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Spanish Golden Age Theatre
Spanish Golden Age theatre refers to theatre in Spain roughly between 1590 and 1681. Spain emerged as a European power after it was unified by the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1469 and then claimed for Christianity at the Siege of Granada in 1492. The sixteenth and seventeenth centuries saw a monumental increase in the production of live theatre as well as in the importance of the arts within Spanish society. Overview Theatre was an accessible art form for all participants in Renaissance Spain, being both highly sponsored by the aristocratic class and highly attended by the lower classes. The volume and variety of Spanish plays during the Golden Age was unprecedented in the history of world theatre, surpassing even the dramatic production of the English Renaissance by a factor of at least four. This volume has been as much a source of criticism as praise for Spanish Golden Age theatre, for emphasizing quantity before quality. A large number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Calderón De La Barca 01
Pedro is a masculine given name. Pedro is the Spanish, Portuguese, and Galician name for ''Peter''. Its French equivalent is Pierre while its English and Germanic form is Peter. The counterpart patronymic surname of the name Pedro, meaning "son of Peter" (compare with the English surname Peterson) is Pérez in Spanish, and Peres in Galician and Portuguese, Pires also in Portuguese, and Peiris in coastal area of Sri Lanka (where it originated from the Portuguese version), with all ultimately meaning "son of Pêro". The name Pedro is derived via the Latin word "petra", from the Greek word "η πέτρα" meaning "stone, rock". The name Peter itself is a translation of the Aramaic ''Kephas'' or '' Cephas'' meaning "stone". An alternate archaic spelling is ''Pêro''. Pedro may refer to: Notable people Monarchs, mononymously *Pedro I of Portugal *Pedro II of Portugal *Pedro III of Portugal *Pedro IV of Portugal, also Pedro I of Brazil *Pedro V of Portugal *Pedro II of Braz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Christi (feast)
The Feast of Corpus Christi (), also known as the Solemnity of the Most Holy Body and Blood of Christ, is a Christian liturgical solemnity celebrating the Real Presence of the Body and Blood, Soul and Divinity of Jesus Christ in the elements of the Eucharist; it is observed by the Roman Catholic Church, in addition to certain Western Orthodox, Lutheran, and Anglican churches. Two months earlier, the institution of the Eucharist at the Last Supper is observed on Maundy Thursday in a sombre atmosphere leading to Good Friday. The liturgy on that day also commemorates Christ's washing of the disciples' feet, the institution of the priesthood, and the agony in the Garden of Gethsemane. The feast of Corpus Christi was proposed by Saint Thomas Aquinas, Doctor of the Church, to Pope Urban IV, in order to create a feast focused solely on the Holy Eucharist, emphasizing the joy of the Eucharist being the Body and Blood, Soul and Divinity of Jesus Christ. Having recognized in 1264 the auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Slonimsky
Nicolas Slonimsky ( – December 25, 1995), born Nikolai Leonidovich Slonimskiy (russian: Никола́й Леони́дович Сло́нимский), was a Russian-born American conductor, author, pianist, composer and lexicographer. Best known for his writing and musical reference work, he wrote the ''Thesaurus of Scales and Melodic Patterns'' and the ''Lexicon of Musical Invective'', and edited ''Baker's Biographical Dictionary of Musicians''. His life Early life in Russia and Europe Slonimsky was born Nikolai Leonidovich Slonimskiy in Saint Petersburg. He was of Jewish origin; his grandfather was Rabbi Chaim Zelig Slonimsky. His parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church. His maternal aunt, Isabelle Vengerova, later a founder of Philadelphia's Curtis Institute of Music, was his first piano teacher. He grew up in the intelligentsia. After the Russian Revolution of 1917, he moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Del Encina
Juan del Encina (July 12, 1468 – 1529 or 1530) was a composer, poet, and playwright, often called the founder, along with Gil Vicente, of Spanish drama. His birth name was Juan de Fermoselle. He spelled his name Enzina, but this is not a significant difference; it is two spellings of the same sound, in a time when "correct spelling" as we know it barely existed. Life He was born in 1468 near Salamanca, probably at Encina de San Silvestre, one of at least 7 known children of Juan de Fermoselle, a shoemaker, and his wife. He was of Jewish converso descent. After leaving Salamanca University sometime in 1492 he became a member of the household of Don Fadrique de Toledo, the second Duke of Alba, although some sources believe that he did not work for the Duke of Alba until 1495. A plausible argument is that his first post was as a Corregidor in northern Spain. Fermoselle was a Chaplain at the Salamanca Cathedral in the early 1490s. It was here that he changed his name from Juan de F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bank Of Mexico
