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SoundExchange
SoundExchange is an American non-profit collective rights management organization founded in 2003. It is the sole organization designated by the U.S. Congress to collect and distribute digital performance royalties for sound recordings. It pays featured and non-featured artists and master rights owners for the non-interactive use of sound recordings under the statutory licenses set forth in and . Overseen by a board of directors composed of artists, artist representatives, and sound recording copyright owners, SoundExchange is also an advocate for music licensing reform. As of 2020 it had paid more than $6 billion to recording artists and rights owners. History SoundExchange was created as a division of the RIAA in 2000. In 2001, major record labels and artists agreed on a standard for paying royalties earned from cable and satellite music services, and SoundExchange made its first payment, distributing $5.2 million in royalties to recording artists and labels. In 2002, four yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Huppe
Michael Huppe is a music industry executive and attorney who serves as president and CEO of SoundExchange, a non-profit collective rights management organization that provides technology solutions to make the business of music easier and advocates for fair music royalty compensation on behalf of its community of 570,000 creators. In his decade as SoundExchange CEO he has been a leader in driving the modernization of the music industry into the streaming era. Career Huppe began his career as a commercial litigator and joined SoundExchange as its General Counsel in 2007, where he is now President and CEO. Huppe, who has been named multiple times to Billboard's Power 100 List, helped lead efforts for the passage of the Music Modernization Act, which was passed by Congress in 2018. In 2015, Huppe led a “contentious” effort to raise the rates music streaming companies pay to performers and creators for use of their work. The case went before the Copy Royalty Board. Huppe claimed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalties
A royalty payment is a payment made by one party to another that owns a particular asset, for the right to ongoing use of that asset. Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation.Guidelines for Evaluation of Transfer of Technology Agreements, United Nations, New York, 1979 A royalty interest is the right to collect a stream of future royalty payments. A license agreement defines the terms under which a resource or property are licensed by one party to another, either without restriction or subject to a limitation on term, business or geographic territory, type of product, etc. License agreements can be regulated, particularly where a government is the resource owner, or they can be private contracts that follow a general structure. However, certain types of franchise agreements have comparable provisions. N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalties
A royalty payment is a payment made by one party to another that owns a particular asset, for the right to ongoing use of that asset. Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation.Guidelines for Evaluation of Transfer of Technology Agreements, United Nations, New York, 1979 A royalty interest is the right to collect a stream of future royalty payments. A license agreement defines the terms under which a resource or property are licensed by one party to another, either without restriction or subject to a limitation on term, business or geographic territory, type of product, etc. License agreements can be regulated, particularly where a government is the resource owner, or they can be private contracts that follow a general structure. However, certain types of franchise agreements have comparable provisions. N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Choice
Music Choice (abbreviated as MC) is an American television music service that digitally broadcasts audio-based music channels and video-related content to cable television providers in the United States. Music Choice reaches 65 million households in North America via linear television channels and TV-on-demand services. Music Choice is distributed nationwide by Xfinity, Spectrum, Cox Communications, Verizon Fios, DirecTV and other smaller cable providers. Similar broadcast music services include DMX, Stingray Music, Sirius XM, and XITE. History Early development Music Choice (formerly known as Digital Cable Radio) was the first digital audio broadcast service in the world and, under its founder and CEO David Del Beccaro, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Reeves
Martha Rose Reeves (born July 18, 1941) is an American R&B and pop singer. She is the lead singer of the Motown girl group Martha and the Vandellas which scored over a dozen hit singles, including "Come and Get These Memories", " Nowhere to Run", "Heat Wave", "Jimmy Mack", and their signature "Dancing in the Street". From 2005 until 2009, Reeves served as an elected council woman for the city of Detroit, Michigan. Martha Reeves and the Vandellas were inducted into the Rock and Roll Hall of Fame in 1995. Early life Martha Rose Reeves was born in Eufaula, Alabama, the first daughter of Elijah Joshua Reeves and Ruby Lee Gilmore Reeves, and the third of the couple's 11 children. She was a baby when the family moved from Eufaula to Detroit, Michigan, where her grandfather, Reverend Elijah Reeves, was a minister at Detroit's Metropolitan Church. The family was very active in the church and its choir. Elijah played guitar, and Ruby liked to sing; the children acquired their love o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Private Copying Levy
A private copying levy (also known as blank media tax or levy) is a government-mandated scheme in which a special tax or levy (additional to any general sales tax) is charged on purchases of recordable media. Such taxes are in place in various countries and the income is typically allocated to the developers of "content". (A distinction is sometimes made between "tax" and "levy" based on the recipient of the accumulated funds; taxes are received by a government, while levies are received by a private body, such as a copyright collective.) Levy system may operate in principle as a system of collectivisation, partially replacing a property approach of sale of individual units. History Such levies were first introduced in Germany in the 1960s. With the advent of the audio cassette, legislators were persuaded that cassette recorders would decimate sales of records as friend after friend would then make copies of only one purchased album. Levies today are assessed on recordable compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Byrne
