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Society For Electro-Acoustic Music In The United States
The Society for Electro-Acoustic Music in the United States (SEAMUS) is a nonprofit US-based organization founded in 1984 that aims to promote the performance and creation of electro-acoustic music in the United States. In particular, the organization aims: *To encourage the composition, performance of, and research about electro-acoustic music in the United States *To foster a network for technical and artistic information exchange *To attract a wide diversity of members (i.e., practitioners of a diversity of experimental practices and practitioners manifesting a diversity of racial and gender identities and ages) from both in and outside of academic institutions *To seek to remove structural and economic barriers to the creation, performance, documentation, and dissemination of electro-acoustic music *To share SEAMUS activities with members, and with the larger artistic and academic communities SEAMUS ( ) comprises composers, performers, and teachers of electroacoustic music repr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-acoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of ''musique concrète'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurie Spiegel
Laurie Spiegel (born September 20, 1945) is an American composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software ''Music Mouse''. She also plays the guitar and lute. Spiegel was seen by some as a pioneer of the New York new-music scene. She withdrew from this scene in the early 1980s, believing that its focus had shifted from artistic process to product. While she continues to support herself through software development, Spiegel aims to use technology in music as a means of furthering her art rather than as an end in itself. In her words, "I automate whatever can be automated to be freer to focus on those aspects of music that can't be automated. The challenge is to figure out which is which." Spiegel's realization of Johannes Kepler's "Harmonices Mundi" was chosen for the opening track on the "Sounds of Earth" section of the golden record placed on board the Voyage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Oliveros
Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident. Early life and career Oliveros was born in Houston, Texas. She started to play music as early as kindergarten, and at nine years of age she began to play the accordion, received from her mother, a pianist, because of its popularity in the 1940s.Baker, Alan"An interview with Pauline Oliveros" January 2003. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Lansky
Paul Lansky (born June 18, 1944, in New York) is an American composer. Biography Paul Lansky (born 1944) is an American composer. He was educated at Manhattan's High School of Music and Art, Queens College and Princeton University, studying with George Perle and Milton Babbitt, among others. He received his Ph.D. in music from Princeton in 1973. His doctoral dissertation consisted of an essay titled "Affine music" and a composition of string quartet. Originally intending to pursue a career in performance, during 1965–66 he played the French horn with the Dorian Wind Quintet. He left the group to attend graduate school. From 1969 until his retirement in 2014 he was on the faculty at Princeton University where he retired as the William Shubael Conant Professor of Music. He chaired the Department from 1991–2000. In 2000 he received a lifetime achievement award from the Society for Electro-Acoustic Music in the United States. In 2009–10 he was the inaugural composer in residen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Brün
Herbert Brün (July 9, 1918 – November 6, 2000) was a composer, pioneer of electronic and computer music, and cybernetician. Born in Berlin, Germany, he taught at the University of Illinois at Urbana-Champaign from 1962 until he retired, several years before his death. Career Brün left Germany in 1936 to study piano and composition at the Jerusalem Conservatory (later renamed Israel Academy of Music) in (then) Palestine with Stefan Wolpe, Eli Friedman and Frank Pelleg. While in Palestine, he also worked as a jazz pianist. In 1948, he received a scholarship to further his studies at Tanglewood and Columbia University through 1950. His work as an electronic-music composer began in Paris in the late 1950s, at the WDR studio in Cologne, and at the Siemens studio in Munich. During the 1950s, he also worked as composer and conductor of music for the theater, gave lectures and seminars emphasizing the function of music in society, and did a series of broadcasts on contemporary musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Buchla
