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Slave Songs Of The United States
''Slave Songs of the United States'' was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. It is a "milestone not just in African American music but in modern folk history". It is also the first published collection of African-American music of any kind. The making of the book is described by Samuel Charters, with an emphasis on the role of Lucy McKim Garrison. A segment of '' History Detectives'' explored the book's history and significance. Notable songs Several notable and popular songs in the book include: *"Michael Row the Boat Ashore" (#31) *"Bosom of Abraham" (#94 as "Rock My Soul") *"Down in the River to Pray" (#104 as "The Good Old Way") See also *"Nobody Knows the Trouble I've Seen" * Songs of the Underground Railroad * "Jimmy ...
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Slave Songs Of The United States (1867) Title Page
''Slave Songs of the United States'' was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. The group transcribed songs sung by the Gullah Geechee people of Saint Helena Island, South Carolina. It is a "milestone not just in African American music but in modern folk history". It is also the first published collection of African-American music of any kind. The making of the book is described by Samuel Charters, with an emphasis on the role of Lucy McKim Garrison. A segment of ''History Detectives'' explored the book's history and significance. Notable songs Several notable and popular songs in the book include: *"Michael Row the Boat Ashore" (#31) *"Bosom of Abraham" (#94 as "Rock My Soul") *"Down in the River to Pray" (#104 as "The Good Ol ...
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Songs Of The Underground Railroad
Songs of the Underground Railroad were spiritual and work songs used during the early-to-mid 19th century in the United States to encourage and convey coded information to escaping slaves as they moved along the various Underground Railroad routes. As it was illegal in most slave states to teach slaves to read or write, songs were used to communicate messages and directions about when, where, and how to escape, and warned of dangers and obstacles along the route. Songs One reportedly coded Underground Railroad song is "Follow the Drinkin' Gourd". The song's title is said to refer to the star formation (an '' asterism'') known in America as the Big Dipper and in Europe as The Plough. The pointer stars of the Big Dipper align with the North Star. In this song the repeated line "Follow the Drinkin' Gourd" is thus often interpreted as instructions to escaping slaves to travel north by following the North Star, leading them to the northern states, Canada, and freedom: The song oste ...
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African-American Spiritual Songs
African Americans (also referred to as Black Americans and Afro-Americans) are an Race and ethnicity in the United States, ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of Slavery in the United States, enslaved Africans who are from the United States. While some Black immigrants or their children may also come to identify as African-American, the majority of first generation immigrants do not, preferring to identify with their nation of origin. African Americans constitute the second largest racial group in the U.S. after White Americans, as well as the third largest ethnic group after Hispanic and Latino Americans. Most African Americans are descendants of enslaved people within the boundaries of the present United States. On average, African Americans are of West Africa, West/Central Africa, Central African with some European descent; some also have Native Americans in th ...
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1867 In Music
This article is about music-related events in 1867. Events * January 2 – The Royal Danish Academy of Music opens in Copenhagen under the direction of Niels Gade. * February 15 – First performance of Johann Strauss II's waltz "The Blue Danube" (, composed 1866) at a concert of the Vienna Men's Choral Association (Wiener Männergesang-Verein). Strauss adapts it into its popular purely orchestral version for the International Exposition in Paris later this year. * April 4 Introduction and Rondo Capriccioso by Saint-Saens is given its first performance at the Champs-Élysées, with Pablo de Sarasate playing the solo part and the composer conducting. *April 22 – The Hyers Sisters make their professional debut at Sacramento's Metropolitan Theater. * April 27 – Charles Gounod's opera Roméo et Juliette premiers in Théâtre Lyrique, Paris * May 11 – The first comic opera with a score by Arthur Sullivan to be publicly performed, the one-act ''Cox and Box'' with libretto ...
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1867 Non-fiction Books
Events January–March * January 1 – The Covington–Cincinnati Suspension Bridge opens between Cincinnati, Ohio, and Covington, Kentucky, in the United States, becoming the longest single-span bridge in the world. It was renamed after its designer, John A. Roebling, in 1983. * January 8 – African-American men are granted the right to vote in the District of Columbia. * January 11 – Benito Juárez becomes Mexican president again. * January 30 – Emperor Kōmei of Japan dies suddenly, age 36, leaving his 14-year-old son to succeed as Emperor Meiji. * January 31 – Maronite nationalist leader Youssef Bey Karam leaves Lebanon aboard a French ship for Algeria. * February 3 – ''Shōgun'' Tokugawa Yoshinobu abdicates, and the late Emperor Kōmei's son, Prince Mutsuhito, becomes Emperor Meiji of Japan in a brief ceremony in Kyoto, ending the Late Tokugawa shogunate. * February 7 – West Virginia University is established in Morgantown, West Virginia. * Feb ...
