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St. Louis To Liverpool
''St. Louis to Liverpool'' is the seventh and tenth overall studio album by American musician Chuck Berry. Released in 1964 by Chess Records. It peaked at number 124 on the US ''Billboard'' album chart, the first of Berry's studio albums to appear on the chart. Music critic Dave Marsh called ''St. Louis to Liverpool'' "one of the greatest rock & roll records ever made". Background On October 18, 1963, Berry was released from prison after having spent 20 months incarcerated owing to conviction on a charge under the Mann Act. During his time in prison, emerging rock groups had found inspiration in his work. The Beach Boys had based their number 3 hit single "Surfin' U.S.A." on his "Sweet Little Sixteen"; the Beatles had included "Roll Over Beethoven" on their second American album; the debut single in the United Kingdom by the Rolling Stones was their cover of "Come On", and they had included " Carol" on their first American album, '' England's Newest Hitmakers''. Wishing to ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roll Over Beethoven
"Roll Over Beethoven" is a 1956 hit song written by Chuck Berry, originally released on Chess Records single, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to replace classical music. The title of the song is an imperative directed at the composer Ludwig van Beethoven to roll over out of the way and make room for the rock and roll music that Berry was promoting. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. ''Rolling Stone'' magazine ranked it number 97 on its list of the "500 Greatest Songs of All Time". Inspiration and lyrics According to ''Rolling Stone'' and Cub Koda of AllMusic, Berry wrote the song in response to his sister Lucy always using the family piano to play classical music when Berry wanted to play popular music. It was, as biographer Bruce Pegg says, "inspired in part by the rivalry between his sister Lucy's classical music trainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merry Christmas Baby
"Merry Christmas Baby" is an Rhythm and blues, R&B Christmas standard credited to Lou Baxter and Johnny Moore's Three Blazers, Johnny Moore. In 1947, Johnny Moore's Three Blazers recorded the tune, featuring vocals and piano by Charles Brown (musician), Charles Brown. Subsequently, many performers have recorded renditions of the song, including Chuck Berry, James Brown, Ike & Tina Turner, Otis Redding, B.B. King, Elvis Presley, Bruce Springsteen, Christina Aguilera, and Melissa Etheridge. Background Charles Brown tells the story of the song this way: And Johnny Moore did the deal with Lou Baxter and put his own name on it as well, apparently. Johnny Moore's Three Blazers was one of the hottest blues attractions on the West Coast when their recording of "Merry Christmas Baby" reached number three on Hot R&B/Hip-Hop Songs, ''Billboard'''s R&B Juke Box chart during the Christmas season of 1947. Moore, a guitarist, was accompanied by Brown, bassist Eddie Williams (saxophonist), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis, Tennessee (song)
"Memphis, Tennessee", sometimes shortened to "Memphis", is a song by Chuck Berry, first released in 1959. In the UK, the song charted at number 6 in 1963; at the same time Decca Records issued a cover version in the UK by Dave Berry and the Cruisers, which also became a UK Top 20 hit single. Johnny Rivers's version of the song was a number two US hit in 1964. Background In the song the narrator is speaking to a long-distance operator, trying to find out the number of a girl named Marie, who lives in Memphis, Tennessee, "on the southside, high upon a ridge, just a half a mile from the Mississippi bridge." The narrator offers little information to the operator at first, only that he misses Marie and that they were separated by Marie's mother. The final verse reveals that Marie is, in fact, the narrator's six-year-old daughter; her mother, presumably the narrator's ex-wife, "tore apart our happy home" because she "did not agree", as it turned out, with their marriage, not his rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promised Land (Chuck Berry Song)
"Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album '' St. Louis to Liverpool''. Released in December 1964, it was Berry's first single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the ''Billboard'' charts on January 16, 1965. Background Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Never Can Tell (song)
"You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act. Released in 1964 on the album '' St. Louis to Liverpool'' and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until " My Ding-a-Ling", a number 1 in October 1972. The song performed slightly better in Canada, and also reached the Top 40 in the United Kingdom. Berry's recording features an iconic piano hook played by Johnnie Johnson. A 1977 Top Ten C&W hit for Emmylou Harris, the song has also been recorded or performed by Loggins and Messina, Chely Wright, John Prine, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, Buster Shuffle and Bob Seger. Description The song tells of the wedding of two teenagers and their lifestyle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Particular Place To Go
"No Particular Place to Go" is a song by Chuck Berry, released as a single by Chess Records in May 1964 and released on the album ''St. Louis to Liverpool'' in November 1964 (see 1964 in music). "No Particular Place to Go" was recorded on March 25, 1964 in Chicago, Illinois and features the same music as Berry's earlier hit " School Days". Lyrics The song is a comical four verse story. In the first verse, the narrator is riding in his car as his girlfriend drives, and they kiss. In the second, they start to cuddle, and drive slow. In the third, they decide to park and take a walk, but are unable to release the seat belt. In the last verse, they drive home, defeated by said recalcitrant seat belt. Recording The session(s) during which "No Particular Place to Go" was recorded were produced by Leonard and Phil Chess, and backing Berry were pianist Paul Williams, drummer Odie Payne, and bassist Louis Satterfield. Charts Cover versions In 1982 George Thorogood & the Destroyer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England's Newest Hitmakers
''The Rolling Stones'' is the debut studio album by the English rock band of the same name, released by Decca Records in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled ''England's Newest Hit Makers'', which later became its official title. Recording Recorded at Regent Sound Studios in London over the course of five days in January and February 1964, ''The Rolling Stones'' was produced by then-managers Andrew Loog Oldham and Eric Easton. The album was originally released by Decca Records in the UK, while the US version appeared on the London Records label. The majority of the tracks reflect the band's love for R&B. Mick Jagger and Keith Richards (whose professional name until 1978 omitted the "s" in his surname) were fledgling songwriters during early 1964, contributing only one original composition to the album: "Tell Me (You're Coming Back)". Two songs are credited to "Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol (Chuck Berry Song)
"Carol" is a song written and recorded by Chuck Berry, first released by Chess Records in 1958, with "Hey Pedro" as the B-side. The single reached number 18 on ''Billboard's'' Hot 100 and number 9 on the magazine's R&B chart. In 1959, it was included on his first compilation album, ''Chuck Berry Is on Top''. Berry employs his well-known guitar figure, which AllMusic critic Matthew Greenwald describes as "a guitar lick that indeed propelled not just Berry's greatest works, but the rock & roll genre itself." The Rolling Stones recorded it in 1964 for their debut album and a live version was released on ''Get Yer Ya-Ya's Out!'' (1969). A live recording from Oakland in November 1969 is included in the bootleg Live'r Than You'll Ever Be. Their recordings were preceded by a performance by the Beatles in 1963, later included on ''Live at the BBC {{Unreferenced, date=May 2019, bot=noref (GreenC bot) Live at the BBC or BBC Recordings are recordings originally made for or by BBC Radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
