Southport Arts Centre
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Southport Arts Centre
Southport Arts Centre, formerly known as Cambridge Hall, is on the east side of Lord Street, Southport, Sefton, Merseyside, England, and stands between Southport Town Hall and the Atkinson Art Gallery and Library. It was built in 1873–74 and originally contained an assembly hall. The centre contains mixed architectural styles and has a tall clock tower at the right end. During the 20th century the assembly hall was converted into a theatre, and it forms part of the arts complex known as The Atkinson. The arts centre is recorded in the National Heritage List for England as a designated Grade II listed building. History The arts centre was built in 1873–74 and was designed by Maxwell and Tuke. It initially contained an assembly hall on the first floor. The foundation stone was laid by Princess Mary of Cambridge and the building was originally named after her. The assembly hall was converted into a theatre in the 20th century. As of 2014 the organi ...
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Lord Street, Southport
Lord Street is the main shopping street of Southport, in Merseyside. It is long, with a roundabout marking each end of the street. There are many water features, gardens and architectural buildings along the entire street, with a mix of residential, commercial and public buildings. It was laid out in the early 19th century. Southport Lord Street railway station, which opened on 1 September 1884, was the terminus of the Southport and Cheshire Lines Extension Railway. Although it closed to passengers in 1952, the frontage of the building was retained. Influence on Parisian architecture In 1846, Prince Louis-Napoléon Bonaparte, the future Napoléon III, Emperor of the French, lived for a brief period in lodgings just off Lord Street. There is compelling evidence to suggest the street is the inspiration behind the tree-lined boulevards of Paris. Between 1854 and 1870, Napoléon III orchestrated the reconstruction of the French capital. The medieval centre of the city was demol ...
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Princess Mary Of Cambridge
Princess Mary Adelaide Wilhelmina Elizabeth of Cambridge (27 November 1833 – 27 October 1897), later Duchess of Teck, was a member of the British royal family. She was one of the first royals to patronise a wide range of charities. Mary Adelaide was the daughter of Prince Adolphus, Duke of Cambridge, and Princess Augusta of Hesse-Kassel. Her father was the seventh son of King George III and Queen Charlotte. Mary Adelaide married Francis, Duke of Teck, with whom she had four children. The Duke and Duchess of Teck's daughter, "May", was the wife of King George V and became known as Queen Mary. Through her daughter, Mary Adelaide was the grandmother of the British kings Edward VIII and George VI. Early life Mary Adelaide was born on 27 November 1833 in the Kingdom of Hanover, German Confederation. Her father was Prince Adolphus, Duke of Cambridge, the youngest surviving son of George III and Charlotte of Mecklenburg-Strelitz. Her mother was Princess Augusta of Hesse-Kassel, t ...
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Impost (architecture)
In architecture, an impost or impost block is a projecting block resting on top of a column or embedded in a wall, serving as the base for the springer or lowest voussoir of an arch. Ornamental training The imposts are left smooth or profiled, and "then express a certain separation between abutment and arch." The Byzantine fighters are high blocks, which are sometimes referred to as pulvino. The Romanesque designed the impost ornamentally or figuratively, similar to the capitals. In the Gothic period, the fighter almost completely disappeared from the calyx bud capital. The architecture of the Renaissance returns to the formation of the imposts of the ancient column orders. See also * Capital (architecture) * Abacus (architecture) * Pulvino A pulvino (or impost block) is an architectural structural element ( dosseret) having the shape of an inverted pyramid cushion, which is placed between the column capital and the arch base. Overview Usually decorated with fretwork or relief ...
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Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ...
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Voussoir
A voussoir () is a wedge-shaped element, typically a stone, which is used in building an arch or vault. Although each unit in an arch or vault is a voussoir, two units are of distinct functional importance: the keystone and the springer. The keystone is the centre stone or masonry unit at the apex of an arch. The springer is the lowest voussoir on each side, located where the curve of the arch springs from the vertical support or abutment of the wall or pier. The keystone is often decorated or enlarged. An enlarged and sometimes slightly dropped keystone is often found in Mannerist arches of the 16th century, beginning with the works of Giulio Romano, who also began the fashion for using voussoirs above rectangular openings, rather than a lintel (Palazzo Stati Maccarani, Rome, circa 1522). The word is a stonemason's term borrowed in Middle English from French verbs connoting a "turn" (''OED''). Each wedge-shaped voussoir ''turns aside'' the thrust of the mass above, transf ...
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Rustication (architecture)
Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below.">Florence.html" ;"title="Palazzo Medici-Riccardi in Florence">Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below. Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Crocket
A crocket (or croquet) is a small, independent decorative element common in Gothic architecture. The name derives from the diminutive of the French ''croc'', meaning "hook", due to the resemblance of crockets to a bishop's crosier. Description A crocket is in the form of a stylized carving of curled leaves, buds or flowers which are used at regular intervals to decorate the sloping edges of spires, finials, pinnacles, and wimpergs. As ornaments When used to decorate the capital of columns, these are called crocket capitals. This element is also used as an ornament on furniture and metalwork in the Gothic style. Examples * All Souls College – Oxford * Canterbury Cathedral * Notre Dame Cathedral – Paris * León Cathedral – Spain * Duke Chapel Duke University Chapel is a chapel located at the center of the campus of Duke University in Durham, North Carolina, Durham, North Carolina, United States. It is an ecumenism, ecumenical Christianity, Christian chapel and the cente ...
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Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ...
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Porte Cochère
Porte may refer to: *Sublime Porte, the central government of the Ottoman empire *Porte, Piedmont, a municipality in the Piedmont region of Italy *John Cyril Porte, British/Irish aviator *Richie Porte, Australian professional cyclist who competes for Team BMC *Toyota Porte, an automobile See also *Port (other) *Portes (other) Portes may refer to: Places France *Antheuil-Portes, in the Oise ''department'' *Les Portes-en-Ré, in the Charente-Maritime ''département'' * Portes-en-Valdaine, in the Drôme ''département'' *Portes, Eure, in the Eure ''département'' * Por ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

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Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ...
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