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Solid (Grant Green Album)
''Solid'' is an album by American jazz guitarist Grant Green, containing performances recorded in 1964 but not released on the Blue Note Records, Blue Note label until 1979.Grant Green discography accessed September 17, 2010 McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson. Reception The AllMusic review by Steve Huey stated: "''Solid'' is a bright, hard-charging affair. There's a little modal jazz, but ''Solids repertoire is chiefly complex hard bop, full of challenging twists and turns that the players burn through with enthusiasm. Green didn't tackle this kind of material — or play with this kind of group — very often, and it's a treat to hear him do so on both count ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson ES-330
The Gibson ES-330 (1959-1972) is a thinline hollow-body electric guitar model produced by the Gibson Guitar Corporation. It was first introduced in 1959 and the guitar had the same dimensions as the ES-335. History Sales of Gibson’s Electric Spanish guitars (ES-100 through ES-350) in the 1930s and 1940s encouraged the company to continue to produce more electric guitars. In 1955 Gibson released the ES-225T and the Gibson ES-350T ("T" is for thinline). In 1957 Gibson designed a new design which was the ES-335 double-cutaway and released it in 1958. The ES-330 was released by the Gibson Guitar Company in 1959. In 1959 when the 330 was released the retail price was $275. The 330s came in two different designs, a one P-90 guitar pickup model called the ES-330T and a two pickup model called the ES-330TD. Specifications The ES-335 was released in 1958 and it had the same dimensions as the ES-330. The 330s had a maple top, back and sides with two F Holes in the top. The body was lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film ''Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit " The Story of My Life", recorded by Marty Robbins in 1957. Subsequently, in the 1960s and early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Bacharach
Burt Freeman Bacharach ( ; born May 12, 1928) is an American composer, songwriter, record producer and pianist who composed hundreds of pop songs from the late 1950s through the 1980s, many in collaboration with lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. , he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music. His music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. Most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels and Jerry Butler. Following the initial success of these collaborations, Bacharach went on to write hits for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wives And Lovers
"Wives and Lovers" is a 1963 song by Burt Bacharach and Hal David. It has been recorded by numerous male and female vocalists, instrumentalists and ensembles, most notably by Jack Jones in 1963. That recording earned the 1964 Grammy Award for Best Vocal Performance, Male, and peaked at number fourteen on the Hot 100 and number nine on the Easy Listening chart. "Wives and Lovers" is a song of advice to married women, to stay attractive and attentive to their husbands ("wives should always be lovers, too") to avoid their husbands straying with "girls at the office". The song originated when Bacharach and David were asked to write a song with the title "Wives and Lovers", on the theme of marital infidelity, as a promotional tie-in for the 1963 film '' Wives and Lovers''. The song did not appear in the film but was intended simply to promote the film; which made it what was known at the time as an "exploitation song". Similarly, the song "The Man Who Shot Liberty Valance," which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Russell (composer)
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book ''Lydian Chromatic Concept of Tonal Organization'' (1953). Early life Russell was born in Cincinnati, Ohio, on June 23, 1923, to a white father and a black mother. He was adopted by a nurse and a chef on the B & O Railroad, Bessie and Joseph Russell. Young Russell sang in the choir of the African Methodist Episcopal Church and listened to the Kentucky Riverboat music of Fate Marable. He made his stage debut at age seven, singing "Moon Over Miami" with Fats Waller. Surrounded by the music of the black church and the big bands which played on the Ohio Riverboats, and with a father who was a music educator at Oberlin College, he began playing drums with the Boy Scouts and Bugle Corps, receiving a schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Pearson
Columbus Calvin "Duke" Pearson Jr. (August 17, 1932 – August 4, 1980) was an American jazz pianist and composer. ''Allmusic'' describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer." Early life Pearson was born Columbus Calvin Pearson Jr. in Atlanta, Georgia, United States, to Columbus Calvin and Emily Pearson. The moniker "Duke" was given to him by his uncle, who was a great admirer of Duke Ellington. Before he was six, his mother started giving him piano lessons. He studied the instrument until he was twelve, Gitler, Ira (1959). Original liner notes to ''Profile''. when he took an interest in brass instruments: mellophone, baritone horn and ultimately trumpet. He was so fond of the trumpet that through high school and college he neglected the piano. He attended Clark College while also playing trumpet in groups in the Atlanta area. While in the U.S. Army, during his 1953–54 draft, he continued to play trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