The Bank of Mexico ( es, Banco de México), abbreviated ''BdeM'' or ''Banxico,'' is Mexico's central bank, monetary authority and lender of last resort. The Bank of Mexico is autonomous in exercising its functions, and its main objective is to achieve stability in the purchasing power of the national currency. History Background Plans for a national bank of Mexico began as early as the Mexican Empire of Agustín de Iturbide with his idea of a ''Gran Banco del Imperio Mexicano'' (Grand Bank of the Mexican Empire). This idea was never pursued, instead, credit was generally issued by religious orders or trading guilds. In 1827 Mexico defaulted on a loan from British lenders which made it difficult to find foreign capital and it was forced to rely on local lenders as it had no national bank to lend to it. Instead the government was forced to rely on domestic lenders known as agiotistas (speculators) who specialized in short-term, high-interest loans. The first bank organized by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loa To Divine Narcissus
''Loa to Divine Narcissus'' (Spanish: ''El Divino Narciso'') is an allegorical play written by the Mexican writer Sor Juana Inés de la Cruz, an important literary figure of the Spanish colonial period. The play was first published in 1689. The work is considered a ''loa'';;, a short theatrical piece related to the longer ''auto sacramental''. This ''loa'' is a commentary on historical events involving indigenous Aztec inhabitants and Spanish colonists. ''The Divine Narcissus'' is ambiguous not only because the Spanish do not openly explain their objectives to the native population, but also because the story equates the Christian Eucharist to Aztec sacrifice. Plot summary Scene I: The first scene begins with the celebration held by the original inhabitants of Mexico for the God of Seeds. Two thousand believers offer sacrifices. They make sacrifices believing that this will cause the harvest to be bountiful. The characters Occident and America (both locals) have a conversation r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juana Inés De La Cruz
''Doña'' Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz (12 November 1648 – 17 April 1695) was a Mexican writer, philosopher, composer and poet of the Baroque period, and Hieronymite nun. Her contributions to the Spanish Golden Age gained her the nicknames of "The Tenth Muse" or "The Phoenix of America"; historian Stuart Murray calls her a flame that rose from the ashes of "religious authoritarianism".Murray, Stuart (2009). The Library: An Illustrated History. Chicago: Skyhorse Publishing. . Sor Juana lived during Mexico's colonial period, making her a contributor both to early Spanish literature as well as to the broader literature of the Spanish Golden Age. Beginning her studies at a young age, Sor Juana was fluent in Latin and also wrote in Nahuatl, and became known for her philosophy in her teens. Sor Juana educated herself in her own library, which was mostly inherited from her grandfather. After joining a nunnery in 1667, Sor Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lope De Rueda
Lope de Rueda (c.1505<1510–1565) was a Spanish dramatist and author, regarded by some as the best of his era. A versatile writer, he also wrote comedies, farces, and Paso (theatre), pasos. He was the precursor to what is considered the golden age of Spanish literature. His plays are considered a transitional stage between Torres Naharro and Lope de Vega. Early life He was born early in the sixteenth century in Seville, where, according to Miguel de Cervantes, Cervantes, he worked as a metal-beater. His name first occurs in 1554 as acting at Benavente, taking mainly comic roles. Evnetually he got to be, between 1558 and 1561, manager of a strolling company which visited Segovia, Seville, Toledo, Spain, Toledo, Madrid, Valencia (city in Spain), Valencia and Córdoba, Spain, Córdoba. Cervantes, a child at the time, recalled having seen him and his company perform.Works His works were issued posthumously in 156 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuenteovejuna
''Fuenteovejuna'' () is a play by the Spanish playwright Lope de Vega. First published in Madrid in 1619, as part of ''Docena Parte de las Comedias de Lope de Vega Carpio'' (''Volume 12 of the Collected plays of Lope de Vega Carpio''),Edwards, Gwynne, ed. and trans. ''Lope de Vega, Three Major Plays'' (with ''The Knight of Olmedo'' and ''Punishment without Revenge''). Oxford University Press, 1999, p. xii. the play is believed to have been written between 1612 and 1614. The play is based upon a historical incident that took place in the village of Fuenteovejuna in Castile, in 1476. While under the command of the Order of Calatrava, a commander, Fernán Gómez de Guzmán, mistreated the villagers, who banded together and killed him. When a magistrate sent by King Ferdinand II of Aragon arrived at the village to investigate, the villagers, even under the pain of torture, responded only by saying "Fuenteovejuna did it." Background Rapid change took place in Spain in the years betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De Cervantes
Miguel de Cervantes Saavedra (; 29 September 1547 (assumed) – 22 April 1616 Old Style and New Style dates, NS) was an Early Modern Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel ''Don Quixote'', a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes". In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in the household of a Cardinal (Catholic Church), cardinal. In 1570, he enlisted in a Spanish Marine Infantry, Spanish Navy infantry regiment, and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575, when he was captur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
