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Speechless (Fred Frith Album)
''Speechless'' is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on The Residents' Ralph record label. It was the second of three solo albums Frith made for the label. ''Speechless'' was recorded in France, Switzerland and the United States, and featured Frith with French Rock in Opposition group Etron Fou Leloublan on the first side of the LP, and Frith's New York City band Massacre on the second. It is mostly a studio album with extracts from a Massacre concert mixed into four of the tracks on side two of the LP. ''Speechless'' has been described as a mixture of folk music, free improvisation, avant-rock and noise. AllMusic said that it is often regarded as one of Frith's best solo albums. Background and recording ''Speechless'' was the second of a series of three solo albums Frith made for The Residents's record label Ralph Rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Frith
Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including ''Traffic Continues'' (1996, performed 1998 by Frith and Ensemble Modern) and ''Freedom in Fragments'' (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics. He is the subject of Nicolas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Field Recording
Field recording is the term used for an audio recording produced outside a recording studio, and the term applies to recordings of both natural and human-produced sounds. It also applies to sound recordings like electromagnetic fields or vibrations using different microphones like a passive magnetic antenna for electromagnetic recordings or contact microphones. For underwater field recordings, a field recordist uses hydrophones to capture the sounds and/or movements of whales, or other aquatic organisms. These recordings are very useful for sound designers. Field recording of natural sounds, also called phonography (a term chosen to illustrate its similarities to photography), was originally developed as a documentary adjunct to research work in the field, and foley work for film. With the introduction of high-quality, portable recording equipment, it has subsequently become an evocative artform in itself. In the 1970s, both processed and natural phonographic recordings, (p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Object (music)
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. Use in classical and experimental music The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen, although it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are credited on many tracks. The ambient music movement which followed Eno's lead has also made use of such sounds, with notable exponents being performers such as Future Sound of London and Autechre, and natural sounds have also been incorporated into many pieces of new-age music. Also other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CBGB
CBGB was a New York City music club opened in 1973 by Hilly Kristal in Manhattan's East Village. The club was previously a biker bar and before that was a dive bar. The letters ''CBGB'' were for '' Country'', '' BlueGrass'', and '' Blues'', Kristal's original vision, yet CBGB soon became a famed venue of punk rock and new wave bands like the Ramones, Television, Patti Smith Group, Blondie, and Talking Heads. From the early 1980s onward, CBGB was known for hardcore punk. One storefront beside CBGB became the "CBGB Record Canteen", a record shop and café. In the late 1980s, "CBGB Record Canteen" was converted into an art gallery and second performance space, "CB's 313 Gallery". CB's Gallery was played by music artists of milder sounds, such as acoustic rock, folk, jazz, or experimental music, such as Dadadah, Kristeen Young and Toshi Reagon, while CBGB continued to showcase mainly hardcore punk, post punk, metal, and alternative rock. 313 Gallery was also the host location ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pujaut
Pujaut (; oc, Puejaut) is a commune in the Gard department in southern France. The village is situated on the south side of a small hill overlooking a flat plain that once formed the bed of a lake. The lake was drained at the beginning of the 17th century. The village is located 3.5 km west of the Rhône, 4.5 km north of Villeneuve-lès-Avignon and 5 km south of Roquemaure. In 2017 the commune had a population of 4,136. Geography Climate Pujaut has a hot-summer Mediterranean climate (Köppen climate classification ''Csa''). The average annual temperature in Pujaut is . The average annual rainfall is with November as the wettest month. The temperatures are highest on average in July, at around , and lowest in January, at around . The highest temperature ever recorded in Pujaut was on 28 June 2019; the coldest temperature ever recorded was on 2 January 2002. Population See also *Communes of the Gard department This is a list of the 351 communes of the Gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Muffins
The Muffins were an American Maryland-based progressive rock/avant-jazz group. They were formed in Washington, DC in the early 1970s and recorded four albums before disbanding in 1981. In 1998 the group reformed and recorded a further five albums and a DVD. The Muffins played at Symphony Space on Broadway in NYC with Marion Brown in 1979, and also performed at a number of festivals, starting with the ZU Manifestival in New York City in 1978, The Villa Celimontana festival in Rome, Italy in 2000, two appearances at Progday in 2001 and 2002, NEARfest in 2005, and the "Rock in Opposition" festival in France in 2009. In 2010, The Muffins headlined at Progday, making a third appearance at this long running festival. The Muffins are largely an instrumental band inspired and influenced by avant-garde jazz, progressive rock, 20th-century music, and the English Canterbury scene. They work in an "underground genre" '' Perfect Sound Forever'' called "the avant-garde side of latter-day US ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samla Mammas Manna
Samla Mammas Manna was a Swedish progressive rock band often characterized by virtuosic musicianship, circus references and silly humour, similar in many ways to the song-writing style of Frank Zappa. They were one of the founding members of the Rock in Opposition (RIO) movement in the late 1970s. In 1979 they were Fred Frith's backing band on his solo album, ''Gravity'' (1980). Musically, they bore a resemblance to the Canterbury scene. The original line-up was Lars Hollmer (keyboards), Hasse Bruniusson (drums), Lars Krantz (bass) and Henrik Öberg (percussion). For '' Måltid'', jazz fusion guitarist Coste Apetrea joined the group. They were on the fringe of the Swedish political "progg" movement, although their lyrics were humorous and not explicitly political. The title of the album ''Klossa Knapitatet'' is a play on the Swedish phrase ''krossa kapitalet'', a common slogan in the 1970s that means "crush the capital", and also the title of a seminal progg song by Blå ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheap At Half The Price
''Cheap at Half the Price'' is a 1983 solo album by English guitarist, composer and improviser Fred Frith. It was Frith's fifth solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the third of three solo albums Frith made for the label. ''Cheap at Half the Price'' was recorded by Frith at his home in New York City on a 4-track machine. He played all the instruments himself, with the exception of bass guitar on two tracks, and drums, for which he used tapes and samples previously recorded by other drummers. The record differed from Frith's previous experimental albums in that it consisted largely of pop-like songs, and he sang for the first time. The LP's release in 1983 caused a stir in progressive circles because of its "apparent simplicity" and its departure from the experimental music Frith had become known for. But a remastered version of the album released on CD in 2004 was better received by critic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
