|
Spruchdichtung
Spruchdichtung or Sangspruchdichtung is the German term for a genre of Middle High German sung verse. An individual work in this genre is called a Spruch (plural ''Sprüche''), literally a "saying", and may consist of one or more strophes. While closely associated with the lyric genre Minnesang, its theme is not love, but rather the Spruch treated predominantly of rational, didactic and pragmatic issues, including, for example, socio-political commentary, topics related to moral or religious teaching and philosophy, practical wisdom, biographical material, praise of patrons, begging and much else besides. Where the texts offer general moral comment, they may also be considered gnomic poetry, while works directed at particular personages or issues are rather political poetry. The most important medieval collection of Sprüche is the Jenaer Liederhandschrift (MS J), which also has a large number of Spruch melodies. The Poets The main poets working in this genre are: * Spervogel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German Literature
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the ''mittelhochdeutsche Blütezeit'' (). This was the period of the blossoming of ''Minnesang'', MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court. Historical overview The vernacular literature of the Old High German period, written in abbeys an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Frauenlob
Heinrich Frauenlob (between 1250 and 1260 – 29 November 1318), sometimes known as Henry of Meissen (''Heinrich von Meißen''), was a Middle High German poet, a representative of both the '' Sangspruchdichtung'' and ''Minnesang'' genres. He was one of the most celebrated poets of the late medieval period, venerated and imitated well into the 15th century. Biography Frauenlob was born in the town of Meissen in Saxony. He had great musical talents and probably held a court position in Prague at the beginning of his career. After several years wandering as a minstrel in the service of various patrons, he is said to have established the first school of the meistersingers at Mainz, although no documentary evidence confirms that early tradition. The stage name Frauenlob (Middle High German ''Vrowenlop''), meaning "praise of ladies", is said to have been given to him as the result of a poetic contest with the poet-minstrel Regenbogen, in which he maintained that the term ''frau'' "lady, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walther Von Der Vogelweide
Walther von der Vogelweide (c. 1170c. 1230) was a Minnesänger who composed and performed love-songs and political songs (" Sprüche") in Middle High German. Walther has been described as the greatest German lyrical poet before Goethe; his hundred or so love-songs are widely regarded as the pinnacle of Minnesang, the medieval German love lyric, and his innovations breathed new life into the tradition of courtly love. He was also the first political poet to write in German, with a considerable body of encomium, satire, invective, and moralising. Little is known about Walther's life. He was a travelling singer who performed for patrons at various princely courts in the states of the Holy Roman Empire. He is particularly associated with the Babenberg court in Vienna. Later in life he was given a small fief by the future Holy Roman Emperor, Frederick II. His work was widely celebrated in his time and in succeeding generations—for the Meistersingers he was a songwriter to emulate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenaer Liederhandschrift
The Jenaer Liederhandschrift (German, the "Jena song manuscript") is a 14th-century manuscript containing lyrics and melodies to songs in Middle High German. The majority of the lyrics belong to the genre of Spruchdichtung and, with 91 melodies, the manuscript is the single most important source for the music of this genre. It is currently held in the Thuringian Universitäts- und Landesbibliothek, Jena, with the shelf-mark Ms. El. f. 101. In Minnesang scholarship it is referred to as Manuscript J. A further fragment, consisting of a single sheet, is in the in Dillingen (XV Fragm. 19). Description The manuscript comprises 133 (of an original 154) folios and contains collections of lyrics by 31 named poets, along with an anonymous religious song (a Leich), and the text of the '' Wartburgkrieg'' ("The song-contest at the Wartburg"). The quality of the manuscript is exceptional: The unusual size of the manuscript, 56 by 41 cm, the outstanding quality of the parchment, the carefu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenaer Liederhandschrift
The Jenaer Liederhandschrift (German, the "Jena song manuscript") is a 14th-century manuscript containing lyrics and melodies to songs in Middle High German. The majority of the lyrics belong to the genre of Spruchdichtung and, with 91 melodies, the manuscript is the single most important source for the music of this genre. It is currently held in the Thuringian Universitäts- und Landesbibliothek, Jena, with the shelf-mark Ms. El. f. 101. In Minnesang scholarship it is referred to as Manuscript J. A further fragment, consisting of a single sheet, is in the in Dillingen (XV Fragm. 19). Description The manuscript comprises 133 (of an original 154) folios and contains collections of lyrics by 31 named poets, along with an anonymous religious song (a Leich), and the text of the '' Wartburgkrieg'' ("The song-contest at the Wartburg"). The quality of the manuscript is exceptional: The unusual size of the manuscript, 56 by 41 cm, the outstanding quality of the parchment, the carefu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruder Wernher
