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Sound Grammar
''Sound Grammar'' is a live album by jazz saxophonist and composer Ornette Coleman, recorded live in Ludwigshafen, Germany, on 14 October 2005. The album was produced by Coleman and Michaela Deiss, and released on Coleman's new Sound Grammar label. It was his first new album in almost a decade, since the end of his relationship with Verve in the 1990s. It features a mix of new and old originals (some of the latter given new titles). Reception Critics noted Coleman's unusual use of musical quotation: his solo on the blues "Turnaround" includes snatches of Richard Rodgers' "If I Loved You" and Stephen Foster's "Beautiful Dreamer"; even more unexpectedly, the theme of "Sleep Talking" begins with the same notes as Stravinsky's ''The Rite of Spring''. Critical reception for the album was highly positive: it figured at or near the top of virtually every jazz magazine poll at the end of 2006, including ''Downbeat'' and ''JazzTimes''. John Fordham of ''The Guardian'' stated "At 76, sax ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beautiful Dreamer
"Beautiful Dreamer" is a parlor song by American songwriter Stephen Foster. It was published posthumously in March 1864, by Wm. A. Pond & Co. of New York. The first edition states on its title page that it is "the last song ever written by Stephen C. Foster, composed but a few days prior to his death." However, Carol Kimball, the author of ''Song'', points out that the first edition's copyright is dated 1862, which suggests, she writes, that the song was composed and readied for publication two years before Foster's death. There are at least 20 songs, she observes, that claim to be Foster's last, and it is unknown which is indeed his last. The song is set in time with a broken chord accompaniment.Carol Kimball. ''Song: a guide to art song style and literature''. Hal Leonard Corporation. p. 248.Michael Saffle. 2000. Perspectives on American music, 1900–1950 Taylor & Francis. p. 382. The song tells of a lover serenading a "Beautiful Dreamer" who is oblivious to worldly cares and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song X
''Song X'' is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in June 1986 by Geffen Records. Background Metheny was a longtime admirer of the saxophonist, recording Coleman compositions on ''Bright Size Life'' (1976) and '' 80/81'' (1980). During the three weeks leading up to the recording, Coleman and Metheny spent "between 6 and 12 hours a day every day, playing, hanging out and talking, trying to come up with a vocabulary for this particular session ... that would be different." * Coleman's saxophone tone, when combined with a saxophone preset on Metheny's guitar synthesizer (which he had modified), created an "ensemble blend hatwas surprising to both of us." The album features bassist Charlie Haden (a frequent Coleman collaborator who'd also played on ''80/81''), Jack DeJohnette on drums, and Coleman's son Dena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomorrow Is The Question!
''Tomorrow Is the Question!'', subtitled ''The New Music of Ornette Coleman!'', is the second album by American jazz musician Ornette Coleman, originally released in 1959 by Contemporary Records. It was Coleman's last album for the label before he began a highly successful multi-album series for Atlantic Records in 1959. As well as regular sideman Don Cherry on trumpet, the album features bassists Percy Heath and Red Mitchell, and drummer Shelly Manne. Unlike Coleman's debut ''Something Else!!!!'', on which he was contractually obliged to feature a pianist, there is no piano on the album. Reception The album generally received better press than did ''Something Else!!!!''. AllMusic's Thom Jurek notes the interplay of Coleman and Cherry on tunes he described as "knottier and tighter in their arrangement style" than those of the previous album. Ekkehard Jost, in his book ''Free Jazz'', noted that "as early as the 1958/59 recordings for Contemporary, the most pronounced feature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Of Human Feelings
''Of Human Feelings'' is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States. The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album ''Dancing in Your Head''. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for ''Of Human Feelings'', which had shorter and more distinct compositions than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blood On The Fields
''Blood on the Fields'' is a two-and-a-half-hour jazz oratorio by Wynton Marsalis. It was commissioned by Lincoln Center and treats the history of slavery and its aftermath in the United States of America. The oratorio tells the story of two slaves, Jesse and Leona, as they traverse the difficult journey to freedom. The narrative suggests that the individual freedom and agency of its protagonists is necessarily and inextricably intertwined with the empowerment of the community and nation as a whole. The work received the 1997 Pulitzer Prize for Music, being the first time the prize was ever given for a jazz music composition, an honor that had previously been reserved for classical composers. Track listing Disc 1 # Calling the Indians Out # Move Over # You Don't Hear No Drums # The Market Place # Soul for Sale # Plantation Coffle March # Work Song (Blood on the Fields) Disc 2 # Lady's Lament # Flying High # Oh We Have a Friend in Jesus # God Don't Like Ugly # Juba and a O' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wynton Marsalis
Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, teacher, and artistic director of Jazz at Lincoln Center. He has promoted classical and jazz music, often to young audiences. Marsalis has won nine Grammy Awards, and his ''Blood on the Fields'' was the first jazz composition to win the Pulitzer Prize for Music. He is the only musician to win a Grammy Award in both jazz and classical during the same year. Early years Marsalis was born in New Orleans, Louisiana, on October 18, 1961, and grew up in the suburb of Kenner. He is the second of six sons born to Dolores Ferdinand Marsalis and Ellis Marsalis Jr., a pianist and music teacher.Stated on ''Finding Your Roots'', PBS, March 25, 2012 He was named for jazz pianist Wynton Kelly. Branford Marsalis is his older brother and Jason Marsalis and Delfeayo Marsalis are younger. All three are jazz musicians. While sitting at a table with trumpeters Al Hirt, Miles Davis, and Clark Terry, his father jokin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulitzer Prize For Music
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year." Because of the requirement that the composition have its world premiere during the year of its award, the winning work had rarely been recorded and sometimes had received only one performance. In 2004 the terms were modified to read, "For a distinguished musical composition by an American that has had its first performance or recording in the United States during the year." History In his will, dated April 16, 1904, Joseph Pulitzer established annual prizes for a number of creative accomplishments by living Americans, including prizes for journalism, novels, plays, historie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Jazz Instrumental Album
The Grammy Award for Best Jazz Instrumental Album is an award that was first presented in 1959. History From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). A year later, the Best Latin Jazz Album category returned, disallowing albums in that category to be nominated for Best Jazz Instrumental Album. This category is meant for albums containing greater than 50% playing time of new instrumental jazz recordings. Years listed indicate the year in which the Grammy Awards were presented, for works released in the previous year. Before 1962 and from 1972 to 1978, the award title did not specify instrumental performances and was presented for instrumental or vocal performances. The award has had several name changes. Name changes * 1959–1960: Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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