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Sonatas And Partitas For Solo Violin
The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterly and expressive works ever written for solo violin. The set was completed by 1720 but was not published until 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's ''Sonatas and Partitas' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page BWV1001-1006 Autograph Manuscript 1720
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German language, German, Cardinal (Catholicism), Cardinal in Catholic church, Catholic usage (Richard Cushing#Legacy, Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary title, hereditary. Types Titles include: * Honorific, Honorific titles or Style (manner of address), styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottfried Walther
Johann Gottfried Walther (18 September 1684 – 23 March 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era. Walther was born at Erfurt. Not only was his life almost exactly contemporaneous to that of Johann Sebastian Bach, he was the famous composer's cousin. Walther was most well known as the compiler of the ''Musicalisches Lexicon'' (Leipzig, 1732), an enormous dictionary of music and musicians. Not only was it the first dictionary of musical terms written in the German language, it was the first to contain both terms and biographical information about composers and performers up to the early 18th century. In all, the ''Musicalisches Lexicon'' defines more than 3,000 musical terms; Walther evidently drew on more than 250 separate sources in compiling it, including theoretical treatises of the early Baroque and Renaissance. The single most important source for the work was the writings of Johann Mattheson, who is referenced more t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Volumier
Jean-Baptiste Volumier (ca. 1670 - 7 October 1728) was an eighteenth century violinist, composer and concertmaster. Life Volumier was born in around 1670 or 1677. Sources differ. He was probably born in the Spanish Flanders although some earlier sources indicate simply that he was born in Spain. As a young man he was schooled in music in Paris, possibly at the French court, and it was the then fashionable French style that he would follow as a performer and composer. Moving to Berlin, in 1692 he gained a position as a violinist in the court orchestra of the Electorate of Brandenburg. He quickly gained promotion through the ranks, emerging as the court concertmaster (''"Maitre de Concert"''), taking care of ballet and dance. He composed arias and dance music for the marriage, in 1706, of the crown prince. Although his responsibilities included the regular composition of dance music, none of his compositions from the period survive. In 1708, following a dispute, he was relie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12 Fantasias For Solo Violin (Telemann)
Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city in 1735, but were considered lost until a copy of the print was found in a private collection in 2015 by viola da gamba player and musicologist Thomas Fritzsch. This collection consists of the following works: # Fantasia in B-flat major (Largo—Allegro—Grave—Si replica l'allegro) # Fantasia in G major (Largo—Allegro—Allegro) # Fantasia in F minor (Adagio—Presto—Grave—Vivace) # Fantasia in D major (Vivace—Grave—Allegro) # Fantasia in A major (Allegro—Presto—Allegro—Presto—Andante—Allegro) # Fantasia in E minor (Grave—Presto—Siciliana†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Georg Pisendel
Johann Georg Pisendel ( – 25 November 1755) was a German Baroque violinist and composer who, for many years, led the Court Orchestra in Dresden as concertmaster, then the finest instrumental ensemble in Europe. He was the leading violinist of his time, and composers such as Tomaso Albinoni, Georg Philipp Telemann and Antonio Vivaldi all dedicated violin compositions to him. Life Pisendel was born in Cadolzburg, a small town near Nuremberg, where his father Simon Pisendel was the cantor and organist. At the age of nine, Johann Georg became a choirboy at the court chapel of Ansbach, where the singer Francesco Antonio Pistocchi was music director, and violinist and composer Giuseppe Torelli was concert master. It is thought that Pisendel studied the violin with Torelli. After his voice broke, Pisendel went on to play the violin in the Court Orchestra. In 1709, he left Dresden for Leipzig to further his musical studies. On the way to Leipzig, he met Johann Sebastian Bach at Weim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joseph Vilsmayr
Johann Joseph Vilsmayr (1663 – 11 July 1722) was an Austrian violinist and composer. From 1 September 1689 he worked at Salzburg's Hofkapelle, where he almost certainly became a pupil of Heinrich Ignaz Biber, one of the best contemporary European violinists. Judging from the regular increases of his salary, Vilsmayr must have quickly attained a good reputation at the court. He kept the Salzburg position until his death on 11 July 1722. Vilsmayr's only surviving music is a collection published in Salzburg in 1715, titled ''Artificiosus Concentus pro Camera''. It contains six partita Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann ...s ''à Violino Solo Con Basso bellè imitate''—a description that, until recently, was taken as "for solo violin and basso continuo". The bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The term passacaglia ( es, pasacalle; french: passacaille; Italian: ''passacaglia'', ''passacaglio'', ''passagallo'', ''passacagli'', ''passacaglie'') derives from the Spanish ''pasar'' (to walk) and ''calle'' (street). It originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. Despite the form's Spanish roots (confirmed by references in Spanish literature of the period), the first written examples of passacaglias are found in an Italian source dated 1606. These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula. The passacaglia was redefined in the late 1620s by Italian composer Girolamo F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ignaz Franz Biber
Heinrich Ignaz Franz Biber ( bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and KroměřÞ before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.A Survey of the Unaccompanied Violin Repertoire, Centering on Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the Ore Mounta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partitas For Solo Violin (Westhoff)
The six partitas for solo violin by Johann Paul von Westhoff are the earliest known published music for solo violin. Although Westhoff's compositions were rediscovered by scholars already in the mid-19th century, this work was not found until the late 20th century. History The collection of six partitas was discovered in the late 20th century by musicologist Peter P. Várnai. He announced his discovery in a 1971 article, ''Ein unbekanntes Werk von Johann Paul von Westhoff'' ("An Unknown Work by Johann Paul von Westhoff"), published in ''Die Musikforschung'', volume 24. The extant copy is dated 1696, but it may be a reprint (partial or full) of a much earlier publication by Westhoff, the ''Erstes Dutzend Allemanden, Couranten, Sarabanden und Giguen Violino Solo sonder Passo Continuo'' ("First Dozen of Allemandes, Courantes, Sarabandes and Gigues for solo violin without basso continuo"). This collection was published in Dresden in 1682 and is considered lost. The first modern edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
