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Sonny Boy Williamson And The Yardbirds
''Sonny Boy Williamson & the Yardbirds'' is a live album by Chicago blues veteran Sonny Boy Williamson II backed by English rock band the Yardbirds. It was recorded at the Crawdaddy Club in Richmond, Surrey on December 8, 1963. However, the performances were not released until early 1966, after a string of Top 40 hits by the Yardbirds. Williamson sings and/or plays the harmonica on all of the songs. Although they are in a supporting role, the album also presents some of the earliest recordings by the Yardbirds, whose members included Eric Clapton on lead guitar. Numerous reissues have appeared over the years, sometimes with additional tracks recorded around the same time. Background German music impresarios Horst Lippmann and Fritz Rau organized the first annual American Folk Blues Festival in 1962. They arranged for several well-known American blues artists to perform in concert in several European cities. Sonny Boy Williamson participated during the second festival tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Boy Williamson II
Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II. He first recorded with Elmore James on "Dust My Broom". Some of his popular songs include " Don't Start Me Talkin'", " Help Me", "Checkin' Up on My Baby", and " Bring It On Home". He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals. "Help Me" became a blues standard, and many blues and rock artists have recorded his songs. Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Star-Club
The Star-Club was a music club in Hamburg, Germany, that opened on Friday 13 April 1962, and was initially operated by Manfred Weissleder and Horst Fascher. In the 1960s, many of the giants of rock music played at the club. The club closed on 31 December 1969 and the building it occupied was destroyed by a fire in 1987. The address of the club was ''Große Freiheit 39'' in the St. Pauli quarter of Hamburg. ''Große Freiheit'' is a side street of the Reeperbahn. The club had a capacity of 2,000 people, and cinema-style seating. The club achieved worldwide renown through the performances of the Beatles, who played three residencies there between April and December 1962. An amateur tape recording of one of the performances (or parts of several performances) during their December engagement was remixed and released in 1977 as ''Live! at the Star-Club in Hamburg, Germany; 1962''. The club remained a popular venue for British and American rock and roll acts through the mid-1960s; its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Beck
Geoffrey Arnold Beck (born 24 June 1944) is an English rock guitarist. He rose to prominence with the Yardbirds and after fronted the Jeff Beck Group and Beck, Bogert & Appice. In 1975, he switched to a mainly instrumental style, with a focus on innovative sound, and his releases have spanned genres ranging from blues rock, hard rock, jazz fusion and a blend of guitar-rock and electronica. Beck ranked in the top five of ''Rolling Stone'' and other magazine's list of 100 greatest guitarists. He is often called a "guitarist's guitarist". ''Rolling Stone'' describes him as "one of the most influential lead guitarists in rock". Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained the sustained commercial success of many of his contemporaries and bandmates. He has recorded with many artists. Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richie Unterberger
Richie Unterberger (born January 19, 1962) is an American author and journalist whose focus is popular music and travel writing. Life and writing Unterberger attended the University of Pennsylvania, where he wrote for the university newspaper ''The Daily Pennsylvanian'' and in the early 1980s was a deejay on the Penn radio station, WXPN-FM. Just prior to graduating in late 1982, he started reviewing records for '' Op'' magazine, which marked the start of his career as a freelance writer. From 1985 to 1991, Unterberger was an editor for '' Option''. Since 1993, he has been a prolific contributor to AllMusic, the on-line database of music biographies and album reviews, for which he has written thousands of entries, and many of his on-line contributions have been printed in the AllMusic guide series. Unterberger contributes to various local and national publications, including ''Mojo'', ''Record Collector'', ''Rolling Stone'', ''Oxford American'', and '' No Depression''. He has writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury Records
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. In the United States, it is operated through Republic Records; in the United Kingdom and Japan (as Mercury Tokyo in the latter country), it is distributed by EMI Records. Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records). Background Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bye Bye Bird
