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Songs From The Capeman
''Songs from The Capeman'' is the ninth solo studio album by Paul Simon, released in 1997. His first new studio album of original materials in seven years, it contains Simon's own performances of songs from the Broadway musical he wrote and produced called ''The Capeman'' augmented by members of the original cast. The songs retell the story of Salvador Agron, who was known as the "Capeman". A departure musically from his earlier work, the album features doo-wop, rock 'n' roll and Puerto Rican rhythms and a number of songs contain explicit lyrics, a first for Simon. The stage show was a commercial flop, losing $11 million, and the album did not sell well. It peaked at number 42 on the Billboard 200, the lowest chart position in Simon's career. Track listing All songs written by Paul Simon, with lyrics co-written by Derek Walcott. ;Side one ;Side two ;2004 reissue bonus tracks Personnel * Paul Simon – lead vocals (1-6, 8, 10, 11, 12), acoustic guitar (2, 3, 4, 8-12), bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Feliciano
José Montserrate Feliciano García (born September 10, 1945) () is a Puerto Rican musician, singer and composer. He recorded many international hits, including his rendition of the Doors' "Light My Fire" and his self-penned Christmas song " Feliz Navidad". Music genres he explores consist of fusion of many styles, such as Latin, blues, jazz, soul and rock music, created primarily with the help of his signature acoustic guitar sound. In the United States, Feliciano became popular in the 1960s, particularly after his 1968 album ''Feliciano!'' reached number 2 on the music charts. Since then, he released in his career over fifty albums worldwide, in both English and Spanish language. Early life and family José Monserrate Feliciano Garcia was born on September 10, 1945, in Lares, Puerto Rico, the fourth child of eleven sons. He was born blind as a result of congenital glaucoma. He was first exposed to music at the age of 3, playing on a cracker tin can while accompanying his un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuatro (instrument)
The cuatro is a family of Latin American string instruments played in Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings. Cuatro means ''four'' in Spanish; the instrument's 15th century predecessors were the Spanish vihuela and the Portuguese cavaquinho, the latter having four strings like the cuatro. Modern cuatros come a variety of sizes and shapes, and number of strings. Cuatros can either have single-strings, like a guitar, or double- or triple-coursed strings like a mandolin, and vary in size from a large mandolin or small guitar, to the size of a full-size guitar. Depending on their particular stringing, cuatros are part of the guitar or mandolin subfamilies of the lute fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Nguini
Vincent Nguini (July 1952 – December 8, 2017) was a Cameroonian musician and guitarist. Nguini was best known for his work with American singer-songwriter Paul Simon, with whom he recorded and toured for 30 years. Biography Nguini was born in July 1952 in Obala, Cameroon. He grew up interested in music through African music as well as American rock and jazz artists. He relocated to Paris in 1978 and began working as a session musician. He became the musical director for Manu Dibango in the late 1970s and subsequently lived in Washington, D.C. In 1987, he joined Paul Simon's band, first contributing to his 1990 album ''The Rhythm of the Saints''. On that album, he received a co-writing credit for the song "The Coast". Throughout the next two decades, Nguini recorded with artists like Peter Gabriel and Jimmy Buffett, while releasing his own albums on his own label, Nguini Records. He continued working with Simon as well, contributing to his albums and touring with him into hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Griffin (musician)
Paul Griffin (August 6, 1937 – June 14, 2000) was an American pianist and session musician who recorded with hundreds of musicians from the 1950s to the 1990s. Career Born in Harlem, New York, he began as the touring pianist in the backing band for King Curtis and eventually worked with Bob Dylan, Steely Dan, Don McLean, the Isley Brothers, Van Morrison, the Shirelles, and Dionne Warwick. He may be best known for his colourful and distinctive playing on the Bob Dylan albums ''Highway 61 Revisited'' and ''Blonde on Blonde'', and also on Steely Dan's ''Aja (album), Aja''. He is extensively featured playing a virtuoso performance of gospel piano on Don McLean's single, "American Pie (song), American Pie" He is credited as co-author of the song "The Fez" on Steely Dan's ''The Royal Scam''. He was an arranger for ''The Warriors (film), The Warriors'' (1979) and ''Four Friends (1981 film), Four Friends'' (1981) and performed in ''On Location: Robert Klein at Yale'' (1982) and on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Ott
Horace Ott (born April 15, 1933) is an American jazz and R&B composer, arranger, record producer, conductor and pianist, noted for his work since the late 1950s with a wide variety of artists including The Shirelles, Don Covay, Nina Simone, Houston Person, and the Village People. Biography Born in St. Matthews, South Carolina, he learned piano and attended Wilkinson High School in Orangeburg, where he played in the school band and started performing in, and writing for, a local jazz band. He studied music at South Carolina State University, graduating in 1955, and spent two years in the US Army from 1956 to 1958, playing in a marching band. Horace Ott, ''South Carolina African American Calendar'' . Retrieved 3 April 2017 In 1958 he moved to New York, working in a factory while p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in orchestras, wind ensembles, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. The Pixiphone, a type of toy glockenspiel, was one such instrument sold as a xylophone. Range The glockenspiel is limited to the upper register and usually covers about to 3 octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hernández (musician)
Oscar Hernández (born March 22, 1954) is an American pianist, arranger and producer of Puerto Rican descent. Life and career Early years Hernández's family moved to the United States from Puerto Rico in the 1940s, in search of a better way of life. They settled down in the South Bronx, a ghetto, which is a section that is heavily populated by latinos in New York where Hernández was born. Hernández who was the youngest of eleven siblings, received his primary and secondary education in the city's public school system.Guernica Magazine Interview Early musical influences As a child he was exposed to the music of , |
Fender Rhodes
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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