Soultaker (Blutengel EP)
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Soultaker (Blutengel EP)
''Soultaker'' is the second EP from German futurepop band Blutengel. It was released as a single CD and 2x CD limited edition. The bonus disc to the limited edition is a recording of a live performance from K17, Berlin on 22/23 May 2009 entitled ''Live in Berlin''. Track listing References External links''Soultaker'' at Discogs {{Authority control 2009 EPs Blutengel albums ...
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Blutengel
Blutengel (german: Blood Angel) (stylized as BlutEngel) is a German electronic music group formed by singer Chris Pohl (also of the groups Terminal Choice, Tumor, and Miss Construction and the owner of the Fear Section label) after he had to leave Seelenkrank due to contractual and legal problems. The lyrics are written primarily in German and English and are presented with male and female vocals. The themes of the songs usually centre around themes common in Gothic fiction such as love, vampirism, sexual fetishism, death, and immortality. The band calls their musical style ''dark pop''. History Formation and early years (1998–2001) Blutengel was formed in 1998 after Chris Pohl had decided to give up the preceding project, Seelenkrank (which had released two albums), due to contractual problems. Just as its predecessor, Blutengel uses melodious electronic tunes in combination with both male and female voices. The lyrics are primarily in German or English and mixed between ...
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Schwarzes Eis
''Schwarzes Eis'' ''(Black Ice)'' is the sixth studio album from German band Blutengel. It was released as a single CD and 2x CD limited edition, and 3x CD box set. "Dancing in the Light'' was released as a single preceding the album, with an accompanying music video. Track listing References External links {{Authority control 2009 albums Blutengel albums ...
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picture info

2009 EPs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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