|
Slavestate (band)
''Slavestate'' is the second EP by English industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases. Composition With ''Slavestate'', Godflesh sought to diversify their metal-dominated sound by introducing elements of dance music and electronic body music. Still, the music retained the harsh guitar and vocals of frontman Justin Broadrick, as well as the extreme aspects of Godflesh. Ira A. Robbins of '' Trouser Press'' wrote, "The four-song ''Slavestate'' EP finds the band charging full-on into an industrial-dance realm, giving ''Streetcleaners lurch-and-crunch the twist of a rhythmic basis." The EP's title track contains a sample of the song " Stakker Humanoid" by Brian Dougans. On ''Slavestate's'' shift in style, Broadrick said: Release ''Slavestate'' was initially released as a four-song EP. A three-song rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godflesh
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick (guitar, vocals and programming) and G. C. Green ( bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal. The band signed to Earache Records in the late 1980s and released their debut album '' Streetcleaner'' (1989) to contemporary and lasting acclaim. After the release of their sophomore album ''Pure'' (1992) and their major label debut '' Selfless'' (1994), they started experimenting with live drums as well as hip hop and breakbeat sounds. The resulting albums, ''Songs of Love and Hate'' (1996) and ''Us and Them'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure (Godflesh Album)
''Pure'' is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, ''Pure'' is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim. ''Pure'' was supported by the promotional single of and music video for "Mothra", and the 1991 EP '' Cold World'' was recorded in the same sessions as the album. In 2013, Godflesh performed the majority of ''Pure'' live at Roadburn. Despite dissatisfaction with the production quality of the album, Godflesh frontman Justin Broadrick considers it one of the band's most honest releases. In 2012, ''Fact'' ranked ''Pure'' as the 64th best album of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slateman
"Slateman" is a song by industrial metal band Godflesh. It was released as a 7-inch single in 1991 through Sub Pop and later reissued on Earache Records as a CD, a 7-inch and a 12-inch. In 1996, the single was repackaged alongside '' Cold World'' (1991) on one disc by Earache Records as the compilation ''Slateman/Cold World''. Both "Slateman" and its b-side, "Wound '91", were appended to the end of most issues of Godflesh's 1991 EP ''Slavestate''. Background The song "Wound '91" is an updated version of the song "Wound" from the unreleased ''Tiny Tears'' EP, which was later appended as bonus tracks to the end of the CD version of ''Streetcleaner'' (1989). The single's cover photograph was taken during a 1991 gig in London where the band opened for Nirvana. Critical reception Ira A. Robbins of ''Trouser Press'' wrote, "The four-song ''Slavestate'' EP finds the band charging full-on into an industrial-dance realm, giving ''Streetcleaners lurch-and-crunch the twist of a rhythmic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Press (magazine)
''Alternative Press'' is an American entertainment magazine primarily focused on music and culture, now based in Los Angeles, CA. It generally provides readers with band interviews, photos, and relevant news. It was founded in 1985 by Mike Shea in Cleveland, OH. The company is now looked after by MDDN. Beginnings The first issue of ''Alternative Press'' was distributed at concerts in Cleveland, Ohio beginning in June 1985 by ''APs founder, Mike Shea to advocate bands playing underground music. The name for the magazine, ''Alternative Press'', was not a reference to the alternative rock genre, but referred to the fanzine being an alternative to the local press. Shea began working on his first issue in his mother's house in Aurora, Ohio. Shea and a friend, Jimmy Kosicki, targeted the Cleveland neighborhood of Coventry. Financial problems plagued ''AP'' in its early years and by the end of 1986, publication had ceased due to its financial problems, not resuming until the spring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resident Advisor
''Resident Advisor'' (also known as ''RA'') is an online music magazine and community platform dedicated to showcasing electronic music, artists and events across the globe. It was established in 2001. ''RA''s editorial team provides news, music and event reviews, as well as films, features and interviews. The website also manages services that include event listings, ticket sales, club and promoter directories, photo galleries, artist and record label profiles, DJ charts, an online community, and the ''RA Podcast''. The company has its headquarters in London, with additional offices in Berlin, Los Angeles, Sydney and Tokyo. The website won a People's Voice award in the 12th Annual Webby Awards in 2008. In October 2020, following the negative impact of the COVID-19 pandemic on British arts and culture organisations, ''RA'' received £750,000 from the Arts Council of England as part of the UK's Culture Recovery Fund initiative. History ''Resident Advisor'' was founded in Syd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Dougans
Brian Dougans (born 1968) is a British musician, and a member of the British electronic duo, the Future Sound of London (FSOL). He is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating electronic instruments at his home studio in Glastonbury, Somerset. He is currently head of FSOLdigital (FSOL's record label) and co designer of the FSOL:Digitana SX-1 Synthesiser. Dougans' first releases were as "Humanoid", releasing the acid house single "Stakker Humanoid", which reached number 17 in the UK Singles Chart in 1988, and also charted in 1992 and 2001. "Stakker Humanoid" was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno. Dougans has always been the quiet, technical workhorse of FSOL whilst Garry Cobain brings in his melody and softness to balance Dougans' techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stakker Humanoid
"Stakker Humanoid" is an 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by ''The Guardian'' as "the first truly credible UK acid techno record to break into the mainstream." History The project behind the track started out with Stakker, a collaborative project by the video artists Mark McClean and Colin Scott. They needed music to support their video and contacted Brian Dougans. They sent a demo video tape containing graphics and some music to Morgan Khan who (although he didn't appreciate the video) invited Brian Dougans to record two demos at his Dance Studios in Ealing London. The sample "Humanoid", taken from the video game '' Berzerk'', provided the name of the track. The track was originally called "Humanoid" to be put out by Stakker through Morgan Khan's label Westside Records, though Morgan released it as "Stakker Humanoid" by 'Humanoid' to avoid copyright issues. A dispute had arisen between Brian Dougans and Colin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
