|
St. Augustine In His Study (Carpaccio)
''St. Augustine in His Study'' (also called ''Vision of St. Augustine'') is a tempera on panel painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. History The works dates to Carpaccio's mature period, when he was commissioned by the "scuola" (guild or corporation) of the '' Schiavoni'' (Dalmatians) to execute a cycle of nine paintings narrating the stories of their patron saints (George, Jerome, Augustine and Tryphon). The work began in 1502 and was completed in 1508. In the 1940s, the paintings underwent restoration that has since discoloured Carpaccio's original vibrant palette to amber tones. Some works have also partially detached from their canvas support and have areas of lifting and flaking paint, as well as scratches and abrasions. In September 2019, an expected two-year conservation campaign began under the sponsorship by the non-profit organization Save Venice Inc. Description T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Augustine Of Hippo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Vittore Carpaccio
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1502 Paintings
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * 15 (Buckcherry album), ''15'' (Buckcherry album), 2005 * 15 (Ani Lorak album), ''15'' (Ani Lorak album), 2007 * 15 (Phatfish album), ''15'' (Phatfish album), 2008 * 15 (mixtape), ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * Fifteen (Green River Ordinance album), ''Fifteen'' (Green River Ordinance album), 2016 * Fifteen (The Wailin' Jennys album), ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs *Fifteen (song), "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album ''Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prie-dieu
A prie-dieu ( French: literally, "pray oGod") is a type of prayer desk primarily intended for private devotional use, but which may also be found in churches. A similar form of chair in domestic furniture is called "prie-dieu" by analogy. Sometimes, a prie-dieu will consist only of the sloped shelf for books without the kneeler. History The prie-dieu appears not to have received its present name until the early 17th century. In that period in France, a small room or oratory was sometimes known by the same name. In the Middle Ages, the faithful attended the parish services standing. From the 16th century onwards, wooden benches or chairs were made available, according to an order fixed by the customary law, and rented from the farmer who was the successful bidder for the "chair farm" or from the churchwarden, the fixed prices (increased during solemn masses) being collected by the chairmaker. Description and use It is a small, ornamental wooden desk furnished with a thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bessarion
Bessarion ( el, Βησσαρίων; 2 January 1403 – 18 November 1472) was a Byzantine Greek Renaissance humanist, theologian, Catholic cardinal and one of the famed Greek scholars who contributed to the so-called great revival of letters in the 15th century. He was educated by Gemistus Pletho in Neoplatonic philosophy and later served as the titular Latin Patriarch of Constantinople. He eventually was named a cardinal and was twice considered for the papacy. His baptismal name was Basil (Greek: Βασίλειος, ''Basileios'' or ''Basilios''). The name Bessarion he took when entering the monastery. He has been mistakenly known also as Johannes Bessarion ( it, Giovanni Bessarione) due to an erroneous interpretation of Gregory III Mammas. Biography Bessarion was born in Trebizond, the Black Sea port in northeastern Anatolia that was the heart of Pontic Greek culture and civilization during the Byzantine and Ottoman periods. The year of his birth has been given a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrolabe
An astrolabe ( grc, ἀστρολάβος ; ar, ٱلأَسْطُرلاب ; persian, ستارهیاب ) is an ancient astronomical instrument that was a handheld model of the universe. Its various functions also make it an elaborate inclinometer and an analog calculation device capable of working out several kinds of problems in astronomy. In its simplest form it is a metal disc with a pattern of wires, cutouts, and perforations that allows a user to calculate astronomical positions precisely. Historically used by astronomers, it is able to measure the altitude above the horizon of a celestial body, day or night; it can be used to identify stars or planets, to determine local latitude given local time (and vice versa), to survey, or to triangulate. It was used in classical antiquity, the Islamic Golden Age, the European Middle Ages and the Age of Discovery for all these purposes. The astrolabe's importance comes not only from the early developments into the study of astron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regiomontanus
Johannes Müller von Königsberg (6 June 1436 – 6 July 1476), better known as Regiomontanus (), was a mathematician, astrologer and astronomer of the German Renaissance, active in Vienna, Buda and Nuremberg. His contributions were instrumental in the development of Copernican heliocentrism in the decades following his death. Regiomontanus wrote under the Latinized name of ''Ioannes de Monteregio'' (or ''Monte Regio''; ''Regio Monte''); the toponym ''Regiomontanus'' was first used by Philipp Melanchthon in 1534. He is named after Königsberg, Bavaria, Königsberg in Lower Franconia, not the larger Königsberg (modern Kaliningrad) in Prussia. Life Although little is known of Regiomontanus' early life, it is believed that at eleven years of age, he became a student at the University of Leipzig, Electorate of Saxony, Saxony. In 1451 he continued his studies at University of Vienna, Alma Mater Rudolfina, the university in Vienna, Duchy of Austria, Austria. There he became a pupil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonello Da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy, although this is now disputed. Unusually for a southern Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice. Biography Early life and training Antonello was born at Messina around 1429–1431, to Garita (Margherita) and Giovanni de Antonio Mazonus, a sculptor who trained him early on. He and his family resided in the Sicofanti district of the city. Antonello is thought to have apprenticed in Rome before going to Naples, where Netherlandish painting was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Vittore Carpaccio")
