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Space (English Band)
Space are a band from Liverpool, England, who formed in 1992 initially as a trio of Tommy Scott (vocals, bass, guitar), Jamie Murphy (vocals, guitar) and Jamie Island (drums), who was later replaced by Andy Parle. Keyboard player Franny Griffiths joined the line-up a year later, and the band signed to Gut Records in 1995, eventually rising to prominence with hit singles such as "Female of the Species", "Me and You Versus the World", "Neighbourhood", " Avenging Angels" and "The Ballad of Tom Jones", the latter a duet with Cerys Matthews of Catatonia. Space pursued an eclectic sound dubbed "queasy listening" by critics, embracing electronica and sampling in their work and drawing from genres as diverse as hip hop, techno, post-punk, ska, lounge music, easy listening and film scores, the result of the differing tastes between band members. The group were also noted for their deliberately tongue-in-cheek, dark humoured lyrics inspired by films, which frequently deal with topic ...
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Gut Records
Gut Records was a British independent record label, based in Maida Vale in London, England. Formed in 1991, Gut was founded by Guy Holmes, who had been Head of Promotions at Island Records. The first single released on the label, Right Said Fred's song, "I'm Too Sexy", became a worldwide hit. In August 2008, the company went bankrupt and its assets sold to Phoenix Music International Ltd. Artists * Aswad (signed under the Bubblin' imprint) *Crazy Frog (UK only deal, released on the Gusto and Tug imprints) *The Dualers * The Egg (signed under the Gusto imprint for "Love Don't Let Me Go (Walking Away)" with David Guetta) *Fightstar (signed under the Institute Recordings imprint) * Hairy Diamond * Hi_Tack (signed under the Gusto imprint, recordings licensed from The Netherlands) * Tom Jones * The Lisa Marie Experience (signed under the Gusto imprint) *Pulse *Puretone (signed under the Gusto imprint, recordings licensed from Australia) *Right Said Fred (signed under Tug Records ...
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Cerys Matthews
Cerys Matthews (; born 11 April 1969) is a Welsh singer, songwriter, author, and broadcaster. She was a founding member of Welsh rock band Catatonia and a leading figure in the "Cool Cymru" movement of the late 1990s. Matthews programmes and hosts a weekly music show on BBC Radio 6 Music, a weekly blues show on BBC Radio 2, and a weekly show on BBC Radio 4 'Add To Playlist' which won the Prix Italia and Prix Europa 2022. She also makes documentaries for television and radio and was a roving reporter for ''The One Show''. She founded 'The Good Life Experience', a festival of culture and the great outdoors in Flintshire in 2014, and is author of ''Hook, Line and Singer'' published by Penguin Books and children's stories ''Tales from the Deep'' and ''Gelert, A Man's Best Friend'', published by Gomer.Her illustrated version of Dylan Thomas' Under Milk Wood is released November 2022 published by Weidenfeld and Nicolson. Early life Matthews was born in Cardiff, the second of four ...
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Cult Following
A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a small but very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful. Many cult fans express their devotion with a level of irony when describing entertainment that falls under this realm, in that something ...
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Camp (style)
Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value. Camp aesthetics disrupt many of modernism's notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value, and taste through an invitation of a different kind of apprehension and consumption. Camp can also be a social practice and function as a style and performance identity for several types of entertainment including film, cabaret, and pantomime. Where high art necessarily incorporates beauty and value, camp necessarily needs to be lively, audacious and dynamic. The visual style is closely associated with gay culture. Camp art is related to and often confused with kitsch and things with camp appeal may be described as cheesy. In 1909, ''Oxford English Dictionary'' defined camp as "ostentatious, exaggerated, affected, theatrical; effeminate or homosexual" behavior, and by the middle of the 1970s, cam ...
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Black Comedy
Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term ''black comedy'' can also refer to a genre in which dark humor is a core component. Popular themes of the genre include death, crime, poverty, suicide, war, violence, terrorism, discrimination, disease, racism, sexism, and human sexuality. Black comedy differs from both blue comedy—which focuses more on crude topics such as nudity, sex, and Body fluids—and from straightforward obscenity. Whereas the term ''black comedy'' is a relatively broad term covering humor relating to many serious subjects, ''gallows humor'' tends to be used more specifical ...
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Film Scores
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as Play (theatre), live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous vari ...
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Easy Listening
Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day. Easy listening music is often confused with lounge music, but while it was popular in some of the same venues it was meant to be listened to for enjoyment rather than as background sound. History The style has been synonymous with the tag "with strings". String instruments had been used in sweet bands in the 1930s and was the dominant sound track ...
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Lounge Music
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music. Retrospective usage Exotica, space age pop, and some forms of easy listening music popular during the 1950s and 1960s are now broadly termed "lounge". The term "lounge" does not appear in textual documentation of the period, such as '' Billboard'' magazine or long playing album covers, but has been retroactively applied. While rock and roll was generally influenced by blues and country, lounge music was derived from jazz and othe ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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