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Spring Hall, Halifax
Spring Hall, also known as Spring Hall Mansions, is a mansion situated off the Huddersfield Road, Halifax, West Yorkshire. A house had been built on the site by 1614, but it was demolished in 1870 leaving only the cellars. It was rebuilt in Gothic Revival style and completed in 1871 to a larger ground plan by architects James Mallinson and William Swinden Barber for Tom Holdsworth. In World War I, the house served as a hospital. It remained in the family's ownership until the death of Holdsworth's nephew in 1920. Subsequently, it became a boarding house, and passed through several hands until it was presented to Halifax Corporation in 1948. After most of the grounds had been sold off, the remainder was used for sports and recreation, the building was later used as a ballet studio. The building fell into disrepair but was renovated in 2009. As of 2014, Calderdale Register Office has officiated at wedding ceremonies in the Hall's ground floor suite since 2011, and the upper floors a ...
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William Swinden Barber
William Swinden Barber FRIBA (29 March 1832 – 26 November 1908), also W. S. Barber or W. Swinden Barber, was an English Gothic Revival and Arts and Crafts architect, specialising in modest but finely furnished Anglican churches, often with crenellated bell-towers. He was based in Brighouse and Halifax in the West Riding of Yorkshire. At least 15 surviving examples of his work are Grade II listed buildings, including his 1875 design for the Victoria Cross at Akroydon, Halifax. An 1864 portrait by David Wilkie Wynfield depicts him in Romantic garb, holding a flower. He served in the Artists Rifles regiment in the 1860s alongside Wynfield and other contemporary artists. Background Ancestors Barber's great-great-grandfather was Joshua Barber. Joshua was the ancestor of three main branches of the West Yorkshire Barber family: at Southowram, Brighouse and Rastrick. William Swinden Barber was descended from the Southowram branch, and he produced work at Brighouse and Rastri ...
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Gothic Revival Architecture
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" t ...
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Pinnacle
A pinnacle is an architectural element originally forming the cap or crown of a buttress or small turret, but afterwards used on parapets at the corners of towers and in many other situations. The pinnacle looks like a small spire. It was mainly used in Gothic architecture. The pinnacle had two purposes: # Ornamental – adding to the loftiness and verticity of the structure. They sometimes ended with statues, such as in Milan Cathedral. # Structural – the pinnacles were very heavy and often rectified with lead, in order to enable the flying buttresses to contain the stress of the structure vaults and roof. This was done by adding compressive stress (a result of the pinnacle weight) to the thrust vector and thus shifting it downwards rather than sideways. History The accounts of Jesus' temptations in Matthew's and Luke's gospels both suggest that the Second Temple in Jerusalem had one or more pinnacles ( gr, το πτερυγιον του ιερου): :Then he (Satan) br ...
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Register Office
A register office or The General Register Office, much more commonly but erroneously registry office (except in official use), is a British government office where births, deaths, marriages, civil partnership, stillbirths and adoptions in England, Wales and Northern Ireland are registered. It is the licensed local of civil registry. In Scotland, The General Register Office for Scotland (GROS) was in service until 2011, when this department was transferred to National Records of Scotland. England and Wales In England and Wales, register offices record births, marriages, deaths, civil partnership, stillbirths and adoptions. Set up by Act of Parliament in 1837, the statutory registration service is overseen by the Registrar General as part of the General Register Office, part of the Home Office Identity and Passport Service but provided locally by local authorities. Similar rules regarding registration have applied in Scotland since 1855 and in Northern Ireland since 1845 for non- ...
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Spring Hall Halifax 005
Spring(s) may refer to: Common uses * Spring (season), a season of the year * Spring (device), a mechanical device that stores energy * Spring (hydrology), a natural source of water * Spring (mathematics), a geometric surface in the shape of a helically coiled tube * Spring (political terminology), often used to name periods of political liberalization * Springs (tide), in oceanography, the maximum tide, occurs twice a month during the full and new moon Places * Spring (Milz), a river in Thuringia, Germany * Spring, Alabel, a barangay unit in Alabel, Sarangani Province, Philippines * Șpring, a commune in Alba County, Romania * Șpring (river), a river in Alba County, Romania * Springs, Gauteng, South Africa * Springs, the location of Dubai British School, Dubai United States * Springs, New York, a part of East Hampton, New York * Springs, Pennsylvania, an unincorporated community * Spring, Texas, a census-designated place * Spring District, neighborhood in Bellevue, Washington ...
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Lion (heraldry)
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden. History The animal designs in the heraldry of the high medieval period are a continuation of the animal style of the Viking Age, ultimately derived from the style of Scythian art as it developed from c. the 7th century BC. Symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. The animals of the "barbarian" (Eurasian) predecessors of heraldic designs are likely to have been used as ...
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Crest (heraldry)
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century (the era referred to by heraldists as that of "paper heraldry"). A normal heraldic achievement consists of the shield, above which is set the helm, on which sits the crest, its base encircled by a circlet of twisted cloth known as a torse. The use of the crest and torse independently from the rest of the achievement, a practice which became common in the era of paper heraldry, has led the term "crest" to be frequently but erroneously used to refer to the arms displayed on the shield, or to the achievement as a whole. Origin The word "crest" derives from the Latin ''crista'', meaning "tuft" or "plume", perhaps related to ''crinis'', "hair". Crests had existed in various forms since ancient times: Roman officers wore fans of ...
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Ogee
An ogee ( ) is the name given to objects, elements, and curves—often seen in architecture and building trades—that have been variously described as serpentine-, extended S-, or sigmoid-shaped. Ogees consist of a "double curve", the combination of two semicircular curves or arcs that, as a result of a point of inflection from concave to convex or ''vice versa'', have ends of the overall curve that point in opposite directions (and have tangents that are approximately parallel). First seen in textiles in the 12th century, the use of ogee elements—in particular, in the design of arches—has been said to characterise various Gothic and Gothic Revival architectural styles. The shape has many such uses in architecture from those periods to the present day, including in the ogee arch in these architectural styles, where two ogees oriented as mirror images compose the sides of the arch, and in decorative molding designs, where single ogees are common profiles (see opening image) ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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