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St Leonards Church Sandridge
St Leonard's Church is in Sandridge, a village in Hertfordshire, England. It is an active Anglican parish church. The building is Grade II* listed: notable features include its chancel arch made from recycled Roman brick. History Some sort of simple wooden church was probably made necessary in 796 when St Albans Abbey took possession of the Manor of Sandridge. However, the Domesday Book does not mention the existence of a church at Sandridge. Chancel arch, possible pre-Norman feature The oldest surviving feature of the present church is possibly the semi-circular head of the arch between the nave and the chancel, although the date of this uncertain. One theory is that it dates from 946. The brick may have come from a Roman site in the immediate vicinity of Sandridge or from Verulamium; the abbots of St. Albans are known to have had a stockpile of Roman brick, which was one of the materials used in the fabric of the abbey.Stalley, Roger. ''Early Medieval Architecture'',Goog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Of Noblac
Leonard of Noblac (also Leonard of Limoges or Leonard of Noblet; also known as Lienard, Linhart, Leonhard, Léonard, Leonardo, Annard; died 559), is a Frankish saint closely associated with the town and abbey of Saint-Léonard-de-Noblat, in Haute-Vienne, in the Limousin region of France. He was converted to Christianity along with the king, at Christmas 496. Leonard became a hermit in the forest of Limousin, where he gathered a number of followers. Leonard or Lienard became one of the most venerated saints of the late Middle Ages. His intercession was credited with miracles for the release of prisoners, women in labour and the diseases of cattle. Traditional biography According to the romance that accrued to his name, recorded in an 11th-century ''vita'', Leonard was a Frankish noble in the court of Clovis I, founder of the Merovingian dynasty. Saint Remigius, Bishop of Reims was his godfather. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbot Of St Albans
{{Use dmy dates, date=April 2022 This is a list of abbots of St Albans Abbey up to its Dissolution in 1539. # Willegod (793–796) # Eadric # Wulsig # Wulnoth (Walworth) (c. 930) # Eadfrith # Wulsin (d. c. 968) # Aelfric # Ealdred # Eadmer # Leofric # Ælfric of Abingdon (d. 1005) # Leofstan # Frithric (Frederic) # Paul of Caen (1077–1093) # Richard d'Aubeney (1097–1119) # Geoffrey of Dunstable (1119–1146) # Ralph Gubion (1146–1151) # Robert de Gorron (1151–1166) # Symon (1167–1183) # Warin (1183–1195) # John de Cella (1195–1214) # William of Trumpington (1214–1235) # John of Hertford (1235–1263) # Roger de Norton (1263–1291) # John of Berkhamsted (1291-1302) # John de Maryns (1302–1308) # Hugh of Eversden (1308–1327) # Richard of Wallingford (1326–1335) # Michael of Mentmore (1335–1349) # Thomas de la Mare (1349–1396) # John de la Moote (1396–1401) # William Heyworth (1401–1420) # John of Wheathampstead ( John Whethamstede) (1420–1440) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rood
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem ''The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rood Screen
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron. The rood screen would originally have been surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. In English, Scottish, and Welsh cathedrals, monastic, and collegiate churches, there were commonly two transverse screens, with a rood screen or rood beam located one bay west of the pulpitum screen, but this double arrangement nowhere survives complete, and accordingly the preserved pulpitum in such churches is sometimes referred to as a rood screen. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in many parts of Europe, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early English (architecture)
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe. The Gothic style was introduced from France, where the various elements had first been used together within a single building at the choir of the Abbey of Saint-Denis north of Paris, completed in 1144. The earliest large-scale applications of Gothic architecture in England were Canterbury Cathedral and Westminster Abbey. Many features of Gothic architecture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Architecture
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches (particularly over windows and doorways) and especially massive proportions compared to other regional variations of the style. Origins These Romanesque styles originated in Normandy and became widespread in northwestern Europe, particularly in England, which contributed considerable development and where the largest number of examples survived. At about the same time, a Norman dynasty that ruled in Sicily produced a distinctive variation–incorporating Byzantine and Saracen influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
