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Some Things You Never Get Used To
"Some Things You Never Get Used To" is a song released in 1968 by Diana Ross & the Supremes on the Motown label. The single stalled for three weeks at number 30 on the U.S. ''Billboard'' pop chart in July 1968. It became the lowest-charting Supremes single since 1963 and became the catalyst for Berry Gordy to revamp songwriting for The Supremes since the loss of Motown's premier production team Holland–Dozier–Holland, whom Gordy had assigned as the group's sole producers after the success of "When the Lovelight Starts Shining Through His Eyes." '' Cash Box'' praised the "charming performance from Diana Ross, and here-and-there sound effect splashes." Shelved LP Motown originally created an album to capitalize on the success of the single, but when the single failed to hit the top of the charts the album was scrapped, and the single was included rather on Diana Ross and the Supremes' "Love Child" LP. The shelved LP track list was intended as follows: Side One: # Some Thin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holland–Dozier–Holland
Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including "Baby Love", "Stop! In the Name of Love", and "You Keep Me Hangin' On". From 1969 to 1972, due to a legal dispute with Motown, they did not write material under their own names, but instead used the collective pseudonym "Edythe Wayne". When the trio left Motown, they continued to work as a production team (with Eddie Holland being added to the producer credits), and as a songwriting team, until about 1974. The trio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van McCoy
Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American musician, record producer, arranger, songwriter, singer and orchestra conductor. He is known for his 1975 internationally successful song " The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Gladys Knight & the Pips, The Stylistics, Aretha Franklin, Brenda & the Tabulations, David Ruffin, Peaches & Herb, Lesley Gore and Stacy Lattisaw. Biography Early life Van McCoy was born in Washington, D.C., the second child of Norman S. McCoy, Sr. and Lillian Ray. He learned to play piano at a young age and sang with the Metropolitan Baptist Church choir as a youngster. By the age of 12, he had begun writing his own songs, in addition to performing in local amateur shows alongside his older brother, Norman Jr. The two brothers formed a doo-wop combo named the Starlighters with two friends while in Theodore Roosevelt High School. In 1956, they recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motorcity Records
Motorcity Records is a British record label formed by producer Ian Levine in 1989. The label aimed to record new material with former Motown artists. History Levine, a Motown fan since his childhood in the 1960s, was offered a chance to record Kim Weston on his Hi-NRG label Nightmare in 1987. The result ''Signal Your Intention'' topped the UK Hi-NRG charts and met with enthusiasm from Motown fans. Kim Weston brought other former Motown acts to the label, including Mary Wells (of ''My Guy'' fame), The Velvelettes and Marv Johnson. Mary Wilson of The Supremes followed next and during 1988, a full Motown reunion began to take shape. In April 1989, more than 60 artists gathered in front of the Hitsville studios in Detroit, receiving ample media coverage. Later in the year, Levine changed the label name to Motorcity Records. Joined by former Motown writers like Sylvia Moy, Johnny Bristol and Ivy Jo Hunter, Levine and his crew wrote and produced around the clock, getting the back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Levine
Ian Geoffrey Levine (born 22 June 1953) is a British songwriter, producer, and DJ. A moderniser of Northern soul music in the UK, and a developer of the style of Hi-NRG, he has written and produced records with sales totalling over 40 million. Levine was once known as a fan of the long-running television show ''Doctor Who''. Early and personal life Levine was born into a Jewish family; his parents owned and ran the "Lemon Tree" complex in Blackpool, including its casino and nightclub. Levine is openly gay. He suffered a major stroke in July 2014, leaving him with severely limited movement on the left side of his body. Career Disc jockey Levine began collecting Motown records from the age of 13, building a collection from UK record shops and those his family visited on holidays to Miami and New Orleans. He later became an avid collector of soul, R&B, and Northern soul. After his parents emigrated to the Caribbean in 1979, Levine sold most of his records to fund a house purcha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frances Nero
Willie Frances Nero (née Peak; March 13, 1943 – November 28, 2014) was an American soul and jazz singer. She recorded for Motown after winning their 1965 talent contest and had a UK hit single in 1991 with "Footsteps Following Me". Life and career Peak was born in 1943 in Asheville, North Carolina, and attended Stephens-Lee High School. She performed on local radio, and sang lead vocals with two local groups, the Tams (not The Tams) featuring William "PO Bill" Mills, and the Untils, a group of classmates who included Stanley Baird, Bynum Griffin and Clifford Cotton, some of whom went on to play with such stars as Chuck Jackson and James Brown. In 1960, she married Detroit, Michigan native Johnny Nero and moved to the city. She almost joined The Marvelettes, but returned to Asheville for a time before going back to Detroit and settling into married life. She had two children, and sang jazz in nightclubs, before entering a talent contest on WCHB, the soul radio station in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of the three main music industry trade magazines in the United States, along with '' Billboard'' and '' Cashbox''. It was founded in 1946 under the name ''Music Vendor'', but in 1964 it was changed to ''Record World'', under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s. History Growth ''Record World'' has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier ''Billboard'' and ''Cashbox'', its sister magazine. ''Music Vendor'', as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequented '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK R&B Chart
The UK Hip Hop and R&B Singles Chart and the UK Hip Hop and R&B Albums Chart (also known as The Official UK Hip Hop and R&B Charts, the Top 40 Hip Hop and RnB Singles and the Top 40 Hip Hop and RnB Albums, or simply the UK Urban Chart) are 40-position R&B and hip hop music charts compiled by the Official Charts Company (OCC) on behalf of the music industry in the United Kingdom. During October 1994 The Official Charts Company established a chart for R&B Albums and Singles. Although the charts do not receive any airplay, their compilation is viewed on the websites of the OCC and BBC Radio 1, as well as publications such as ''UKChartsPlus'' and ''Music Week''. The UK R&B chart is also shown regularly on music channels including Kiss, Viva UK, MTV Base and MTV Hits. Additionally, the channels regularly use The Official UK R&B Download Chart, which is shown on 4Music. The two charts are also compiled and shown on the BBC Radio 1 website. Criteria for inclusion in the chart is uncl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Symphony Orchestra
The Detroit Symphony Orchestra (DSO) is an American orchestra based in Detroit, Michigan. Its primary performance venue is Orchestra Hall at the Max M. Fisher Music Center in Detroit's Midtown neighborhood. Jader Bignamini is the current music director of the Detroit Symphony Orchestra. Leonard Slatkin, the previous music director, is the orchestra's current music director laureate. Neeme Järvi, music director from 1990 to 2005, is the orchestra's current music director emeritus. History Founding and growth The DSO performed the first concert of its first subscription season at 8:00 p.m. on Monday, Dec. 19, 1887 at the Detroit Opera House. The conductor was Rudolph Speil. He was succeeded in subsequent seasons by a variety of conductors until 1900 when Hugo Kalsow was appointed and served until the orchestra ceased operations in 1910. The Detroit Symphony resumed operations in 1914 when ten Detroit society women each contributed $100 to the organization and pledged to find ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
