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Sleeping In My Car
"Sleeping in My Car" is a song by Swedish pop music duo Roxette, released on 7 March 1994 by EMI as the lead single from the duo's fifth studio album, ''Crash! Boom! Bang!'' (1994). The song was composed by Per Gessle in under an hour, and was the final song the band recorded for the album. It is a pop rock song containing elements drawn from pop punk. Marie Fredriksson's vocal range on the track spans over three octaves. The band performed the song at the inaugural 1994 MTV Europe Music Awards. The song was an immediate commercial success in numerous territories, including Europe, Canada, Australia, and New Zealand. It became the duo's second number one single in their home country and peaked within the top 20 in 15 other territories. It also peaked at number seven on '' Billboard''s European Hot 100 Singles. In Canada, the song reached the top three on two different national charts. In contrast, it was the duo's final song to enter the US ''Billboard'' Hot 100, peaking at num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roxette
Roxette was a Swedish pop rock duo, consisting of Marie Fredriksson (vocals and keyboards) and Per Gessle (vocals and guitar). Formed in 1986, the duo became an international act in the late 1980s, when they released their breakthrough second album '' Look Sharp!'' Their third album '' Joyride,'' released in 1991, became just as successful as its predecessor. Roxette went on to achieve nineteen UK Top 40 hits, and several US Hot 100 hits, including four US number-ones with "The Look", " Listen to Your Heart", "It Must Have Been Love", featured on the soundtrack of '' Pretty Woman'', and " Joyride". Their other hits include "Dressed for Success", "Dangerous", and " Fading Like a Flower". Before coming together to form the duo, Fredriksson and Gessle were already established artists in Sweden, she having released a number of solo albums and he being the lead singer and songwriter of Gyllene Tider, a band that had three No. 1 albums. On the advice of the managing director of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Note
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice (the note furthest in the bass.) Three situations are possible: # The bass note is the root or fundamental of the chord. The chord is in root position. # One of the other pitches of the chord is in the bass. This makes it an inverted chord # The bass note is ''not'' one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. The name of such a chord is also notated as a slash chord. In pre- tonal theory ( Early music), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. In pandiatonic chords the bass often does not determine the chord, as is always the case with a nonharmonic bass A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slash Chord
In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter. It does not indicate "or". For example, a C major chord (C) in second inversion is written C/G or C/G bass, which reads "C slash G", "C over G" or "C over a G bass". If E were the bass it would be written C/E or C/E bass (making a major chord in first inversion), which is read "C slash E", "C over E" or C/E bass. Some chords may not otherwise be notated, such as A/A. Thus, a slash chord may also indicate the chord form or shape and an additional bass note. In popular music, where the exact arrangement of notes is less important than some other forms, slash chords are generally used only when the specific bass note is important. A common example in guitar based music is in the I-V-vi progression, in which the V chord is a passing chord. By placin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: : : Music in F-sharp minor Very few symphonies are written in this key, Haydn's ''Farewell Symphony'' being one famous example. George Frederick Bristow and Dora Pejačević also wrote symphonies in this key. The few concerti written in this key are usually written for the composer himself to play, including Rachmaninoff's Piano Concerto No. 1, Scriabin's Piano Concerto, Wieniawski's Violin Concerto No. 1, Vieuxtemps's Violin Concerto No. 2, and Koussevitzky's Double Bass Concerto. In addition to the ''Farewell Symp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (music)
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics (as opposed to songs that are "through-composed"—an approach used in classical music art songs). Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone. The foundation of popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultimate Guitar Archive
Ultimate Guitar (Ultimate Guitar USA LLC), which is also known as Ultimate-Guitar.com or simply UG, is an online platform for guitarists and musicians. Its website and mobile application provides guitar tablature catalogues and chord sheets. UG's platform also includes video courses, reviews of music and equipment, interviews with notable musicians and forums. It was started on October 9, 1998, by Eugeny Naidenov. Since 2008, Ultimate Guitar operates from San Francisco, US, with its platform available in most of the countries. As of December 2021, the site and mobile app contain 1,600,000 tabs and chords for over 900,000 songs from over 115,000 artists. UG app (also known as 'Tabs') has been downloaded more than 53,000,000 times. Community UG has over 12 million registered users. It is a strong community of forum users who frequent the site. The website is regulated by an administrator and moderators. Moderators are users who are rewarded for being particularly helpful and kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neanderthal
Neanderthals (, also ''Homo neanderthalensis'' and erroneously ''Homo sapiens neanderthalensis''), also written as Neandertals, are an extinct species or subspecies of archaic humans who lived in Eurasia until about 40,000 years ago. While the "causes of Neanderthal disappearance about 40,000 years ago remain highly contested," demographic factors such as small population size, inbreeding and genetic drift, are considered probable factors. Other scholars have proposed competitive replacement, assimilation into the modern human genome (bred into extinction), great climatic change, disease, or a combination of these factors. It is unclear when the line of Neanderthals split from that of modern humans; studies have produced various intervals ranging from 315,000 to more than 800,000 years ago. The date of divergence of Neanderthals from their ancestor ''H. heidelbergensis'' is also unclear. The oldest potential Neanderthal bones date to 430,000 years ago, but the classification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Bore Us, Get To The Chorus!
''Don't Bore Us - Get to the Chorus! Roxette's Greatest Hits'' is the first greatest hits compilation album by Swedish pop duo Roxette, released on 30 October 1995 by EMI. The record contains the duo's four number ones from the US ''Billboard'' Hot 100 chart: "The Look", " Listen to Your Heart", "It Must Have Been Love" and " Joyride", and a further two which reached number two on the chart: "Dangerous" and "Fading Like a Flower (Every Time You Leave)". It also includes four newly recorded tracks, three of which were released as singles: "You Don't Understand Me", "June Afternoon" and " She Doesn't Live Here Anymore". The album's title is based on a quote from Motown-founder Berry Gordy. The album was an immediate commercial success, selling over 2 million copies worldwide within 2 months of release. As of 2001, the compilation has sold in excess of 6 million copies worldwide. The record would not be released in the United States until 26 September 2000. This edition featured dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
