Skylab X
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Skylab X
''Skylab X'' is the ninth studio album by the Brazilian musician Rogério Skylab, the final installment of his series of ten eponymous, numbered albums. It was self-released in 2011, but originally recorded in 2008. A music video was made for the track "Eu Não Consigo Sair Daqui". The album can be downloaded for free on Skylab's official website. Critical reception Writing for blog Miojo Indie, Fernanda Blammer gave the album a positive review, rating it with a 7 out of 10. She praised ''Skylab X'' as being "peculiar and eccentric" and "atmospheric", but criticized it for being "less anarchic and aggressive, and more 'well-behaved' than Skylab's previous releases, particularly if compared to the classics '' Skylab III'' and ''Skylab VI ''Skylab VI'' is the sixth studio album by the Brazilian musician Rogério Skylab, the sixth in his series of ten eponymous, numbered albums. Self-released in 2006, it is so far Skylab's longest album, totaling 19 tracks, and was respon ...
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Rogério Skylab
Rogério Tolomei Teixeira (born September 2, 1956), better known by his stage name Rogério Skylab, is a Brazilian singer-songwriter, lyricist, classical guitarist, poet, essayist, record producer, actor and former television presenter. His unique musical style is characterized by minimalism and eclecticism, and his lyrics are permeated by acerbic allusions to popular culture, pessimism, scatology, nihilism and black comedy (he has, however, always denied that his songs have humorous purposes). Some of his most recognizable compositions are "Motosserra", "Fátima Bernardes Experiência", "Dedo, Língua, Cu e Boceta", "Eu Chupo o Meu Pau", "Matador de Passarinho" and "Chico Xavier & Roberto Carlos". Biography Rogério Skylab was born Rogério Tolomei Teixeira in Rio de Janeiro, Brazil, on September 2, 1956, and is of Italian and Portuguese descent. He has degrees in literature and philosophy from the Federal University of Rio de Janeiro,
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Skylab III
''Skylab III'' is the third studio album by the Brazilian musician Rogério Skylab, the third in his series of ten eponymous, numbered albums. It was self-released in 2002. Skylab acknowledges that ''Skylab III'' was heavily influenced, both lyrically and musically, by one of his greatest idols, outsider musician Damião Experiença; the album was dedicated to him, and the track "Esqueletos" opens up with a lengthy sample of one of Damião's songs. "Blues do Para-Choque", originally featured on Skylab's debut ''Fora da Grei'', was re-recorded for this release. "Cântico dos Cânticos" contains numerous samples from Rogério Sganzerla's 1968 film ''The Red Light Bandit'' and Arrigo Barnabé's song "Clara Crocodilo". "É Tudo Falso" uses samples from the songs " Willie the Pimp" by Frank Zappa and "Mongo" by Zumbi do Mato Zumbi do Mato (roughly translated into English as "''Zombie from the Grasslands''") was a Brazilian experimental and noise rock band from Rio de Janeiro f ...
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Sequel Albums
A sequel is a work of literature, film, theatre, television, music or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work. In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear repeatedly. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not. Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about p ...
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Self-released Albums
Self-publishing is the publication of media by its author at their own cost, without the involvement of a publisher. The term usually refers to written media, such as books and magazines, either as an ebook or as a physical copy using POD (print on demand) technology. It may also apply to albums, pamphlets, brochures, games, video content, artwork, and zines. Web fiction is also a major medium for self-publishing. Definitions Although self-publishing is not a new phenomenon, dating back to the 18th century, it has transformed during the internet age with new technologies and services providing increasing alternatives to traditional publishing, becoming a $1 billion market.Jennifer Alsever, Fortune magazine, 30 December 2016The Kindle Effect Retrieved 9 November 2017, "...has become a $1 billion industry..." However, with the increased ease of publishing and the range of services available, confusion has arisen as to what constitutes self-publishing. In 2022, the Society ...
