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Soundtrack For The Voices In My Head Vol. 02
''Soundtrack for the Voices in My Head: Volume 02'' is the second production-based (fourth overall) studio album by the American electronic rock artist, Celldweller. It is the second album in the '' Soundtrack for the Voices in My Head'' series. Production ''Soundtrack for the Voices in My Head Vol. 02'' is a production based album intended for film, TV, and video game licensing. It was released in Chapters, similarly to '' Wish Upon a Blackstar'', but in just three Chapters. The first two Chapters were released as Limited Edition CDs as well and not just as digital downloads. The album has been work in progress since 2009. The full album was released on July 24, 2012. Release Chapter 01 A four-minute excerpt of the track "Adrift on Celestial Seas" was released on iTunes on March 1, 2010 as part of Klayton's "Fixtape" mix. The four-minute excerpt of "Adrift on Celestial Seas" is the last track on the fixtape. No other track list for the album had been mentioned (except for one ...
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Celldweller
Celldweller is an American electronic rock project by multi-musician Klayton. Celldweller songs have been featured in many films, movie trailers, television shows and video games. Career Precursors: Circle of Dust and Angeldust (1992–1999) The name Celldweller was derived from a nickname his mother gave him when he was a teenager, dubbed "Cellar Dweller", as he made all of his music in his parents' basement. Klayton had gained a devoted cult following in the mid 90s because of his industrial metal band Circle of Dust. After the dissolution of Circle of Dust, Klayton concurrently released both a posthumous collection of reworked Circle of Dust leftovers titled '' Disengage'' and an album for a new project, Angeldust, created in conjunction with illusionist Criss Angel. Both albums demonstrated Klayton's shift away from industrial metal and towards more electronic-modern industrial rock influences, incorporating richer electronic instrumentation and greater emphasis on melody. Th ...
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James Dooley (composer)
James Michael "Jim" Dooley (born August 22, 1976) is an American film score composer. Biography Dooley was born in New York City and studied music at New York University, majoring in music composition. After finishing the university he moved to Los Angeles, where he studied music with prolific film score composers Christopher Young, Elmer Bernstein and Leonard Rosenman. In 1999, Dooley started working for Hans Zimmer as his chief technical assistant. He works in Santa Monica in Zimmer's film music studio Remote Control Productions (formerly ''Media Ventures''). He composed, arranged, and orchestrated music for films like '' Spirit: Stallion of the Cimarron'' and ''The Da Vinci Code''. He also composed music for '' inFAMOUS 2'' and the ''Epic Mickey'' series and has collaborated with Celldweller Celldweller is an American electronic rock project by multi-musician Klayton. Celldweller songs have been featured in many films, movie trailers, television shows and video games. ...
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Josh Viola
Joshua "Josh" Viola is a science fiction/fantasy/ horror writer best known for Denver Moon, The Bane of Yoto and his publishing company Hex Publishers. He is a 2021 Splatterpunk Award nominee (Psi-Wars: Classified Cases of Psychic Phenomena) and a 2022 Colorado Book Awards winner (Shadow Atlas: Dark Landscapes of the Americas). Background In 2012, Viola collaborated with Klayton and his music label/publisher, FiXT Music, where Viola is the author of the novels ''Blackstar'' and ''The Bane of Yoto''. He directed the “ Unshakeable” animated music video for Celldweller. Viola is owner of publishing house Hex Publishers. He edited their Denver Post number one best selling horror anthology, '' Nightmares Unhinged'', featuring Bram Stoker, Hugo and Nebula Award winners such as Jason Heller, Steve Rasnic Tem, Edward Bryant and Stephen Graham Jones. He co-edited ''Cyber World'', a cyberpunk anthology, with Jason Heller for Hex Publishers in 2016, which was a 2017 Colorado Boo ...
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Matt Gondek
Matt Gondek is an American pop artist. He is a painter, muralist, and graphic illustrator focused on deconstructed pop art. Career Gondek is based in Los Angeles while his paintings and sculptures have been featured at exhibitions worldwide including Los Angeles, New York, Paris, Bangkok, Hong Kong, Korea, and Singapore. His works are usually done in vivid acrylic paint colors with bold lines featuring various cartoon and comic book characters such as Mickey Mouse, Bugs Bunny, and Homer Simpson often exploding, melting, or falling apart. His series "Fight Club" in 2022, a project including spiked baseball bats, was also offered as an NFT collection. In December 2022, it was reported that one of the 50 limited-edition pieces from his "Deconstructed Mickeys" collection in 2018, valued at HK$50,000, was stolen from a toy store owner in Hong Kong. Background Gondek is a native of Pittsburgh, Pennsylvania Pittsburgh ( ) is a city in the Commonwealth (U.S. state), Commonwealth ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Editing
Editing is the process of selecting and preparing written, photographic, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organisation, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods. There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product for its final release. The smaller the publication, the more these roles overlap. The top editor ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Music Production
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists d ...
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Songwriting
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, c ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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