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Something Wild (1961 Film)
''Something Wild'' is a 1961 American drama neo noir psychological thriller film directed by Jack Garfein, and starring Carroll Baker, Ralph Meeker and Mildred Dunnock. The film follows a young New York City college student who, after being brutally raped, is taken in and held captive by a mechanic who witnessed her suicide attempt on the Manhattan Bridge. The film is based on the 1958 novel ''Mary Ann'' by Alex Karmel, who co-wrote the screenplay with Garfein. Released in December 1961, ''Something Wild'' violated a number of Hollywood conventions and taboos by showing an on-screen rape and brief nudity, and received a mixed response from film critics. Plot Mary Ann Robinson, a teenaged girl attending college in New York City, is brutally raped while walking in a park near her home in the Bronx. Traumatized by the experience, Mary Ann washes away all the evidence and destroys her clothing. She hides the rape from her mother and stepfather, with whom she has an already dista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Garfein
Jakob Garfein (July 2, 1930 – December 30, 2019) was an American film and theatre director, writer, teacher, producer, and key figure of the Actors Studio. Growing up in Bardejov, Czechoslovakia during the rise of Nazism, Garfein was deported to Auschwitz at the age of 13 and survived 11 concentration camps. In 1946, as an orphaned teen, he was among an early group of Holocaust survivors to arrive in the U.S, and he obtained his American citizenship in 1952. After studying at the Dramatic Workshop in New York, Garfein became the first theater director to be awarded membership in the Actors Studio. He put on its first-ever play to move to Broadway, ''End as a Man'' (1953), and expanded the influence of Method Acting to Hollywood with the founding of Actors Studio West, alongside Paul Newman, in 1966. He was a teacher to actors Sissy Spacek, Ron Perlman, Irène Jacob, James Thierrée, Laetitia Casta, and Samuel Le Bihan. He directed Uta Hagen, Herbert Berghof, Shelley Winters, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five And Ten
''Five and Ten'' is a 1931 American pre-Code romantic drama film directed by an uncredited Robert Z. Leonard and starring Marion Davies, Leslie Howard and Irene Rich. Davies plays as an heiress and Howard the man she loves, though he marries someone else. The film was produced by William Randolph Hearst's Cosmopolitan Productions in partnership with Metro-Goldwyn-Mayer. It is based on the 1929 Fannie Hurst novel of the same name.''The American Film Institute Catalog Feature Films: 1931-40'' by The American Film Institute, c. 1993 Synopsis The wealthy John G. Rarick has made a huge success of a chain of five and ten cent stores and decides to move his family, including his daughter Jennifer, from Kansas City to New York. Jennifer is delighted to move amongst the social elite but faces snobbishness because of her background. She becomes very attracted to a man she encounters, an aspiring architect Berry Rhodes but he is already engaged to another woman who despites Jennifer. Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bosley Crowther
Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for ''The New York Times'' for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his reviews, at times, were perceived as unnecessarily mean. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini. Life and career Crowther was born Francis Bosley Crowther Jr. in Lutherville, Maryland, the son of Eliza Hay (née Leisenring, 1877–1960) and Francis Bosley Crowther (1874–1950). As a child, Crowther moved to Winston-Salem, North Carolina, where he published a neighborhood newspaper, ''The Evening Star''. His family moved to Washington, D.C., and Crowther graduated from Western High School in 1922. After two years of prep school at Woodberry Forest School, he entered Princeton University, where he majored in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Quarterly
''Film Quarterly'', a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. ''Film Quarterly'' brings timely critical and intersectional approaches to criticism and analyses of visual culture. Since 2013, it has been edited by B. Ruby Rich. Working with her are associate editor Rebecca Prime, assistant editor Marc Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonas Mekas
Jonas Mekas (; December 24, 1922 – January 23, 2019) was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas' work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers’ Cooperative, and the journal '' Film Culture''. He was also the first film critic for ''The Village Voice''. In the 1960s, Mekas launched anti-censorship campaigns in defense of the LGBTQ-themed films of Jean Genet and Jack Smith, garnering support from cultural figures including Jean-Paul Sartre, Simone de Beauvoir, Norman Mailer, Susan Sontag. Mekas mentored and supported many prominent American artists and filmmakers, including Ken Jacobs, Peter Bogdanovich, Chantal Akerman, Richard Foreman, John Waters, Barbara Rubin, Yoko Ono, and Martin Scorsese. He helped launch the writing careers of the critics Andrew Sarris, Amy Taubin, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pittsburgh Post-Gazette
