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Sonnet 30
Sonnet 30 is one of the 154 sonnets written by the English poet and playwright William Shakespeare. It was published in the Quarto in 1609. It is also part of the Fair Youth portion of the Shakespeare Sonnet collection where he writes about his affection for an unknown young man. While it is not known exactly when Sonnet 30 was written, most scholars agree that it was written between 1595 and 1600. It is written in Shakespearean form, comprising fourteen lines of iambic pentameter, divided into three quatrains and a couplet. Within the sonnet, the narrator spends time remembering and reflecting on sad memories of a dear friend. He grieves of his shortcomings and failures, while also remembering happier memories. The narrator uses legal metaphors throughout the sonnet to describe the sadness that he feels as he reflects on his life. Then in the final couplet, the narrator changes his tone about the failures, as if the losses are now merely gains for himself. Summary S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarchan Sonnet
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. 5 Dec. 2015. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines (in English sonnets, iambic pentameter is used) in two parts, the first part being an octave and the second being a sestet. Form The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets). This form was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heptalogy
A heptalogy (; from Greek ἑπτα- ''hepta-'', "seven" and -λογία ''-logia'', "discourse"), also known as a septology, is a compound literary or narrative work that is made up of seven distinct works. While not in wide usage, it has been used to describe such examples as the ''Harry Potter'' series of books, * * and ''The Chronicles of Narnia''. Examples See also * Trilogy * Tetralogy * List of feature film series with seven entries This is a list of film series that have seven entries. B *''Bring It On'' *#''Bring It On'' (2000) *#''Bring It On Again'' (2004) (V) *#'' Bring It On: All or Nothing'' (2006) (V) *#'' Bring It On: In It to Win It'' (2007) (V) *#'' Bring It O ... References Books by type Film series Literary series Musical form Narrative forms Series of books {{Lit-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Proust
Valentin Louis Georges Eugène Marcel Proust (; ; 10 July 1871 – 18 November 1922) was a French novelist, critic, and essayist who wrote the monumental novel ''In Search of Lost Time'' (''À la recherche du temps perdu''; with the previous English title translation of ''Remembrance of Things Past''), originally published in French in seven volumes between 1913 and 1927. He is considered by critics and writers to be one of the most influential authors of the 20th century. Background Proust was born on 10 July 1871 at the home of his great-uncle in the Paris Borough of Auteuil (the south-western sector of the then-rustic 16th arrondissement), two months after the Treaty of Frankfurt formally ended the Franco-Prussian War. His birth took place at the very beginning of the Third Republic, during the violence that surrounded the suppression of the Paris Commune, and his childhood corresponded with the consolidation of the Republic. Much of ''In Search of Lost Time'' concerns the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remembrance Of Things Past
''In Search of Lost Time'' (french: À la recherche du temps perdu), first translated into English as ''Remembrance of Things Past'', and sometimes referred to in French as ''La Recherche'' (''The Search''), is a novel in seven volumes by French author Marcel Proust. This early 20th-century work is his most prominent, known both for its length and its theme of involuntary memory. The most famous example of this is the "episode of the madeleine", which occurs early in the first volume. The novel gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as ''Remembrance of Things Past'', but the title ''In Search of Lost Time'', a literal rendering of the French, became ascendant after D. J. Enright adopted it for his revised translation published in 1992. ''In Search of Lost Time'' follows the narrator's recollections of childhood and experiences into adulthood in the late 19th-century and early 20th-century high-society France, while reflecting on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Vendler
Helen Hennessy Vendler (born April 30, 1933) is an American literary critic and is Porter University Professor Emerita at Harvard University. Life and career Helen Hennessy Vendler was born on April 30, 1933, in Boston, Massachusetts, to George Hennessy and Helen Hennessy. She was the second of three children. Her parents encouraged her to read poems as a child. Vendler's father taught Spanish, French, and italian at a high school, while her mother had taught in a primary school before marriage. Vendler attended Emmanuel College over the Boston Girls' Latin School and Radcliffe College because her parents would not let her enroll in "secular education". She received an A. B. from Emmanuel. Vendler was awarded a Fulbright Fellowship, attending the Université catholique de Louvain from 1954 to 1955, for mathematics. But while traveling to the university, she decided that she would rather study English than math and the Fulbright commission allowed her to switch her focus to li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William K
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name should b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvor Winters
Arthur Yvor Winters (October 17, 1900 – January 25, 1968) was an American poet and literary critic. Life Winters was born in Chicago, Illinois and lived there until 1919 except for brief stays in Seattle and in Pasadena, where his grandparents lived. He attended the University of Chicago for four-quarters in 1917–18, where he was a member of a literary circle that included Glenway Wescott, Elizabeth Madox Roberts and his future wife Janet Lewis. In the winter of 1918–19 he was diagnosed with tuberculosis and underwent treatment for two years in Santa Fe, New Mexico. During his recuperation he wrote and published some of his early poems. On his release from the sanitarium he taught in high schools in nearby mining towns. In 1923 Winters published one of his first critical essays, "Notes on the Mechanics of the Poetic Image," in the expatriate literary journal ''Secession''. That same year he enrolled at the University of Colorado, where he achieved his BA and MA degrees ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). "Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in ''The Prelude''. As lines in iambic pentameter usually contain ten syllables, it is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
In poetry, the volta, or turn, is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi calls the turn a "fulcrum". In ''The Poet's Art'', M.L. Rosenthal employs two different terms for different kinds of turns: "gentle ''modulations'', or at the furthest extreme, wrenching turns of emphasis or focus or emotional pitch (''torques'')". Hank Lazer primarily refers to the turn as a "swerve", asking, "Is there a describable lyricism of swerving? For those poems for which the swerve, the turn, the sudden change in direction are integral, can we begin to articulate a precise appreciation? Is there a describable and individualistic lyricism of swerving?" What Leslie Ullman calls the "center" of a poem largely is the poem's turn. Importance Author and historian Paul Fussell calls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