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LilyPond
LilyPond is a computer program and file format for music engraving. One of LilyPond's major goals is to produce scores that are engraved with traditional layout rules, reflecting the era when scores were engraved by hand. LilyPond is cross-platform, and is available for several common operating systems; released under the terms of the GNU General Public License, LilyPond is free software and part of the GNU Project. History The LilyPond project was started in 1996 by Han-Wen Nienhuys and Jan Nieuwenhuizen, after they decided to abandon work on MPP (MusiXTeX PreProcessor), a project they began collaborating on in 1995. Its name was inspired both by the Rosegarden project and an acquaintance of Nienhuys and Nieuwenhuizen named Suzanne, a name that means lily in Hebrew (). Version 1.0 LilyPond 1.0 was released on July 31, 1998, highlighting the development of a custom music font, Feta, and the complete separation of LilyPond from MusiXTeX. Version 2.0 LilyPond 2.0 was relea ...
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Coffin Point Plantation
Coffin Point Plantation, is a historic plantation house located in the Frogmore area of Beaufort County, South Carolina, USA. A Sea Island plantation. Ebenezer Coffin, born in Boston in 1763, received 1120 acres and 63 chattel slaves from his father-in-law and had the house built on the property. It is estimated that the home was built around 1801, and like many early 19th century homes in the area, features a tabby foundation. One of the home's more striking features is the one-half mile avenue of oaks that leads to the home. In 1862, during the Civil War, 260 people were recorded as being enslaved on the plantation. James Donald Cameron, a Republican U.S. Senator from Pennsylvania and former Secretary of War bought the plantation house in the early 1890s. Henry Adams described his visits to the Camerons at the plantation in his book ''The Education of Henry Adams ''The Education of Henry Adams'' is an autobiography that records the struggle of Bostonian Henry Adams (1 ...
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Saint Helena Island (South Carolina)
St. Helena Island is a Sea Islands, Sea Island in Beaufort County, South Carolina, United States. The island is connected to Beaufort, South Carolina, Beaufort by U.S. Highway 21. The island has a land area of about and a population of 8,763 as of the United States Census, 2010, 2010 census. It is included as part of the Hilton Head Island-Beaufort Micropolitan Area. The island is renowned for its rural Lowcountry character and being a major center of African-American Gullah culture and language. It is considered to be the geographic influence behind the children's television program ''Gullah Gullah Island''. History The first European to explore St. Helena was most likely Spain, Spanish explorer Lucas Vázquez de Ayllón around 1520, as part of the Spanish exploration and colonization of the sea islands. Deepwater Santa Elena (Spanish Florida), Santa Elena was established as the center of the area, and at one time was the capital of the entire Spanish colony of Spanish Flo ...
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Port Royal Island
Port Royal Island (historically Port Royal) is an island located in Beaufort County, South Carolina. It is considered one of the Sea Islands in the Lowcountry region and is the most populous island in northern Beaufort County, containing most of the incorporated areas of Beaufort, Port Royal, and other unincorporated communities. The island also contains the Marine Corps Air Station Beaufort and Naval Hospital Beaufort military installations. The island takes its name from the Port Royal Sound, a historically significant harbor during colonial settlement in the 16th, 17th, and 18th centuries. From the time of its European discovery to the late 19th century, the name "Port Royal" typically applied to Port Royal Island as a whole and the surrounding waterways. In the early 21st century, the term Port Royal is understood to apply to the incorporated town of Port Royal. History In 1562, the French settlement of Charlesfort was established on Parris Island. The leader of the se ...
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Port Royal Experiment
The Port Royal Experiment was a program begun during the American Civil War in which former slaves successfully worked on the land abandoned by planters. In 1861 the Union captured the Sea Islands off the coast of South Carolina and their main harbor, Port Royal. The white residents fled, leaving behind 10,000 black slaves. Several private Northern charity organizations stepped in to help the former slaves become self-sufficient. The result was a model of what Reconstruction could have been. The African Americans demonstrated their ability to work the land efficiently and live independently of white control. They assigned themselves daily tasks for cotton growing and spent their extra time cultivating their own crops, fishing and hunting. By selling their surplus crops, the locals acquired small amounts of property. Among the Northerners who arrived as teachers were Mary Lambert Allen and her husband William Francis Allen from West Newton, MA. Detailed descriptions of their daily ...
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Jimmy Crack Corn (children's Song)
"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song. Over the years, several variants have appeared. Most versions include some idiomatic African American English, although General American versions now predominate. The basic narrative remains intact. On the surface, the song is a black slave's lament over his white master's death in a horse-riding accident. The song, however, is also interpreted as having a subtext of celebration about that deathMahar, William J''Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture'', pp. 234 ff University of Illinois Press (Champaign), 1999.Harris, Middleton & al''The Black Book'', 35th ann. ed ...
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Nobody Knows The Trouble I've Seen
"Nobody Knows the Trouble I've Seen" is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others. Anderson had her first successful recording with a version of this song on the Victor label in 1925. Horne recorded a version of the song in 1946. Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play ''Negro Spirituals Vol. 1'' (HMV 7EGN 27). The song was arranged by Harry Douglas. Traditional lyrics :Nobody knows the trouble I've been through :Nobody knows my sorrow :Nobody knows the trouble I've seen :Glory hallelujah! :Sometimes I'm up, sometimes I'm down :Oh, yes, Lord :Sometimes I'm almost to the ground :Oh, yes, Lord :Although you see me going 'long so :Oh, yes, Lord :I have my t ...
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