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Six Songs From A Shropshire Lad
''Six Songs from A Shropshire Lad'' is a song cycle for baritone and piano composed in 1911 by George Butterworth (18851916). It consists of settings of six poems from A. E. Housman's 1896 collection ''A Shropshire Lad''. Butterworth set another five poems from ''A Shropshire Lad'' in '' Bredon Hill and Other Songs'' (1912). Nine of the eleven songs were premiered at Oxford on 16 May 1911, by James Campbell McInnes (baritone) and the composer (piano). The following month, the six songs which make up the present cycle were performed in London, with McInnes as singer and Hamilton Harty as accompanist. A performance typically takes 14 minutes. The songs are as follows; the Roman numerals are from ''A Shropshire Lad'': # II "Loveliest of Trees" # XIII "When I Was One-and-Twenty" # XV "Look Not In My eyes" # XLIX "Think No More, Lad" # XXIII "The Lads in Their Hundreds" # XXVII " Is My Team Ploughing?" According to the music historian A. V. Butcher, Butterworth "was intimately co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Butterworth
George Sainton Kaye Butterworth, MC (12 July 18855 August 1916) was an English composer who was best known for the orchestral idyll ''The Banks of Green Willow'' and his song settings of A. E. Housman's poems from '' A Shropshire Lad''. Early years Butterworth was born in Paddington, London. Soon after his birth, his family moved to York so that his father Sir Alexander Kaye Butterworth could take up an appointment as general manager of the North Eastern Railway, which was based there. Their home was at Riseholme, a house on Driffield Terrace, which later became part of the Mount School. In 2016, the centenary year of his death on the Somme, biographer Anthony Murphy unveiled on behalf of the York Civic Trust a blue plaque to his memory at College House, Driffield Terrace, part of the Mount School. George received his first music lessons from his mother, who was a singer, and he began composing at an early age. As a young boy, he played the organ for services in the chapel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Shropshire Lad
''A Shropshire Lad'' is a collection of sixty-three poems by the English poet Alfred Edward Housman, published in 1896. Selling slowly at first, it then rapidly grew in popularity, particularly among young readers. Composers began setting the poems to music less than ten years after their first appearance, and many parodists have satirised Housman's themes and poetic style. A Shropshire Rhapsody Housman is said originally to have titled his book ''The Poems of Terence Hearsay'', referring to a character there, but changed the title to ''A Shropshire Lad'' at the suggestion of a colleague in the British Museum. A friend of his remembered otherwise, however, and claimed that Housman's choice of title was always the latter. He had more than a year to think about it, since most of the poems he chose to include in his collection were written in 1895, while he was living at Byron Cottage in Highgate. The book was published the following year, partly at the author's expense, after i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bredon Hill And Other Songs
''Bredon Hill and Other Songs'' is a song cycle for baritone and piano composed by George Butterworth (18851916) in 1912. It sets five poems from A. E. Housman's 1896 collection ''A Shropshire Lad''. Butterworth set another six poems from ''A Shropshire Lad'' in '' Six Songs from A Shropshire Lad'' (1911). Nine of the eleven songs were premiered at Oxford on 16 May 1911, by James Campbell McInnes (baritone) and the composer (piano). A performance typically takes 15 minutes. The songs are as follows, with Roman numerals from ''A Shropshire Lad'': # XXI "Bredon Hill Bredon Hill is a hill in Worcestershire, England, south-west of Evesham in the Vale of Evesham. The summit of the hill is in the parish of Kemerton, and it extends over parts of eight other parishes (listed below). The hill is geologically par ..." # XX "Oh Fair Enough Are Sky and Plain" # VI "When the Lad for Longing Sighs" # XXXV "On the Idle Hill of Summer" # LIV "With Rue My Heart Is Laden" References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Campbell McInnes
James Campbell McInnes (23 January 1874 – 8 February 1945) was a well-known English baritone singer and teacher at the turn of the 20th century, ex-husband of author Angela Thirkell and father of writer Colin MacInnes. Early life He was born to parents Archibald McInnes and Mary Gallagher on 23 January 1874, in Ramsbottom, Lancashire. Career James Campbell McInnes, a baritone, studied at the Royal College of Music (R.C.M.) under a succession of great teachers including George Henschel, Sir Charles Santley, William Shakespeare, Jacques Bouhy, and Jean de Reszke. He was a composer of songs and, in the early days of the folk-song movement, he collected songs in Scotland. He worked with Lucy Broadwood and Cecil Sharp and sang at the dedication ceremony at the opening of Cecil Sharp House. He gave after-dinner recitals for affluent Edwardian families at their homes as a result of his close friendship with Lucy Broadwood and regularly appeared in concerts across England, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton Harty