Donald Buchla (April 17, 1937 – September 14, 2016) was an American pioneer in the field of sound synthesis. Buchla popularized the "West Coast" style of synthesis. He was co-inventor of the voltage controlled modular synthesizer along with Robert Moog, the two working independently in the early 1960s. Biography Buchla was born in South Gate, California on April 17, 1937, and grew up in California and New Jersey. He studied physics, physiology, and music at UC Berkeley, graduating in 1959 as a physics major. Buchla formed his electronic music equipment company, Buchla and Associates, in 1962 in Berkeley, California. He was commissioned by composers Morton Subotnick and Ramon Sender, both of the San Francisco Tape Music Center, to create an electronic instrument for live performance. Buchla began designing his first modules for the Tape Music Center in 1963. With partial funding from a $500 Rockefeller Foundation grant made to the Tape Music Center, Buchla assembled his modules ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Vercoe
Barry Lloyd Vercoe (born 1937) is a New Zealand-born computer scientist and composer. He is best known as the inventor of Csound, a music synthesis language with wide usage among computer music composers. SAOL, the underlying language for the MPEG-4 Structured Audio standard, is also historically derived from Csound. Born in Wellington, Vercoe received undergraduate degrees in music (1959) and mathematics (1962) from the University of Auckland before emigrating to the United States. While employed as an assistant professor at the Oberlin Conservatory of Music (1965-1967) and as the Contemporary Music Project's Seattle/ Tacoma composer-in-residence (1967-1968), he earned his A.Mus.D. in composition from the University of Michigan (where he studied with Ross Lee Finney) in 1968. Prior to taking these positions, Vercoe supported his doctoral studies by working as a staff statistician at Michigan; it was in this capacity that first acquired an aptitude for computer programming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendy Carlos
Wendy Carlos (born Walter Carlos, November 14, 1939) is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she helped in the development of the Moog synthesizer, Robert Moog's first commercially available keyboard instrument. Carlos came to prominence with ''Switched-On Bach'' (1968), an album of music by Johann Sebastian Bach performed on a Moog synthesizer, which helped popularize its use in the 1970s and won her three Grammy Awards. Its commercial success led to several more albums, including further synthesized classical music adaptations, and experimental and ambient music. She composed the score to two Stanley Kubrick films – ''A Cloc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvin Lucier
Alvin Augustus Lucier Jr. (May 14, 1931 – December 1, 2021) was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Early life Lucier was born in Nashua, New Hampshire, the son of Kathryn E. Lemery, a pianist, and Alvin Augustus Lucier, a lawyer who was Mayor of Nashua. He was educated in Nashua public and parochial schools and the Portsmouth Abbey School, Yale University and Brandeis University. In 1958 and 1959, Lucier studied with Lukas Foss and Aaron Copland at the Tanglewood Center. In 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Chadabe
Joel Chadabe (December 12, 1938 – May 2, 2021) was an American composer, author, and internationally recognized pioneer in the development of interactive music systems.Joel Chadabe bio ''Chadabe.com''. He earned a BA from the , then earned his MM at while studying under . His students include [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miller Puckette
Miller Smith Puckette (born 1959) is the associate director of the Center for Research in Computing and the Arts as well as a professor of music at the University of California, San Diego, where he has been since 1994. Puckette is known for authoring Max, a graphical development environment for music and multimedia synthesis, which he developed while working at IRCAM in the late 1980s. He is also the author of Pure Data (Pd), a real-time performing platform for audio, video and graphical programming language for the creation of interactive computer music and multimedia works, written in the 1990s with input from many others in the computer music and free software communities. Biography An alumnus of St. Andrew's-Sewanee School in Tennessee, Miller Puckette got involved in computer music in 1979 at MIT with Barry Vercoe. St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Austin
Larry Don Austin (September 12, 1930 – December 30, 2018) was an American composer noted for his electronic and computer music works. He was a co-founder and editor of the avant-garde music periodical '' Source: Music of the Avant Garde''. Austin gained additional international recognition when he realized a completion of Charles Ives's '' Universe Symphony''. Austin served as the president of the International Computer Music Association (ICMA) from 1990 to 1994 and served on the board of directors of the ICMA from 1984 to 1988 and from 1990 to 1998. Early life Austin was born in Duncan, Oklahoma. He received a bachelor's (Music Education, 1951) and master's degree (Music, 1952) from University of North Texas College of Music. In 1955 he studied at Mills College, and from 1955 to 1958 he engaged in graduate study at the University of California, Berkeley, leaving to accept a faculty position at the University of California, Davis. Austin studied with Canadian composer Violet Arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
