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St. Dragon And The George
The ''Dragon Knight'' is a series of fantasy novels begun in 1976 by American writer Gordon R. Dickson. The first book, based on the short story "St. Dragon and the George", was loosely adapted in the 1982 animated movie '' The Flight of Dragons'' by Rankin/Bass. The title here refers in part to an in-universe nomenclature, wherein the story's dragons use the name "george" as a synonym or substitute of "human", after 'St. George the Dragon-Slayer', and in part a reference to the latter. Characters Jim Eckert Baron Sir James Eckert de Bois de Malencontri et Riveroak, a.k.a. "the Dragon Knight" or sometimes "Sir Dragon". The protagonist of the series, a minor academic originating in the 20th century, who to save his fiancée, Angela "Angie" Farell, follows her by astral projection to a parallel universe resembling medieval England, where his psyche is lodged in the body of a dragon named Gorbash. On consultation with the mystic Carolinus (see below), he is sent to rescue Angi ...
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Gordon R
Gordon may refer to: People * Gordon (given name), a masculine given name, including list of persons and fictional characters * Gordon (surname), the surname * Gordon (slave), escaped to a Union Army camp during the U.S. Civil War * Clan Gordon, aka the House of Gordon, a Scottish clan Education * Gordon State College, a public college in Barnesville, Georgia * Gordon College (Massachusetts), a Christian college in Wenham, Massachusetts * Gordon College (Pakistan), a Christian college in Rawalpindi, Pakistan * Gordon College (Philippines), a public university in Subic, Zambales * Gordon College of Education, a public college in Haifa, Israel Places Australia *Gordon, Australian Capital Territory *Gordon, New South Wales * Gordon, South Australia *Gordon, Victoria *Gordon River, Tasmania *Gordon River (Western Australia) Canada *Gordon Parish, New Brunswick *Gordon/Barrie Island, municipality in Ontario *Gordon River (Chochocouane River), a river in Quebec Scotland *Gordon ( ...
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Archetype
The concept of an archetype (; ) appears in areas relating to behavior, historical psychology, and literary analysis. An archetype can be any of the following: # a statement, pattern of behavior, prototype, "first" form, or a main model that other statements, patterns of behavior, and objects copy, emulate, or "merge" into. Informal synonyms frequently used for this definition include "standard example", "basic example", and the longer-form "archetypal example"; mathematical archetypes often appear as "canonical examples". # the Platonic concept of ''pure form'', believed to embody the fundamental characteristics of a thing. # a collectively-inherited unconscious idea, a pattern of thought, image, etc., that is universally present, in individual psyches, as in Jungian psychology # a constantly-recurring symbol or motif in literature, painting, or mythology. This definition refers to the recurrence of characters or ideas sharing similar traits throughout various, seemingly unrel ...
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Goblin
A goblin is a small, grotesque, monstrous creature that appears in the folklore of multiple European cultures. First attested in stories from the Middle Ages, they are ascribed conflicting abilities, temperaments, and appearances depending on the story and country of origin, ranging from mischievous household spirits to malicious, bestial thieves. They often have magical abilities similar to a fairy or demon, such as the ability to shapeshift. Similar creatures include brownies, dwarves, duendes, gnomes, imps, leprechauns, and kobolds, but it is also commonly used as a blanket term for all small, fay creatures. The term is sometimes expanded to include goblin-like creatures of other cultures, such as the pukwudgie, dokkaebi or ifrit. Etymology Alternative spellings include ''gobblin'', ''gobeline'', ''gobling'', ''goblyn'', ''goblino'', and ''gobbelin''. The term "goblette" has been used to refer to female goblins. The word ''goblin'' is first recorded in the 14th centur ...
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Brownie (folklore)
A brownie or broonie ( Scots), also known as a or (Scottish Gaelic), is a household spirit or Hobgoblin from Scottish folklore that is said to come out at night while the owners of the house are asleep and perform various chores and farming tasks. The human owners of the house must leave a bowl of milk or cream or some other offering for the brownie, usually by the hearth. Brownies are described as easily offended and will leave their homes forever if they feel they have been insulted or in any way taken advantage of. Brownies are characteristically mischievous and are often said to punish or pull pranks on lazy servants. If angered, they are sometimes said to turn malicious, like boggarts. Brownies originated as domestic tutelary spirits, very similar to the Lares of ancient Roman tradition. Descriptions of brownies vary regionally, but they are usually described as ugly, brown-skinned, and covered in hair. In the oldest stories, they are usually human-sized or larger. In ...
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Hobgoblin
A hobgoblin is a household spirit, typically appearing in folklore, once considered helpful, but which since the spread of Christianity has often been considered mischievous. Shakespeare identifies the character of Puck in his ''A Midsummer Night's Dream'' as a hobgoblin. Etymology The term "hobgoblin" comes from " hob" ("elf") The earliest known use of the word can be traced to about 1530, although it was likely in use for some time prior to that. Folklore Hobgoblins seem to be small, hairy little men who, like their close relatives the brownies, are often found within human dwellings, doing odd jobs around the house while the family is asleep. Such chores are typically small tasks like dusting and ironing. Often, the only compensation necessary in return for these is food. While brownies are more peaceful creatures, hobgoblins are more fond of practical jokes. They also seem to be able to shapeshift, as seen in one of Puck's monologues in ''A Midsummer Night's Dream''. Rob ...