The ''Pittsburgh Post-Gazette'', also known simply as the PG, is the largest newspaper serving metropolitan Pittsburgh, Pennsylvania. Descended from the ''Pittsburgh Gazette'', established in 1786 as the first newspaper published west of the Allegheny Mountains, the paper formed under its present title in 1927 from the consolidation of the ''Pittsburgh Gazette Times'' and ''The Pittsburgh Post''. The ''Post-Gazette'' ended daily print publication in 2018 and has cut down to two print editions per week (Sunday and Thursday), going online-only the rest of the week. In the 2010s, the editorial tone of the paper shifted from liberal to conservative, particularly after the editorial pages of the paper were consolidated in 2018 with '' The Blade'' of Toledo, Ohio. After the consolidation, Keith Burris, the pro-Trump editorial page editor of '' The Blade'', directed the editorial pages of both papers. Early history ''Gazette'' The ''Post-Gazette'' began its history as a four-page w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Kilgallen
Dorothy Mae Kilgallen (July 3, 1913 – November 8, 1965) was an American columnist, journalist, and television game show panelist. After spending two semesters at the College of New Rochelle, she started her career shortly before her 18th birthday as a reporter for the Hearst Corporation's ''New York Evening Journal''. In 1938, she began her newspaper column "The Voice of Broadway", which was eventually syndicated to more than 140 papers. In 1950, she became a regular panelist on the television game show ''What's My Line?'', continuing in the role until her death. Kilgallen's columns featured mostly show business news and gossip, but also ventured into other topics, such as politics and organized crime. She wrote front-page articles for multiple newspapers on the Sam Sheppard trial and, years later, events related to the John F. Kennedy assassination, such as testimony by Jack Ruby. Early life and career Kilgallen was born in Chicago, the daughter of newspaper reporter James L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hustler
''The Hustler'' is a 1961 American sports romantic drama film directed by Robert Rossen from Walter Tevis's 1959 novel of the same name, adapted by Rossen and Sidney Carroll. It tells the story of small-time pool hustler "Fast Eddie" Felson and his desire to break into the "major league" of professional hustling and high-stakes wagering that follows it. He throws his raw talent and ambition up against the best player in the country, seeking to best the legendary pool player " Minnesota Fats". The film was shot on location in New York City and stars Paul Newman as Eddie; Jackie Gleason as Minnesota Fats; Piper Laurie as Sarah; and George C. Scott as Bert. It was followed by ''The Color of Money'' in 1986, with Newman reprising his role. ''The Hustler'' was a major critical and popular success, gaining a reputation as a modern classic. Its exploration of winning, losing, and character garnered a number of major awards; it is also credited with helping to spark a resurgence in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Cinematography
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. History In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on ''Sunrise'' but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. Finally, for the 1931 awards, the modern system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schüfftan Process
The Schüfftan process is a movie special effect named after its inventor, Eugen Schüfftan (1893–1977). The technique consists of covering part of the camera's view with a mirror, allowing filmmakers to assemble an image from multiple parts. It was widely used in the first half of the 20th century before being almost completely replaced by the travelling matte and bluescreen effects. Introduction The process was refined and popularized by the German cinematographer Eugen Schüfftan while he was working on the movie ''Metropolis'' (1927), although there is evidence that other film-makers were using similar techniques earlier than this. The movie's director, Fritz Lang, wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Schüfftan used a specially made mirror to create the illusion of actors interacting with huge, realistic-looking sets. Schüfftan placed a plate of glass at a 45-degree angle between the camera and the miniature bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saul Bass
Saul Bass (; May 8, 1920 – April 25, 1996) was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his best known title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's ''The Man with the Golden Arm'', the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock's ''North by Northwest'', and the disjointed text that races together and apart in '' Psycho''. Bass designed some of the most iconic corporate logos in North America, including the Geffen Records logo in 1980, the Hanna-Barbera "swirling star" logo in 1979, the sixth and final version of the Bell System logo in 1969, as well as AT&T Corporation's fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
