Soul Mates (album)
''Soul Mates'' is an album by saxophonists Charlie Rouse and Sahib Shihab which was recorded in 1988 and released on the Uptown label in 1993. accessed May 4, 2018 Reception The review by Scott Yanow called it an "exciting studio date" and stated: "On a sad note, by the time this Uptown CD was finally released in 1993, Rouse, Shihab, and Davis had all passed away".Track listing # "November Afternoon" () – 5:49 # "Green Chimneys" ([...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charlie Rouse
Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Biography Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk's quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Don Sickler
Don Sickler (January 6, 1944) is an American jazz trumpeter, arranger and producer.Carr, Ian; Fairweather, Digby and Priestley, Brian ''Rough Guide to Jazz'' Rough Guides, 2004 "Don Sickler" at Google Books In the 1980s, he set up a tribute band called with , to play the music of [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Victor Lewis
Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator. Early life Victor Lewis was born on May 20, 1950 in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the "territory bands" that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman. Victor started studying music when he was ten and a half years old. Too small for the acoustic bass, he began on cello, but switched to the drums a year and a half later inspired by the drum line marching in holiday parades. As part of his formal studies, he also studied classical piano. Career By the time he was 15, Victor began playing drums professionally on the local scene ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Santi Debriano
Santi Wilson Debriano (born 1955 in Panama) is a jazz bassist. Debriano was raised in Brooklyn, having moved there with his family at age four. He studied composition at Union College in New York, then attended the New England Conservatory of Music and Wesleyan University. He worked with Archie Shepp in the late 1970s and early 1980s, then moved to Paris and played with Sam Rivers for three years. He returned to New York City and has since worked with Don Pullen, Pharoah Sanders, Sonny Fortune, Billy Hart, Larry Coryell, Chucho Valdés, Hank Jones, Cecil Taylor, Randy Weston, Freddie Hubbard, Kirk Lightsey, and Attila Zoller. Debriano has led several of his own units, including small groups in the late 1980s and Circlechant, a world music-influenced ensemble which has had among its members Helio Alves, Will Calhoun, and Abraham Burton. Debriano was also the music director for arts at Dwight Morrow High School in Englewood, New Jersey, and was given an award for jazz education ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Walter Davis Jr
Walter Davis Jr. (September 2, 1932 – June 2, 1990) was an American bebop and hard bop pianist. Davis once left the music world to be a tailor, but returned. A soloist, bandleader, and accompanist, he amassed a body of work while never becoming a high-profile name even within the jazz community. Davis played with Babs Gonzales' Three Bips & a Bop as a teen, then moved from Richmond to New York City, New York in the early 1950s. He played with Max Roach and Charlie Parker, recording with Roach in 1953. He joined Dizzy Gillespie's band in 1956, and toured the Middle East and South America. He also played in Paris with Donald Byrd in 1958 and with Art Blakey, Art Blakey & the Jazz Messengers in 1959. After retiring from music for a while to run his tailor shop, Davis returned in the 1960s, producing records and writing arrangements for a local New Jersey group. He studied music in India in 1979, and played with Sonny Rollins in the early 1970s. Biography Born in Richmond, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Claudio Roditi
Claudio Roditi (May 28, 1946 – January 17, 2020) was a Brazilian jazz trumpeter. In 1966 Claudio was named a trumpet finalist at the International Jazz Competition in Vienna, Austria. While in Vienna, Roditi met Art Farmer, one of his idols, and the friendship inspired the younger trumpeter to follow a career in jazz. Roditi came to America in 1970 to study at the Berklee School of Music in Boston. In 1976 he moved to New York City, where he played with Herbie Mann and Charlie Rouse. In the 1980s he worked with Paquito D'Rivera. He was a member of Dizzy Gillespie's United Nations Orchestra. Roditi received a 52nd Annual Grammy Awards (2009) nomination in the category Best Latin Jazz Album for ''Brazillance X 4''. He was also the featured soloist on ''Atras Da Porta'' from ''Symphonic Bossa Nova'' (Ettore Stratta conducting the Royal Philharmonic Orchestra), for which Jorge Calandrelli received an arranger nomination at the 38th Annual Grammy Awards (1995). His first al ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |