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Sotoba Komachi
The aged Komachi rests upon the ''Sotoba Komachi'' is a Noh play written by Kan'ami, and is one of the most compelling and best-known of the type. Plot and themes Much of the strength of the play derives from the variety provided by the three main and distinct sections: lament for lost beauty; witty religious debate; and ghostly possession. The play begins with an encounter between two priests and an old beggar-woman, lamenting how she was “lovelier than the petals of the wild-rose open-stretched / In the hour before its fall. / But now I am grown loathsome even to sluts”. She later admits that she is the famed ''waka (poetry)">waka'' poet Ono no Komachi. Because she is seated on a Buddhist stupa, a holy marker, she is challenged by the priests for creating bad karma, but in a witty debate uses Zen-like sophistries to defeat them: “Nothing is real. Between Buddha and Man is no distinction”. The priests then lament in turn her loss of beauty; before in the final sequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maan Van De Grafsteen Sotoba No Tsuki (titel Op Object) Honderd Aspecten Van De Maan (serietitel) Tsuki Hyakushi (serietitel Op Object), RP-P-2008-186
Maan or Ma'an may refer to: Places * Ma'an, a city in Jordan, and capital of the governorate * Ma'an Governorate, a governorate of Jordan * Ma'an, Syria, a village near Hama * Maan, Punjab, a village Kasur District, Punjab, Pakistan * Ma'an, Cameroon, a commune in Cameroon * Man, Vikramgad, a village in Maharashtra, India * Ma'an, Huitong (马鞍镇), a town of Huitong County, Hunan. People * Maan (surname) * Maan (singer) (born 1997), Dutch singer and actress Entertainment * ''Maan'' (film), a 1954 Bollywood film * ''Maan'' (Indian TV series), a 2001–2002 Indian soap opera television series that aired on Metro Gold * ''Maan'' (Pakistani TV series), a 2015–2016 Pakistani television drama series that aired on Hum TV Other uses * Maan family, a medieval Druze princely family * Ma'an News Agency, a Palestinian news agency * Arab Democratic Party (Israel) The Arab Democratic Party ( he, translit=Miflaga Demokratit Aravit, מפלגה דמוקרטית ערבית; ar, أ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kan'ami
was a Japanese Noh actor, author, and musician during the Muromachi period. Born in Iga Province, Kan'ami also went by and . He is the father of the well-known playwright . Theater Kan'ami's career began in Obata, Nabari-shi, Mie when he founded a sarugaku theater group in the Kansai region on the main Honshu island. The troupe moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater. He grew in popularity and began making trips to Kyoto to give performances. In 1374, the shōgun Ashikaga Yoshimitsu was in the audience of a performance and was so impressed by it that he became Kan'ami's patron. Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances from rustic harvest celebrations. He trained his son Zeami Motokiyo in his style, and his son eventually succeeded him as director of the Kanze school of Noh. Kan'ami died in Suruga Province. Notable works *'' Sotoba Komachi'' *''Ji'nen koji' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ono No Komachi
was a Japanese waka poet, one of the ''Rokkasen'' — the six best waka poets of the early Heian period. She was renowned for her unusual beauty, and ''Komachi'' is today a synonym for feminine beauty in Japan. She also counts among the Thirty-six Poetry Immortals. Life Almost nothing of Komachi's life is known for certain, save for the names of various men with whom she engaged in romantic affairs and whose poetry exchanges with her are preserved in the ''Kokin Wakashū''. She was probably born between 820 and 830, and she was most active in composing poetry around the middle of the ninth century. Extensive study has gone into trying to ascertain her place of birth, her family and so on, but without conclusive results. The Edo-period scholar Arai Hakuseki advanced the theory that there was more than one woman named Komachi and that the legends about her referred to different people. This theory was later expanded to conjecture that there were four "Komachis"., citing I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
A stupa ( sa, स्तूप, lit=heap, ) is a mound-like or hemispherical structure containing relics (such as ''śarīra'' – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. In Buddhism, circumambulation or ''pradakhshina'' has been an important ritual and devotional practice since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renga