Bruder Wernher (fl. 13th century) was an Duchy of Austria, Austrian poet who wrote Middle High German ''Spruchdichtung, Sprüche'', social or political songs, as opposed to love songs. ''Bruder'' (brother) is not a name, but a description indicating that he was a lay brother, friar or perhaps even monk. Given his association with the Austrian court and his evident knowledge of courtliness, it is likely that he only joined a religious organization later in life. Wernher lived at the court of Dukes Leopold VI, Duke of Austria, Leopold VI (1198–1230) and Frederick II, Duke of Austria, Frederick II (1230–1246). He took part in the Sixth Crusade (1228–1229) under Emperor Frederick II, Holy Roman Emperor, Frederick II. In one poem, he is highly critical of Pope Gregory IX for the War of the Keys, war he instigated against Frederick II in 1228. Written shortly after his return from crusading, he urged the pope to make peace with the emperor and stop preventing Germans from going on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinmar Von Zweter
Reinmar von Zweter (also spelled Reymar von Zwetel, Reymar von Zweten, Römer von Zwickau, Ehrenbote, born around 1200 in Zeutern, today known as Ubstadt-Weiher, Germany; died after 1248) was a Middle High German poet of Spruchdichtung. The iconography in the Manesse Codex (see illustration) suggests that he may have been blind, since he is the only person represented in the manuscript with closed eyes and other people writing. The caption, not shown here, of that miniature refers to him as "Herr" (then spelled "Her") Reinmar, implying that he was a knight and that he became blind (if he was blind) in adulthood. Life According to his writings, he was "born at the Rhine and grown up in Austria". He started his work as a poet around 1227 in Austria. Living under Leopold VI of Austria and Frederick II, Duke of Austria, his writings indicate a stay in Bohemia under Venceslas I of Bohemia. Apparently, Reinmar was continuously on the move after 1241. His last confirmed writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to ''Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alternating form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnesang
(; "love song") was a tradition of lyric- and song-writing in Germany and Austria that flourished in the Middle High German period. This period of medieval German literature began in the 12th century and continued into the 14th. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The name derives from ''minne'', the Middle High German Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High ... word for love, as that was ''Minnesang'''s main subject. The ''Minnesänger'' were similar to the Occitan language, Provençal troubadours and northern French language, French ''trouvères'' in that they wrote love poetry in the tradition of courtly love in the High Middle Ages. Social status In the absence of reliable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnomic Poetry
: ''For the map projection see Gnomonic projection; for the game, see Nomic; for the mythological being, see Gnome.'' Gnomic poetry consists of meaningful sayings put into verse to aid the memory. They were known by the Greeks as gnomes (c.f. the Greek adjective γνωμικός (''gnomikos'') "appertaining to an opinion or aphorism"). A ''gnome'' was defined by the Elizabethan critic Henry Peacham as "a saying pertaining to the manners and common practices of men, which declareth, with an apt brevity, what in this our life ought to be done, or not done". It belongs to the broad family of wisdom literature, which expresses general truths about the world. Topics range over the divine and secular, from moral aphorisms to hierarchical social relationships. Ancient Greek gnomic literature The gnomic poets of Greece, who flourished in the 6th century BC, were those who arranged series of sententious maxims in verse. These were collected in the 4th century, by Lobon of Argos, an orat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Political Poetry
Political poetry brings together politics and poetry. According to "The Politics of Poetry"by David Orr (journalist), David Orr, poetry and politics connect through expression and feeling, although both of them are matters of persuasion. Political poetry connects to people's feelings, and politics connects to current events. Poetry can also make political references and have real effects on the perception of politics. Political poetry can impact readers because both politics and poetry express views, with political poetry often defined as being: "a specific political situation; rooted in an identifiable political philosophy; addressing a particular political actor; written in language that can be understood and appreciated by its intended audience; and finally, offered in a public forum where it can have maximum persuasive effect". Political poetry has existed from the earliest times, including the Ancient Rome, Roman, Horace ( 65 BC – 8 BC). Can poetry be political? Some cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