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Rogério Skylab Albums
Rogério ( uˈʒɛɾiuor oˈʒɛɾiu is a Portuguese male given name, and a variant of the first name Roger. It may refer to: * Rogério Fidélis Régis, or simply Rogério (1976), Brazilian footballer * Rogério Lourenço (1971), Brazilian footballer * Rogério Luiz da Silva (1980), Brazilian footballer, also commonly known as Rogério * Rogério dos Santos Conceição 1984), Brazilian footballer * Rogério de Assis Silva Coutinho or simply Rogerinho (1987), Brazilian footballer * Rogério Rodrigues da Silva (1984), Brazilian footballer * Rogério Gonçalves Martins (1984), Brazilian footballer * Rogério Ceni (1973) Brazilian footballer * Rogério Dutra da Silva (1984) * Antônio Rogério Nogueira (1976) Brazilian martial artist * Rogério Romero (1969) former backstroke swimmer from Brazil * Rogério Pinheiro dos Santos (1972), Brazilian footballer. * Rogério de Almeida Florindo dos Santos * Rogério Gaúcho (1979) * Rogério Corrêa (1979), Brazilian former footballer an ...
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2011 Albums
The following is a list of albums, EPs, and mixtapes released in 2011. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information for deaths of musicians and for links to other music lists, see 2011 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2011 albums Albums An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records col ... 2011 ...
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Sertão
The ''sertão'' (, plural ''sertões'') is the "hinterland" or "backcountry". In Brazil, it refers both to one of the four sub-regions of the Northeast Region of Brazil (similar to the specific association of "outback" with Australia in English) or the hinterlands of the country in general. Northeast Brazil is largely covered in a scrubby upland forest called a '' caatingas.'' Its borders are not precise. It is an economically poor region that is well-known in Brazilian culture, with a rich history and much folklore, something like the American South. The sertão is also detailed within the famous book of Brazilian literature '' Os Sertões'' (''The Backlands''), which was written by the Brazilian author Euclides da Cunha. Originally the term referred to the vast hinterlands of Asia and South America that Portuguese explorers encountered. In Brazil, it referred to backlands away from the Atlantic coastal regions where the Portuguese first settled in South America in the early si ...
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Zumbi
Zumbi (1655 – November 20, 1695), also known as Zumbi dos Palmares (), was a Brazilian quilombola leader, being one of the pioneers of resistance to slavery of Africans by the Portuguese in colonial Brazil. He was also the last of the kings of the Quilombo dos Palmares, a settlement of Afro-Brazilian people who had liberated themselves from enslavement, in the present-day state of Alagoas, Brazil. Zumbi today is revered in Afro-Brazilian culture as a powerful symbol of resistance against the enslavement of Africans in the colony of Brazil. Quilombos ''Quilombos'' were communities in Brazil founded by individuals of African descent who escaped slavery (these escaped slaves are commonly referred to as maroons). Members of quilombos often returned to plantations or towns to encourage their former fellow Africans to flee and join the quilombos. If necessary, they brought others by force and sabotaged plantations. Anyone who came to quilombos on their own were considered free, ...
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Skylab VI
''Skylab VI'' is the sixth studio album by the Brazilian musician Rogério Skylab, the sixth in his series of ten eponymous, numbered albums. Self-released in 2006, it is so far Skylab's longest album, totaling 19 tracks, and was responsible for spawning one of his most famous compositions, "Dedo, Língua, Cu e Boceta". During one of the album's recording sessions, while heading to the studio, Skylab tripped, fell down and broke his jaw; a photograph of him in bandages, taken hours after the surgery he had to undergo, was used as the cover art. A live version of the track "Cu e Boca" previously appeared on ''Skylab II''. "Hino Nacional do Skylab" is sung to the tune of the Brazilian National Anthem. "Eu Não Tenho Eu" opens with a long excerpt of an interview museologist and ''carnavalesco'' Clóvis Bornay gave to Skylab in 2005, shortly before his death. "Para de Roncar, Filha da Puta!!!" was dedicated to Skylab's wife, who according to him snores during sleep; she provided ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Folha De S
''Folha de S.Paulo'' (sometimes spelled ''Folha de São Paulo''), also known as simply ''Folha'' (, ''Sheet''), is a Brazilian daily newspaper founded in 1921 under the name ''Folha da Noite'' and published in São Paulo by the Folha da Manhã company. The newspaper is the centerpiece for Grupo Folha, a conglomerate that also controls UOL (Universo Online), the leading Internet portal in Brazil; polling institute Datafolha; publishing house Publifolha; book imprint Três Estrelas; printing company Plural; and, in a joint-venture with the Globo group, the business daily ''Valor'', among other enterprises. It has gone through several phases and has targeted different audiences, such as urban middle classes, rural landowners, and the civil society, but political independence has always been one of its editorial cornerstones. Ever since 1986, ''Folha'' has had the biggest circulation among the largest Brazilian newspapers – according to data by IVC (Instituto Verificador de Circ ...
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