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St John Passion Discography
Recordings of the ''St John Passion'' are shown as a sortable table of selected notable recordings of Johann Sebastian Bach's '' St John Passion'', BWV 245. The selection is taken from the 241 recordings listed on bach-cantatas as of 2015. History The work was first recorded by symphonic choirs and orchestras. From the late 1960s, historically informed performances (HIP) tried to adhere more to the sounds of the composer's lifetime, who typically wrote for boys choirs and for comparatively small orchestras of Baroque instruments, often now called "period instruments". Some scholars believe that Bach used only one singer for a vocal part in the choral movements, termed "one voice per part" (OVPP). On some of these recordings, the solo singer is reinforced in choral movements with a larger orchestra by a ripieno singer (OVPP+R). Table of selected recordings The sortable listing is taken mostly from the selection provided by Aryeh Oron on the Bach-Cantatas website. The informa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the ''St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marga Höffgen
Marga Anna Johanna Höffgen (26 April 1921 – 7 July 1995) was a German contralto, known for singing oratorios, especially the Passions by Johann Sebastian Bach, and operatic parts such as Erda in Wagner's '' Der Ring des Nibelungen'', performed at the Bayreuth Festival and Covent Garden Opera in London between 1960 and 1975. Career Born into a merchant family to parents Friedrich Höffgen (1899–1944) and her mother Maria, née von Eicken (1898–1944) in Mülheim an der Ruhr, Höffgen was 17 when she started studying at the Folkwangschule in Essen with Anna Erler-Schnaudt. Two years later, in 1939, she continued at the Musikhochschule Berlin with Hermann Weißenborn until 1942. In 1943, she was contracted by the Staatsoper Dresden, but did not start because she was pregnant with her second child. She made her concert debut in Berlin in 1952. She was noticed internationally when she performed the alto part in Bach's ''St Matthew Passion'' in Vienna in 1955, conducted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
