Solo (Mulgrew Miller Album)
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Solo (Mulgrew Miller Album)
''Solo'' is a solo piano album by Mulgrew Miller. It was recorded in 2000 and released by Space Time Records a decade later. Recording and music The album was recorded in concert at the Jazz en Tête festival in Clermont-Ferrand in 2000. Miller plays his composition "Carousel" with stride influences. "My Old Flame" and " Body and Soul" are ballads, and other tracks are played at a greater tempo. Releases and reception ''Solo'' was released by Space Time Records in 2010. The ''Financial Times'' described it as "a masterclass in the traditional jazz virtues of harmonic development and unflagging tempo." The ''New York Amsterdam News'' suggested that "it will be the album that fledgling musicians copy and practice by." Track listing #"Jordu" – 6:42 #"Con Alma" – 9:35 #"Carousel" – 8:27 #"My Old Flame" – 7:20 #"Dreamsville" – 4:01 #"Yardbird Suite" – 6:45 #" Body and Soul" – 6:44 #"Giant Steps" – 4:41 Personnel *Mulgrew Miller Mulgrew Miller (August 13, 1955 ...
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Mulgrew Miller
Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on. After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. Miller was Director of Jazz Studies at William Paterso ...
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Clermont-Ferrand
Clermont-Ferrand (, ; ; oc, label=Auvergnat (dialect), Auvergnat, Clarmont-Ferrand or Clharmou ; la, Augustonemetum) is a city and Communes of France, commune of France, in the Auvergne-Rhône-Alpes regions of France, region, with a population of 146,734 (2018). Its metropolitan area (''aire d'attraction'') had 504,157 inhabitants at the 2018 census.Comparateur de territoire: Aire d'attraction des villes 2020 de Clermont-Ferrand (022), Unité urbaine 2020 de Clermont-Ferrand (63701), Commune de Clermont-Ferrand (63113)
INSEE
It is the Prefectures in France, prefecture (capital) of the Puy-de-Dôme departments of France, department. Olivier Bi ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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The Duets (Mulgrew Miller Album)
''The Duets'' is a studio album by American jazz pianist Mulgrew Miller and Danish bassist Niels-Henning Ørsted Pedersen. The album was recorded in Copenhagen on the Bang & Olufsen label and released in 1999. The record features famous compositions by pianist Duke Ellington as well as two originals by bandmembers. Their duo later became a trio with the occasional inclusion of drummer Alvin Queen in 2000. Background In 1999–2000, Pedersen had the opportunity to make a studio recording to celebrate Duke Ellington's 100th birthday. The session was initially planned as a piano-and-bass duo, so NHØP chose Miller, whom he had never played with before. From that occasion on, they played together and had an affinity both as men and musicians. They opted for a repertoire based on the historic 1941 Duke Ellington–Jimmy Blanton James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato ...
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My Old Flame
"My Old Flame" is a 1934 song composed by Arthur Johnston with lyrics by Sam Coslow for the film ''Belle of the Nineties''. It has since become a jazz standard. History "My Old Flame" first appeared in the 1934 film ''Belle of the Nineties'' when it was sung by Mae West, backed by the Duke Ellington Orchestra. Six weeks after filming wrapped with West, Ellington recorded the tune with singer Ivie Anderson, released on Commodore 585. It became a No. 7 hit for Guy Lombardo later that year but it was not until the early 1940s that the tune re-emerged, entering the repertoire of the orchestras of Benny Goodman and Count Basie. Notable recordings "My Old Flame" has since become a jazz standard, and sung by the likes of Billie Holiday, Peggy Lee, Dinah Washington and Helen Humes, with instrumental interpretations by Charlie Parker for the Dial label in 1947, Gerry Mulligan with Chet Baker in 1953, trombonist J.J. Johnson on his 1957 album '' Trombone Master'', Sonny Rollins on his ...
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Body And Soul (1930 Song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue ''Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most r ...
