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Spanish Architecture
Spanish architecture refers to architecture in any area of what is now Spain, and by :Spanish architects, Spanish architects worldwide. The term includes buildings which were constructed within the current borders of Spain prior to its existence as a nation, when the land was called Iberian Peninsula, Iberia, Hispania, or was divided between several Christian and Taifa, Muslim kingdoms. Spanish architecture demonstrates great historical and geographical diversity, depending on the historical period. It developed along similar lines as other architectural styles around the Mediterranean and from Central and Northern Europe, although some Spanish constructions are unique. A real development came with the arrival of the Ancient Rome, Romans, who left behind some of their most outstanding monuments in Hispania. The arrival of the Visigoths brought about a profound decline in building techniques which was paralleled in the rest of the former Roman Empire. The Umayyad conquest of Hisp ...
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Palacio Real 1
Palacio (''palace'') is a Spanish habitational name. It may have originated from many places in Spain, especially in Galicia and Asturies. Notable people with the surname include: *Agustina Palacio de Libarona (1825-1880), Argentine writer, storyteller, heroine *Alberto Palacio, engineer *Alfredo Palacio, former president of Ecuador *Andy Palacio, Belizean musician *Emilio Palacio, Ecuadorian journalist *Ernesto Palacio, opera singer *Héctor Palacio, Colombian road racing cyclist *Milt Palacio, basketball player *Rodrigo Palacio, footballer *R. J. Palacio, American writer of the 2012 children's novel ''Wonder'' See also * Palacios (other) Palacios may refer to: * Palacios (surname) * Palacios, Texas Palacios ( ) is a city in Matagorda County, Texas, United States. The population was 4,395 at the 2020 census. Etymology Popular local legend states that the area was named Tres Pal ... References {{surname, Palacio Surnames of Spanish origin ...
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Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ...
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Modernisme
''Modernisme'' (, Catalan for "modernism"), also known as Catalan modernism and Catalan art nouveau, is the historiographic denomination given to an art and literature movement associated with the search of a new entitlement of Catalan culture, one of the most predominant cultures within Spain. Nowadays, it is considered a movement based on the cultural revindication of a ''Catalan identity''. Its main form of expression was ''Modernista'' architecture, but it also encompassed many other arts, such as painting and sculpture, and especially the design and the decorative arts (cabinetmaking, carpentry, forged iron, ceramic tiles, ceramics, glass-making, silver and goldsmith work, etc.), which were particularly important, especially in their role as support to architecture. Modernisme was also a literary movement (poetry, fiction, drama). Although Modernisme was part of a general trend that emerged in Europe around the turn of the 20th century, in Catalonia the trend acquired it ...
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Critical Regionalism
Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture. The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of architecture. The phrase "critical regionalism" was first presented in 1981, in ‘The Grid and the Pathway,’ an essay published in ''Architecture in Greece,'' by the architectural theorists Alexander Tzonis and Liane Lefaivre and, with a slightly different meaning, by the historian-theorist Kenneth Frampton. Sri Lankan Architect Minnette De Silva was one of the pioneers in practicing this architecture style in ...
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Eclecticism In Architecture
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval ...
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Juan De Villanueva
Juan de Villanueva (September 15, 1739 in Madrid – August 22, 1811) was a Spanish architect. Alongside Ventura Rodríguez, Villanueva is the best known architect of Spanish Neoclassicism. Biography His father was the sculptor Juan de Villanueva and his brother, Diego de Villanueva was not only his protector, but also his teacher. He entered the Royal Academy of Fine Arts of San Fernando as a pupil when he was eleven years old. In 1758, he travelled to Rome to become a grant holder of the Academy to complete his studies. In 1765, he returned to Spain. A year later, he travelled through Córdoba and Granada, where he, together with José de Hermosilla, went to draw the "Arab antiquities." The drawings from these travels were published in 1804. He settled in Madrid, where he was appointed Academic of the Academy of San Fernando. In 1777, Charles III appointed him Architect of the Prince and the Infants. From then to the end of his life he would work almost exclusively for ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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Herrerian
The Herrerian style ( es, estilo herreriano or ''arquitectura herreriana'') of architecture was developed in Spain during the last third of the 16th century under the reign of Philip II (1556–1598), and continued in force in the 17th century, but transformed by the Baroque style of the time. It corresponds to the third and final stage of Spanish Renaissance architecture, whose dominant trend had been towards austerity and minimal decoration. The ornate Plateresque style had given way to classical Purism in the second third of the 16th century. Purism in turn had given way to the geometric simplicity of the Herrerian style. It originated with the construction of the Monastery of El Escorial (San Lorenzo de El Escorial, Community of Madrid) and, more specifically, with the reorganization of the project made by Cantabrian architect Juan de Herrera (1530–1597), after the death of Juan Bautista de Toledo (1515–1567), author of the first design. Its main representatives are ...
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Churrigueresque
Churrigueresque (; Spanish: ''Churrigueresco''), also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used up to about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main facade of a building. Origins Named after the architect and sculptor, José Benito de Churriguera (1665–1725), who was born in Madrid and who worked primarily in Madrid and Salamanca, the origins of the style are said to go back to an architect and sculptor named Alonso Cano, who designed the facade of the cathedral at Granada, in 1667. A distant, early 15th century precursor of the highly elaborate Churrigueresque style can be found in the Lombard Charterhouse of Pavia, yet the sculpture-encrusted facade still has the Italianate appeal to rational narrative. Churrigueresque appeals to the ...
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Spanish Baroque Architecture
Spanish Baroque is a strand of Baroque architecture that evolved in Spain, its provinces, and former colonies. History As Italian Baroque influences penetrated across the Pyrenees, they gradually superseded in popularity the restrained classicizing approach of Juan de Herrera, which had been in vogue since the late sixteenth century. As early as 1667, the facades of Granada Cathedral (by Alonso Cano) and Jaén Cathedral (by Eufrasio López de Rojas) suggest the artists' fluency in interpreting traditional motifs of Spanish cathedral architecture in the Baroque aesthetic idiom. In Madrid, a vernacular Baroque with its roots in Herrerian and in traditional brick construction was developed in the Plaza Mayor and in the Royal Palace of ''El Buen Retiro'', which was destroyed during the French invasion by Napoleon's troops. Its gardens still remain as Parque del Buen Retiro. This sober brick Baroque of the 17th century is still well represented in the streets of the capital in pala ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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