David Byrne (; born 14 May 1952) is a Scottish-American singer, songwriter, record producer, actor, writer, music theorist, visual artist and filmmaker. He was a founding member and the principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads. Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received an Academy Award, a Grammy Award, a Tony Award, and a Golden Globe Award, and he is an inductee to the Rock and Roll Hall of Fame as part of Talking Heads. Early life David Byrne was born on 14 May 1952 in Dumbarton, Dunbartonshire, Scotland, the elder of two children born to Tom (from Lambhill, Glasgow) and Emma Byrne. Byrne's father was Catholic and his mother Presbyterian. Two years after his birth, the family moved to Canada, settling in Hamilton, Ontario. The family left Scotland in part because there were few jobs requiring his father's engin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Rights Organization
A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works ''publicly'' in locations such as shopping and dining venues. Legal consumer purchase of works, such as buying CDs from a music store, confer ''private'' performance rights. PROs usually only collect royalties when use of a work is incidental to an organisation's purpose. Royalties for works essential to an organisation's purpose, such as theaters and radio, are usually negotiated directly with the rights holder. The interest of the organisations varies: many have the sole focus of musical works, while others may also encompass works and authors for audiovisual, drama, literature, or the visual arts. In some countries PROs are called copyright collectives or copyright collecting agencies. A copyright collective is more general than a PRO as it is not limite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright Royalty Board
The Copyright Royalty Board (CRB) is a U.S. system of three copyright royalty judges who determine rates and terms for copyright statutory licenses and make determinations on distribution of statutory license royalties collected by the U.S. Copyright Office of the Library of Congress. The board, made up of three permanent copyright royalty judges, was created under the Copyright Royalty and Distribution Reform Act of 2004, which became effective on May 31, 2005, when the Copyright Arbitration Royalty Panel system was phased out. These administrative judges are appointed by the Librarian of Congress. May 2007 webcasting royalty increase On May 1, 2007, after 48 days of oral testimony (and 13,288 pages of written testimony), the Copyright Royalty Board set new rates for webcasting for the 2006–2010 License Period. The rates are higher than the then-existing royalties paid for non-interactive webcasting. One component of rate increase was to remove the cap on the per-station/cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metadata
Metadata is "data that provides information about other data", but not the content of the data, such as the text of a message or the image itself. There are many distinct types of metadata, including: * Descriptive metadata – the descriptive information about a resource. It is used for discovery and identification. It includes elements such as title, abstract, author, and keywords. * Structural metadata – metadata about containers of data and indicates how compound objects are put together, for example, how pages are ordered to form chapters. It describes the types, versions, relationships, and other characteristics of digital materials. * Administrative metadata – the information to help manage a resource, like resource type, permissions, and when and how it was created. * Reference metadata – the information about the contents and quality of statistical data. * Statistical metadata – also called process data, may describe processes that collect, process, or produce st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CLASSICS Act
The CLASSICS Act or Compensating Legacy Artists for their Songs, Service, and Important Contributions to Society Act is Music Modernization Act#Title II: CLASSICS Act, Title II of the Music Modernization Act and was proposed legislation as H.R. 3301 of the 115th United States Congress to amend title 17 of the United States Code, to provide Federal protection to the digital audio transmission of a sound recording fixed before February 15, 1972, and for other purposes. The bill was first introduced in the United States House of Representatives, House of Representatives on July 19, 2017 by Representative Darrell Issa. A companion bill (S.2393) was introduced in the United States Senate, Senate by Senator Chris Coons on February 7, 2018. The CLASSICS Act was consolidated into the Music Modernization Act (H.R.5447) on April 10, 2018. The Music Modernization Act passed in the House of Representatives on April 26, 2018, and passed the Senate on September 18, 2018, with the Senate renaming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States Copyright Law
The copyright law of the United States grants monopoly protection for "original works of authorship". With the stated purpose to promote art and culture, copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly. These exclusive rights are subject to a time limit, and generally expire 70 years after the author's death or 95 years after publication. In the United States, works published before January 1, , are in the public domain. United States copyright law was last generally revised by the Copyright Act of 1976, codified in Title 17 of the United States Code. The United States Constitution explicitly grants Congress the power to create copyright law under Article 1, Section 8, Clause 8, known as the Copyright Clause.Stanford Fair Use and Copyright Center. U.S. Constitution. http://fairuse.stanford.edu/law/us-constitution/ . Retrieved December 3, 2015. Under the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