Sir Herbert Hamilton Harty (4 December 1879 – 19 February 1941) was an Irish composer, conductor, pianist and organist. After an early career as a church organist in his native Ireland, Harty moved to London at about age 20, soon becoming a well-known piano accompanist. ''The Musical Times'' called him "the prince of accompanists". As a composer he wrote throughout his career, many of his works being well received, though few are regularly performed in the 21st century. In his career as a conductor, which began in 1904, Harty was particularly noted as an interpreter of the music of Hector Berlioz, Berlioz. From 1920 to 1933 he was the chief conductor of the the Hallé, Hallé Orchestra in Manchester, which he returned to the high standards and critical acclaim that it had enjoyed under its founder, Charles Hallé. His last permanent post was with the London Symphony Orchestra, but it lasted only two years, from 1932 to 1934. During his conducting career, Harty made some record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When I Was One-and-Twenty
When I Was One-and-Twenty is the first line of the untitled Poem XIII from A. E. Housman’s ''A Shropshire Lad'' (1896), but has often been anthologised and given musical settings under that title. The piece is simply worded but contains references to the now superseded coins guineas and crowns. It is the monologue of a young man of twenty-two who reflects on the truth of the advice given him a year before not to give his heart away in love. Writing to his publisher in December, 1920, Housman scornfully observed of an illustrated edition of the poem, “How like an artist to think that the speaker is a woman!” A heterosexual male reading could still be given the lament then because, at the time, Housman's homosexuality was unsuspected. Later the more likely interpretation of the poem's inspiration as referring to Housman's unrequited love for a fellow male student at university has gained currency. Musical settings Housman’s poem was among the first to be set by composers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Is My Team Ploughing
"Is my team ploughing, That I was used to drive And hear the harness jingle When I was man alive?" Ay, the horses trample, The harness jingles now; No change though you lie under The land you used to plough. ... "Is my girl happy, That I thought hard to leave, And has she tired of weeping As she lies down at eve?" Ay, she lies down lightly, She lies not down to weep: Your girl is well contented. Be still, my lad, and sleep. "Is my friend hearty, Now I am thin and pine, And has he found to sleep in A better bed than mine?" Yes, lad, I lie easy, I lie as lads would choose; I cheer a dead man's sweetheart, Never ask me whose. —Stanzas 1-2, 5-8 "Is My Team Ploughing" is a poem by A. E. Housman, published as number XXVII in his 1896 collection ''A Shropshire Lad''. It is a conversation between a dead man and his still living friend. Toward the end of the poem it is implied that the friend is now with the girl left behind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian Mode
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself. : Greek Dorian mode The Dorian mode (properly ''harmonia'' or ''tonos'') is named after the Dorian Greeks. Applied to a whole octave, the Dorian octave species was built upon two tetrachords (four-note segments) separated by a whole tone, running from the ''hypate meson'' to the ''nete diezeugmenon''. In the enharmonic genus, the intervals in each tetrachord are quarter tone–quarter tone–major third. : In the chromatic genus, they are semitone–semitone–minor third. : In the diatonic genus, they are semitone–tone–tone. : In the diatonic genus, the sequence over the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music And Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell, J.A. Westrup, Denis Arnold, Edward Olleson, Nigel Fortune, John Whenham John Whenham is an English musicologist and academic who specializes in early Italian baroque music. He earned both a Bachelor of Music and a Master of Music from the University of Nottingham, and a Doctor of Philosophy from the University of Oxfor ..., and Tim Carter. References External links * {{DEFAULTSORT:Music and Letters Music journals Oxford University Press academic journals Publications established in 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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