"Bye Bye Bird" is a harmonica-driven blues song written by Willie Dixon and Sonny Boy Williamson II. In 1963, Checker Records issued it as the B-side of Williamson's single " Help Me", which was his last single to reach the record charts. The song was recorded on January 11, 1963, by Williamson on vocal and harmonica, backed by Lafayette Leake or Billy Emerson on organ, Matt Murphy on guitar, Milton Rector on bass, and Al Duncan on drums. "Bye Bye Bird" is included on several Sonny Boy Williamson compilation albums, such as ''More Real Folk Blues'' (1967) and '' His Best'' (1997). A live recording by Williamson from December 8, 1963, at the Crawdaddy Club, in Richmond, England, accompanied by the Yardbirds, is included on ''Sonny Boy Williamson and the Yardbirds'' (1966). The song was recorded by the Moody Blues for their 1965 debut album ''The Magnificent Moodies ''The Magnificent Moodies'' is the 1965 debut album by The Moody Blues, first released in the UK, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Do You Love? (Bo Diddley Song)
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. "Who Do You Love?" was part of Bo Diddley's repertoire throughout his career, but none of his various recordings reached the record charts. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. Popular renditions include those by Ronnie Hawkins and George Thorogood, with charting singles by the Woolies, Tom Rush, Quicksilver Messenger Service, and Juicy Lucy. Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Judge A Book By Its Cover (Bo Diddley Song)
"You Can't Judge a Book by the Cover" (alternatively "You Can't Judge a Book by Its Cover") is a 1962 song by rock and roll pioneer Bo Diddley. Written by Willie Dixon, the song was one of Diddley's last record chart hits. Unlike many of his well-known songs, "You Can't Judge a Book by the Cover" does not rely on the Bo Diddley beat. A variety of rock and other performers have recorded renditions of the song. Composition and lyrics "You Can't Judge a Book by the Cover" is based on a sixteen-bar blues structure that "boasts a beat that's utterly compulsive and primordial, but closer to a way-speeded up walking rhythm than to the standard Diddley pattern", according to Richie Unterberger in a song review. Percussionist Jerome Green added maracas to the recording, which Unterberger calls "an utterly entrancing rhythm that does much to add to the power of the song". While noting Diddley's rhythm guitar contribution, Dixon biographer Mitsutoshi Inaba comments on Diddley's "uniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Wish You Would (Billy Boy Arnold Song)
"I Wish You Would" is a song recorded by Chicago blues musician Billy Boy Arnold in 1955. It was developed while Arnold was performing with Bo Diddley and incorporates a Diddley-style rhythm. Called "a timeless Chicago blues classic", "I Wish You Would" is Arnold's best-known song and has been recorded by several artists, including the Yardbirds, who recorded it for their debut single in 1964. Original song "I Wish You Would" was developed from "Diddy Diddy Dum Dum", a song Billy Boy Arnold wrote and sang with Bo Diddley. Leonard Chess, the owner/producer of Diddley's record label, Checker Records, planned to record the song as Diddley's second single. However, Arnold heard that Chess did not like him, so he took the song to Chess' rival, Vee-Jay Records. Vee-Jay suggested that he change the lyrics, so Arnold came up with "I Wish You Would". The song features a one-chord modal blues structure with a repeating guitar figure and Diddley-style rhythm. Backing Arnold (vocal and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let It Rock (Chuck Berry Song) ''
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Let It Rock may refer to: * ''Let It Rock'' (magazine), a British monthly music magazine published between 1972 and 1975 * Sex (boutique), formerly Let It Rock, a London fashion boutique Albums * ''Let It Rock'' (1973 compilation), an album by Atlantic Records * ''Let It Rock'' (Great White album) * ''Let It Rock'' (Ronnie Hawkins album) * '' Let It Rock: The Jerry Garcia Collection, Vol. 2'', a 2009 album by the Jerry Garcia Band * ''Let It Rock!'', an album by The Connection Songs * "Let It Rock" (Chuck Berry song) covered by The Rolling Stones, Dave Edmunds, The Wildebeests, Skyhooks * "Let It Rock" (Kevin Rudolf song), featuring Lil Wayne * "Let It Rock", a song by Bon Jovi from ''Slippery When Wet ''Slippery When Wet'' is the third studio album by American rock band Bon Jovi. It was released on August 18, 1986, by Mercury Records in North America and Vertigo Records internationally. It was produced by Bruce Fairbairn, with recording sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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