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Skiffle Musicians
Skiffle is a genre of folk music with influences from American folk music, blues, country, bluegrass, and jazz, generally performed with a mixture of manufactured and homemade or improvised instruments. Originating as a form in the United States in the first half of the 20th century, it became extremely popular in United Kingdom in the 1950s, where it was played by such artists as Lonnie Donegan, The Vipers Skiffle Group, Ken Colyer, and Chas McDevitt. Skiffle was a major part of the early careers of some musicians who later became prominent jazz, pop, blues, folk, and rock performers, The Beatles and Rory Gallagher amongst them. It has been seen as a critical stepping stone to the second British folk revival, the British blues boom, and the British Invasion of American popular music. Origins in the United States The origins of skiffle are obscure but generally thought to lie in African-American musical culture in the early 20th century. Skiffle is often said to have developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluegrass Music
Bluegrass music is a genre of American roots music The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung ... that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe, Bill Monroe and the Blue Grass Boys. Like Country music, mainstream country music, it largely developed out of Old-time music, old-time string music, though in contrast, bluegrass is traditionally played exclusively on Acoustic music, acoustic instruments and also has roots in traditional English, Scottish, and Irish Ballads, Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Colyer
Kenneth Colyer (18 April 1928 – 8 March 1988) was an English jazz trumpeter and cornetist, devoted to Dixieland, New Orleans jazz. His band was also known for skiffle interludes. Biography He was born in Great Yarmouth, Norfolk, England, but grew up in Soho, London, and served as a member of his church choir. When his elder brother Bill (1922—2009) went off to serve in World War II he left his jazz records behind, which influenced Ken Colyer. He joined the Merchant Navy at 17, travelled around the world and heard famous jazz musicians in New Orleans, Louisiana. In the UK, Colyer played with various bands and joined, in 1949, the Crane River Jazz Band (CRJB), with Ben Marshall, Sonny Morris, Pat Hawes, John R. T. Davies, Julian Davies, Ron Bowden and Monty Sunshine. The band played at the Royal Festival Hall on 14 July 1951 in the presence of Elizabeth II, Princess Elizabeth. Parts of that group merged with other musicians including Keith Christie and Ian Christie (musician) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Saw
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando (portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium. Playing The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them. The saw is usually played with the serrated edge, or "teeth", facing the body, though some players face them away. Some saw players file down the teeth, which makes no discernable difference to the sound. Manyespecially professionalsaw players use a handle, cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigar Box Guitar
The cigar box guitar is a simple chordophone that uses an empty cigar box as a resonator. The earliest had one or two strings; modern models typically have three or more. Generally, the strings are connected to the end of a broomstick or a 1×2 inch wood slat and to the cigar box resonator. History Cigars were packed in boxes, crates, and barrels as early as 1800, but the small boxes that we are familiar with today did not exist prior to around 1840. Until then, cigars were shipped in crates containing 100 or more per case. After 1840, cigar manufacturers started using smaller, more portable boxes with 20–50 cigars per box. Trace evidence of cigar box instruments exists from 1840 to the 1860s. The earliest known illustration of a cigar box instrument is an etching copyrighted in 1876 of two American Civil War soldiers at a campsite, one of whom is playing a cigar box fiddle. The etching was created by illustrator and artist Edwin Forbes, who, under the banner of ''Frank Lesli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washtub Bass
The washtub bass, or gutbucket, is a stringed instrument used in American folk music that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and tuning pegs, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension. The washtub bass was used in jug bands that were popular in some African American communities in the early 1900s. In the 1950s, British skiffle bands used a variant called a tea chest bass, and during the 1960s, US folk musicians used the washtub bass in jug band-influenced music. Variations on the basic design are found around the world, particularly in the choice of resonator. As a result, there are many different names for the instrument including the "gas-tank bass", "barrel bass", "box bass" (Trinidad), "bush bass" (Australia), "babatoni" (South Africa), "tanbou marengwen" (Haiti) "tingotalango" (Cuba), " tulòn" (Italy), "laund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jug (musical Instrument)
The jug used as a musical instrument is an empty jug (usually made of glass or stoneware) played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the higher pitch of the fiddle, harmonica, and the other instruments in the band.smithsonianfolkways: The Jug Bands Compiled and edited by Performance With an embouchure like that used for a , t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washboard (musical Instrument)
The washboard and frottoir (from Cajun French "frotter", to rub) are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a wood block, a cowbell, and even small cymbals. Conversely, the frottoir (zydeco rubboard) dispenses with the frame and consists simply of the metal ribbing hung around the neck. It is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling. The frottoir or ''vest frottoir'' is played as a stroked percussion instrument, often in a band with a drummer, while the washboard generally is a replacement for drums. In Zydeco bands, the frottoir is usually played with bottle openers, to make a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jug Band
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term ''jug band'' is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player. History Early jug bands were typically made up of African-American vaudeville and medicine show musicians. Beginning in the urban South (namely, Louisville, Kentucky, and Memphis, Tennessee), they played a mixture of blues, ragtime, and jazz. The history of jug bands is related to the development of the blues. The informal and energetic music of the jug bands also contributed to the development of rock and roll. The jug sound is made by taking a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans
New Orleans ( , ,New Orleans Merriam-Webster. ; french: La Nouvelle-Orléans , es, Nueva Orleans) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, it is the List of municipalities in Louisiana, most populous city in Louisiana and the twelfth-most populous city in the southeastern United States. Serving as a List of ports in the United States, major port, New Orleans is considered an economic and commercial hub for the broader Gulf Coast of the United States, Gulf Coast region of the United States. New Orleans is world-renowned for its Music of New Orleans, distinctive music, Louisiana Creole cuisine, Creole cuisine, New Orleans English, uniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Blues Boom
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, it developed a distinctive and influential style dominated by electric guitar and made international stars of several proponents of the genre including the Rolling Stones, the Animals, Eric Clapton, Fleetwood Mac and Led Zeppelin. Origins American blues became known in Britain from the 1930s onwards through a number of routes, including records brought to Britain, particularly by African-American GIs stationed there in the Second World War and Cold War, merchant seamen visiting ports such as London, Liverpool, Newcastle upon Tyne and Belfast, and through a trickle of (illegal) imports. Blues music was relatively well known to British jazz musicians and fans, particularly in the works of figures like female singers Ma Rainey and Bessie Smith and the blues-influenced boogie-woogie of Jelly Roll Morton and Fats Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
