Songs Of The Unsung
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Songs Of The Unsung
''Songs of the Unsung'' is a solo album by American jazz pianist/composer Horace Tapscott recorded in 1978 and released on the Interplay label.Horace Tapscott discography
accessed February 5, 2015
accessed May 9, 2017


Reception

awarded the album 4 stars with its review by Scott Yanow calling it "A fine outing that, if it were in-print, could serve as a fairly accessible introduction to the masterful pianist".Yanow, S.,

Horace Tapscott
Horace Elva Tapscott (April 6, 1934 – February 27, 1999) was an American jazz pianist and composer. He formed the Pan Afrikan Peoples Arkestra (also known as P.A.P.A., or The Ark) in 1961 and led the ensemble through the 1990s. Early life Tapscott was born in Houston, Texas, and moved to Los Angeles, California, at the age of nine. By this time he had begun to study piano and trombone. He played with Frank Morgan, Don Cherry, and Billy Higgins as a teenager. Later life and career After service in the Air Force in Wyoming, he returned to Los Angeles and played trombone with various bands, notably Lionel Hampton (1959–61). Soon after, though, he quit playing trombone and focused on piano. In 1961 Tapscott formed the Pan Afrikan Peoples Arkestra, with the aim of preserving, developing and performing African-American music. As his vision grew, this became just one part of a larger organization in 1963, the Underground Musicians Association (UGMA), which later changed name ...
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United Western Recorders
United Western Recorders was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard. In 1984, United Western Recorders was renamed and succeeded by Ocean Way Recording. Starting in 1999, the complex was divided into two establishments: Ocean Way Recording (now United Recording Studios) at 6050 Sunset and Cello Studios (now EastWest Studios) at 6000 Sunset. Some of the biggest hits of the 1960s were recorded at United Western. According to the book ''Temples of Sound'', "No other studio has won more technical excellence awards, and no studio has garnered as many Best Engineered Grammys". Western's Studio 3 is considered iconic for its use by Brian Wilson for the Beach Boys' albums ''Pet Sounds'' (1966) and ''Smile'' (unreleased). Structure The complex's two buildings, U ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Interplay Records
Interplay Records is a jazz record company and label founded by Toshiya Taenaka in association with Fred Norseworthy in Los Angeles in 1977 which released several notable albums by Warne Marsh, Al Haig, Sal Mosca, Horace Tapscott, and Ted Curson. The label was named after an album released on Taenaka's short-lived label, Seabreeze Records; Al Haig Alan Warren Haig (July 19, 1922 – November 16, 1982) was an American jazz pianist, best known as one of the pioneers of bebop. Biography Haig was born in Newark, New Jersey and raised in nearby Nutley. In 1940, he majored in piano at Obe ...'s '' Interplay''. DiscographyInterplay Records discography: 8600 series
accessed March 19, 2018


References

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The Giant Is Awakened
''The Giant is Awakened'' is the debut album by American jazz pianist/composer Horace Tapscott recorded in 1969 and released on the Flying Dutchman label.Both Sides Now: Flying Dutchman Label Discography
accessed November 11, 2019


Reception

awarded the album 4½ stars.accessed February 9, 2015 The noted "Tapscott was leery of the music business in general, and o ...
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In New York (Horace Tapscott Album)
In New York may refer to: * ''In New York'' (Ravi Shankar album), 1968 American release * ''In New York'' (Steve Grossman album), 1991 American release also with McCoy Tyner Trio See also * ''The Cannonball Adderley Sextet in New York ''The Cannonball Adderley Sextet in New York'' is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe ...
'', a live album of 1962 {{Disambiguation ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Cal Massey
Calvin "Cal" Massey (January 11, 1928 – October 25, 1972) was an American jazz trumpeter and composer. Early life Born in Philadelphia, Pennsylvania, United States, Massey studied trumpet under Freddie Webster, and following this played in the big bands of Jay McShann, Jimmy Heath, and Billie Holiday. After that he mainly worked as a composer. Growing up, Massey had two cousins in the Philadelphia area who were, like him, interested in jazz and the arts. Massey's cousin Bill Massey, also a jazz trumpet player, composed music for and played on several Prestige recording sessions for alto saxophonist Sonny Stitt in the early 1950s. His cousin Calvin L. Massey (1926–2019), brother of Bill Massey, was also known professionally as Cal Massey and worked as a jazz pianist in the 1960s before becoming a visual artist. Calvin L. Massey worked as monument designer (with sculptures at Valley Forge and Ellis Island) and illustrator at Marvel Comics, and later was an independent painte ...
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Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Elmo Hope
St. Elmo Sylvester Hope (June 27, 1923 – May 19, 1967) was an American jazz pianist, composer, and arranger, chiefly in the bebop and hard bop genres. He grew up playing and listening to jazz and classical music with Bud Powell, and both were close friends of another influential pianist, Thelonious Monk. Hope survived being shot by police as a youth to become a New York-based musician who recorded with several emerging stars in the early to mid-1950s, including trumpeter Clifford Brown, and saxophonists John Coltrane, Lou Donaldson, Jackie McLean, and Sonny Rollins. A long-term heroin user, Hope had his license to perform in New York's clubs withdrawn after a drug conviction, so he moved to Los Angeles in 1957. He was not happy during his four years on the West Coast, but had some successful collaborations there, including with saxophonist Harold Land. More recordings as leader ensued following Hope's return to New York, but they did little to gain him more public or critical ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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