Theses'' by Martin Luther in 1517, he was not excommunicated by Pope Leo X until January 1521. The Diet of Worms of May 1521 ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Ambon (liturgy)
The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structu ...
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Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ...
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Church Tabernacle
A tabernacle or sacrament house is a fixed, locked box in which the Eucharist (consecrated communion hosts) is stored as part of the "reserved sacrament" rite. A container for the same purpose, which is set directly into a wall, is called an ''aumbry''. Within Catholicism, Eastern Orthodoxy, and in some traditions of Anglicanism and Lutheranism, the tabernacle is a box-like or dome-like vessel for the exclusive reservation of the consecrated Eucharist. It is normally made from precious metals, stone or wood, and is lockable and secured to the altar or adjacent wall to prevent the consecrated elements within from being removed without authorization. These denominations believe that the Eucharist contains the real presence of Jesus, and thus use the term ''tabernacle'', a word referring to the Old Testament tabernacle, which was the locus of God's presence among the Jewish people. The "reserved Eucharist" is secured in the tabernacle for distribution at services, for use when ...
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