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Giant (mythology)
In folklore, giants (from Ancient Greek: '' gigas'', cognate giga-) are beings of human-like appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the ''Gigantes'' ( grc-gre, Γίγαντες) of Greek mythology. Fairy tales such as '' Jack the Giant Killer'' have formed the modern perception of giants as dimwitted ogres, sometimes said to eat humans, while other giants tend to eat the livestock. The antagonist in ''Jack and the Beanstalk'' is often described as a giant. In some more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly. Literary and cultural analysis Giants appear in the folklore of cultures worldwide as they represent a relatively simple concept. Representing the human body enlarged to the point of being monstrous, giants evoke terror and remind humans ...
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Jealousy
Jealousy generally refers to the thoughts or feelings of insecurity, fear, and concern over a relative lack of possessions or safety. Jealousy can consist of one or more emotions such as anger, resentment, inadequacy, helplessness or disgust. In its original meaning, ''jealousy'' is distinct from envy, though the two terms have popularly become synonymous in the English language, with ''jealousy'' now also taking on the definition originally used for envy alone. These two emotions are often confused with each other, since they tend to appear in the same situation. Jealousy is a typical experience in human relationships, and it has been observed in infants as young as five months.Draghi-Lorenz, R. (2000). Five-month-old infants can be jealous: Against cognitivist solipsism. Paper presented in a symposium convened for the XIIth Biennial International Conference on Infant Studies (ICIS), 16–19 July, Brighton, UK. Some researchers claim that jealousy is seen in all cultures and ...
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Courage
Courage (also called bravery or valor) is the choice and willingness to confront agony, pain, danger, uncertainty, or intimidation. Valor is courage or bravery, especially in battle. Physical courage is bravery in the face of physical pain, hardship, even death, or threat of death; while moral courage is the ability to act rightly in the face of popular opposition, shame, scandal, discouragement, or personal loss. The classical virtue of fortitude (''andreia, fortitudo'') is also translated "courage", but includes the aspects of perseverance and patience. In the Western tradition, notable thoughts on courage have come from philosophers Socrates, Plato, Aristotle, Aquinas, and Kierkegaard, as well as Christian beliefs and texts. In the Hindu tradition, mythology has given many examples of bravery, valor and courage, with examples of both physical and moral courage exemplified. In the Eastern tradition, the Chinese text ''Tao Te Ching'' offers a great deal of thoughts on cou ...
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Western Dragon
The European dragon is a legendary creature in folklore and mythology among the overlapping cultures of Europe. The Roman poet Virgil in his poem ''Culex'' lines 163-201, describing a shepherd having a fight with a big constricting snake, calls it "serpens" and also "draco", showing that in his time the two words probably could mean the same thing. In and after the early Middle Ages, the European dragon is typically depicted as a large, fire-breathing, scaly, horned, lizard-like creature; the creature also has leathery, bat-like wings, four legs, and a long, muscular prehensile tail. Some depictions show dragons with one or more of: feathered wings, crests, ear frills, fiery manes, ivory spikes running down its spine, and various exotic decorations. In folktales, dragon's blood often contains unique powers, keeping them alive for longer or giving them poisonous or acidic properties. The typical dragon in Christian culture protects a cavern or castle filled with gold and trea ...
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Châtelain
Châtelain (from la, castellanus, derived from ''castellum''; pertaining to a castle, fortress. Middle English: '' castellan'' from Anglo-Norman: ''castellain'' and Old French: ''castelain'') was originally the French title for the keeper of a castle.Abraham Rees Ebers, "CASTELLAIN", in: The Cyclopædia, or Universal Dictionary of Arts, Sciences, and Literature' (London: Longman, Hurst, Rees, Orme & Brown, 1819), vol. 6. History With the growth of the feudal system, the title gained in France a special significance which it never acquired in England since the Norman conquest, as implying the jurisdiction of which the castle became the centre. The ''châtelain'' was originally, in Carolingian times, an official of the ''comte'' (count); with the development of feudalism the office became a fief, and so ultimately hereditary. In this as in other respects the ''châtelain'' was the equivalent of the viscount. Sometimes the two titles were combined, but more usually there were no v ...
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Damsel In Distress
The damsel in distress is a recurring narrative device in which one or more men must rescue a woman who has either been kidnapped or placed in general peril. Kinship, love, or lust (or a combination of those) gives the male protagonist the motivation or compulsion to initiate the narrative. The female character herself may be competent, but still finds herself in this type of situation. The helplessness of these fictional females, according to some critics, is linked to views outside of fiction that women as a group need to be taken care of by men. The evolution of the trope throughout history has been described as such: "What changes through the decades isn’t the damsel (the woman is always the weak victim in need of the male savior) – it’s the attacker. The faces of the attacker in popular media are legion: monsters, mad scientists, Nazis, hippies, bikers, aliens... whichever group best meets the collective fears of a culture gets the role". Etymology The word "damsel ...
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Pragmatism
Pragmatism is a philosophical tradition that considers words and thought as tools and instruments for prediction, problem solving, and action, and rejects the idea that the function of thought is to describe, represent, or mirror reality. Pragmatists contend that most philosophical topics—such as the nature of knowledge, language, concepts, meaning, belief, and science—are all best viewed in terms of their practical uses and successes. Pragmatism began in the United States in the 1870s. Its origins are often attributed to the philosophers Charles Sanders Peirce, William James, and John Dewey. In 1878, Peirce described it in his pragmatic maxim: "Consider the practical effects of the objects of your conception. Then, your conception of those effects is the whole of your conception of the object."Peirce, C.S. (1878), " How to Make Our Ideas Clear", ''Popular Science Monthly'', v. 12, 286–302. Reprinted often, including ''Collected Papers'' v. 5, paragraphs 388–410 an ...
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