Solothurn Madonna
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Solothurn Madonna
The ''Solothurn Madonna'' is a 1522 painting produced by Hans Holbein the Younger in Basel. It shows the Virgin Mary and Christ enthroned, flanked by Martin of Tours (shown as a bishop giving alms to a beggar) and Ursus of Solothurn (shown as a soldier in armour). Holbein used his wife Elsbeth as his model for the Madonna, and the baby "may well have been modelled on Holbein and Elsbeth's baby son Philipp." The church which originally commissioned it is unknown, but it resurfaced in 1864 in poor condition in the Allerheiligenkapelle in the Grenchen district of Solothurn. It has been owned by the town of Solothurn since 1879, and it has been named after the town since the late 19th century. It is kept in the Kunstmuseum Solothurn, Solothurn Art Museum. After the ''Darmstadt Madonna,'' the Solothurn Madonna is the second largest surviving Madonna by Hans Holbein the Younger. See also * List of paintings by Hans Holbein the Younger References Bibliography (in German) * Jacob ...
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Hans Holbein The Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere;  – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Protestant Reformation, Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the International Gothic, Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reach ...
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Jakob Amiet
Jakob may refer to: People * Jakob (given name), including a list of people with the name * Jakob (surname), including a list of people with the name Other * Jakob (band), a New Zealand band, and the title of their 1999 EP * Max Jakob Memorial Award, annual award to scholars in the field of heat transfer * Ohel Jakob synagogue (Munich) See also * Jacob (other) * St. Jacob (other) St. Jacob is James, son of Zebedee, or Saint James the Great. James is used as a translation of the Hebrew name Jacob (Ya'akov). St. Jacob, St. Jacobs or St. Jakob may also refer to: People *Saint James (other) * Saint Jacob of Alaska, ...
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Joachim Sandrart
Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the ''Teutsche Academie'', published between 1675 and 1680. Biography Sandrart was born in Frankfurt am Main, but the family originated from Mons. According to his dictionary of art called the ''Teutsche Academie'', he learned to read and write from the son of Theodor de Bry, Johann Theodoor de Brie and his associate Matthäus Merian, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to Prague to become a pupil of Aegidius Sadeler of the Sadeler family. Sadeler in turn urged him to paint, whereupon he travelled to Utrecht in 1625 to become a pupil of Gerrit van Honthorst, and through him he met Rubens when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his Marie de ...
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Karel Van Mander (1548–1606)
Karel van Mander (I) or Carel van Mander IKarel van Mander
at the Netherlands Institute for Art History
(May 1548 – 2 September 1606) was a Flemish Painting, painter, playwright, poet, art historian and Aesthetics, art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painting, Early Netherlandish painters and Dutch and Flemish Renaissance painting, Northern Renaissance artists in his ''Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119


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