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Financial Times
The ''Financial Times'' (''FT'') is a British daily newspaper printed in broadsheet and published digitally that focuses on business and economic current affairs. Based in London, England, the paper is owned by a Japanese holding company, Nikkei, with core editorial offices across Britain, the United States and continental Europe. In July 2015, Pearson sold the publication to Nikkei for £844 million (US$1.32 billion) after owning it since 1957. In 2019, it reported one million paying subscriptions, three-quarters of which were digital subscriptions. The newspaper has a prominent focus on financial journalism and economic analysis over generalist reporting, drawing both criticism and acclaim. The daily sponsors an annual book award and publishes a " Person of the Year" feature. The paper was founded in January 1888 as the ''London Financial Guide'' before rebranding a month later as the ''Financial Times''. It was first circulated around metropolitan London by James Sherid ...
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New York Amsterdam News
The ''Amsterdam News'' (also known as ''New York Amsterdam News'') is a weekly Black-owned newspaper serving New York City. It is one of the oldest newspapers geared toward African Americans in the United States and has published columns by such figures as W. E. B. Du Bois, Roy Wilkins, and Adam Clayton Powell Jr., and was the first to recognize and publish Malcolm X. Foundation The ''Amsterdam News'' was founded on December 4, 1909, and is headquartered in the Harlem neighborhood of Upper Manhattan. The newspaper takes its name from its original location one block east of Amsterdam Avenue, at West 65th Street and Broadway. An investment of US$10 in 1909 () turned the ''Amsterdam News'' into one of New York's largest and most influential black-owned-and-operated business institutions, and one of the nation's most prominent ethnic publications. It was later reported that James Henry Anderson published the first copy: "...with a dream in mind, $10 in his pocket, six sheets of ...
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Jordu
"Jordu" is a jazz standard written by Irving "Duke" Jordan in 1953. This song was first made popular by Clifford Brown and Max Roach, but many other jazz musicians have performed or recorded renditions of it, including Stan Getz, Chet Baker, and Charlie Byrd. It has a traditional AABA jazz form. The A section is composed of two measure patterns, the first being a non-chordal pick-up measure in which the lead player starts a phrase on the "and" of beat 1 and leads right into the second half of the two measure phrase in which the rhythm players and the lead players both hit on 1, 3, and the "and" of 4. The B section is a circle of fourths pattern built on dominant seventh chords. The ending of the song contains a vamp on the last two bars of the A section followed by an alteration of the initial pickup measure ending on a minor-major seventh chord. Floyd Cramer performed the song on the organ on his 1962 album "Floyd Cramer Gets Organized" in which one half of the album was pia ...
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Con Alma
"Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album ''Afro''. The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Notable recordings It has been noted that "As good as Dizzy's versions of his own tune are, it's probably not too crazy to say that 'Con Alma' really took off in the hands of other musicians."Ben Gray"Con Alma: A Critical Analysis of Covers" Nextbop.com Among those who have recorded versions are: * Sonny Rollins * Sonny Stitt * Hal McKusick ('' Triple Exposure'', 1957) * Oscar Peterson (''The Jazz Soul of Oscar Peterson'', 1959; ''Swinging Brass with the Oscar Peterson Trio'', 1959) * Roy Haynes ('' Just Us'', 1960) * The Jazztet ('' Big City Sounds'', 1960) * Ray Bryant (''Con Alma'', 1961) * Wes Montgomery ('' Bumpin''', 1965) * Charles McPherson ('' Con Alma!'', 1965) * Ed Bickert * Brian Bennett (' ...
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Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ...
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Giant Steps (composition)
"Giant Steps" is a jazz composition by American saxophonist John Coltrane. It was first recorded in 1959 and released on the 1960 album ''Giant Steps''. The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists. Due to its speed and rapid transition through the three keys of B major, G major and E♭ major, '' Vox'' described the piece as "the most feared song in jazz" and "one of the most challenging chord progressions to improvise over" in the jazz repertoire. Background "Giant Steps" was composed and recorded during Coltrane's 1959 sessions for Atlantic Records, his first for the label. The original recording features Coltrane on tenor saxophone, Paul Chambers on double bass, Tommy Flanagan on piano, and Art Taylor on drums. As with other compositions, Coltrane brought "Giant Steps" to the studio without rehearsal. On the original recording, Flanagan played a choppy start-s ...
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