Speculum Vitae
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Speculum Vitae
''Speculum Vitae'' ('Mirror of Life') is an anonymous Middle English poem, written in the third quarter of the fourteenth century. The poem consists of a commentary on the Lord's Prayer primarily derived from a prose Old French work, the ''Somme le roi'' of Laurent d'Orléans, dated 1279. Date and authorship Ralph Hanna, the modern editor of ''Speculum Vitae'', dates it to "broadly the third quarter of the fourteenth century", on the basis that it contains a versification of material from Richard Rolle's ''Form of Living'' (lines 5595–834) and so must postdate that work's initial circulation in 1348 or 1349 at the earliest, and that the poem must pre-date its earliest surviving manuscript copy, that in British Library, MS Additional 33995, which was produced around 1375. The poem's original text says nothing about its author in its brief first-person passages (lines 19–34, 16077–84). The poem is attributed in three manuscripts to Richard Rolle, and in an interpolated pa ...
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Middle English
Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the ''Oxford English Dictionary'' specifies the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly followed the High to the Late Middle Ages. Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography. Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English language became fragmented, localized, and was, for the most part, being improvised. By the end of the period (about 1470) and aided by the invention of the printing press by Johannes Gutenberg in 14 ...
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Anacrusis
In poetic and musical meter, and by analogy in publishing, an anacrusis (from , , literally: 'pushing up', plural ''anacruses'') is a brief introduction (distinct from a literary or musical introduction, foreword, or preface). It is a set of syllables or notes, or a single syllable or note, which precedes what is considered the first foot of a poetic line (or the first syllable of the first foot) in poetry and the first beat (or the first beat of the first measure) in music that is not its own phrase, section, or line and is not considered part of the line, phrase, or section which came before, if any. Poetry In poetry, a set of extrametrical syllables at the beginning of a verse is said to stand in anacrusis ( grc, ἀνάκρουσις "pushing up"). "An extrametrical prelude to the verse," or, "extrametrical unstressed syllables preceding the initial lift." The technique is seen in Old English poetry, and in lines of iambic pentameter, the technique applies a variation ...
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Middle English Poems
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Christian Poetry
Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory. History of Christian poetry Early history Poetic forms have been used by Christians since the recorded history of the faith begins. The earliest Christian poetry, in fact, appears in the New Testament. Canticles such as the ''Magnificat'' and ''Nunc Dimittis'', which appear in the Gospel of Luke, take the Biblical poetry of the psalms of the Hebrew Bible as their models. Many Biblical scholars also believe that St Paul of Tarsus quotes bits of early Christian hymns in his epistles. Passages such as Philippians 2:5-11 (following) are thought by many Biblical scholars to represent early Christian hymns that were being quoted by the Apostle: :''Let this mind be in you, which was also in Christ Jesus:Who, being i ...
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14th-century Poems
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ...
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Piers Plowman
''Piers Plowman'' (written 1370–86; possibly ) or ''Visio Willelmi de Petro Ploughman'' (''William's Vision of Piers Plowman'') is a Middle English allegorical narrative poem by William Langland. It is written in un-rhymed, alliterative verse divided into sections called (Latin for "step"). Like the Pearl Poet's ''Sir Gawain and the Green Knight'', ''Piers Plowman'' is considered by many critics to be one of the greatest works of English literature of the Middle Ages, even preceding and influencing Geoffrey Chaucer, Chaucer's ''Canterbury Tales''. ''Piers Plowman'' contains the first known reference to a literary tradition of Robin Hood tales. There exist three distinct versions of the poem, which scholars refer to as the A-, B-, and C-texts. The B-text is the most widely edited and translated version; it revises and extends the A-text by over four thousand lines. Summary The poem, a mix of theological allegory and social satire, concerns the narrator/dreamer's quest fo ...
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Alliterative Verse
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', and the '' Alliterative Morte Arthur'' all use alliterative verse. While alliteration can be found in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.Frog, ...
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William Langland
William Langland (; la, Willielmus de Langland; 1332 – c. 1386) is the presumed author of a work of Middle English alliterative verse generally known as ''Piers Plowman'', an allegory with a complex variety of religious themes. The poem translated the language and concepts of the cloister into symbols and images that could be understood by a layman. Life Little is known of Langland himself. It seems that he was born in the West Midlands of England around 1330, according to internal evidence in ''Piers Plowman''. The narrator in ''Piers Plowman'' receives his first vision while sleeping in the Malvern Hills (between Herefordshire and Worcestershire), which suggests some connection to the area. The dialect of the poem is also consistent with this part of the country. ''Piers Plowman'' was written ''c.'' 1377, as the character's imagination says he has followed him for "five and forty winters." A fifteenth-century note in the Dublin manuscript of ''Piers Plowman'' says ...
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Will And Testament
A will or testament is a legal document that expresses a person's (testator) wishes as to how their property ( estate) is to be distributed after their death and as to which person ( executor) is to manage the property until its final distribution. For the distribution (devolution) of property not determined by a will, see inheritance and intestacy. Though it has at times been thought that a "will" historically applied only to real property while "testament" applied only to personal property (thus giving rise to the popular title of the document as "last will and testament"), the historical records show that the terms have been used interchangeably. Thus, the word "will" validly applies to both personal and real property. A will may also create a testamentary trust that is effective only after the death of the testator. History Throughout most of the world, the disposition of a dead person's estate has been a matter of social custom. According to Plutarch, the written will was ...
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Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ...
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Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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Poem
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ' ...
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