''Renga'' (, ''linked verse'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres ''haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology Tsukubashū () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessions known as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Waley
Arthur David Waley (born Arthur David Schloss, 19 August 188927 June 1966) was an English orientalist and sinologist who achieved both popular and scholarly acclaim for his translations of Chinese and Japanese poetry. Among his honours were the CBE in 1952, the Queen's Gold Medal for Poetry in 1953, and he was invested as a Companion of Honour in 1956. Although highly learned, Waley avoided academic posts and most often wrote for a general audience. He chose not to be a specialist but to translate a wide and personal range of classical literature. Starting in the 1910s and continuing steadily almost until his death in 1966, these translations started with poetry, such as ''A Hundred and Seventy Chinese Poems'' (1918) and ''Japanese Poetry: The Uta'' (1919), then an equally wide range of novels, such as '' The Tale of Genji'' (1925–26), an 11th-century Japanese work, and ''Monkey'', from 16th-century China. Waley also presented and translated Chinese philosophy, wrote biogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kayoi Komachi
''Kayoi Komachi'' (通小町) or (The Courtship of Komachi) is a Noh play by Kan'ami Kiyotsugu, about the legend of the famous poetess Ono no Komachi. Unlike Kan'ami's ''Sotoba Komachi'', this play features the doomed lover Shōshō as the principal actor, and Komachi as the secondary or . Plot A meditating monk is offered daily provisions by a woman - the catalogue of her fruits and nuts being a feature of the play. The woman is revealed as the ghost of Komachi. When the monk attempts to save her soul, the resentful presence of her former lover Shōshō interrupts the process. The ghost pair are encouraged to act out/relive the one hundred days of courtship Komachi had imposed on Shōshō, leading directly to his death, and are thereafter released from their bondage/attachment and set free. Literary associations *Ezra Pound in his translation/adaptation of the play gave the two lovers a Dante-esque aura. *Yukio Mishima saw the figure of Komachi in the play as representing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sekidera Komachi
{{nihongo, ''Sekidera Komachi'', 関寺小町, Komachi at Sekidera is a famous Noh play of the third category (plays about women) by Zeami Motokiyo. Its central character is a real life figure, the great 9th-century poet Ono no Komachi, who was also famed for her beauty. The play depicts Komachi at the end of her life, when her beauty has faded and she is living in great poverty. On the evening of the seventh day of the seventh month, during the Festival of Stars, the Abbot of Sekidera visits her in her hut, taking two priests and a child, so that they can hear her talk about poetry. During the course of their conversation, the abbot realizes her identity and is astonished and delighted. He invites her to come with them to the festival, but she declines. The child dances part of a ''gagaku'' dance for her, the ''Manzairaku''. Inspired, she starts to dance herself, and continues to do so until dawn. In the dawn light she ponders the transience of life, and her irrational shame at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sotoba Komachi (Mishima)
Sotoba Komachi (卒塔婆小町) is one of the stories in Five Modern Noh Plays by Yukio Mishima. The original work was written by Kanami and was later reworked by Mishima Yukio for modern theatre. The kanji 卒塔婆 means stupa and小町 is the synonym of belle or beautiful woman. The story was written in 1952 and published in 1956. It was translated by Japanese literature expert Donald Keene into English in 1957. Sotoba Komachi is the third story of The Five Modern Noh Plays. In relation to Sotoba Komachi by Kanami The original work, Sotoba Komachi written by Kan'ami, was originally a conversation between two priests and a 99-year-old lady at a Buddhist shrine. She later admits that she is Ono no Komachi (one of the six great ''waka Waka may refer to: Culture and language * Waka (canoe), a Polynesian word for canoe; especially, canoes of the Māori of New Zealand ** Waka ama, a Polynesian outrigger canoe ** Waka hourua, a Polynesian ocean-going canoe ** Waka taua, a Māori w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ''ukiyo-e'' paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
