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Sisyphus Painter
The Sisyphus Painter was an Apulian red-figure vase painter. His works are dated to the last two decades of the fifth century and the very early fourth century BC. The Sisyphus Painter is only known by this conventional name, as his true name remains unknown. He is one of the most influential painters in the Apulian vase painting tradition, and thus in all South Italian vase painting. His conventional name is derived from the inscription on the heart-shaped gift held by a youth as part of the depiction of a wedding on one of his volute ''kraters''. He follows the tradition of the Painter of the Berlin Dancing Girl in whose workshop he is assumed to have started. Arthur Dale Trendall described the Sisyphus Painter as "probably the dominant artist of the Taras School".Trendall, S. 29 Nonetheless, the quality of his works is uneven. Especially on larger vases he showed his quality as a painter of heads, often depicted in a three-quarter profile. His early work includes a variety of ...
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Bell-krater Rider Louvre G493
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ...
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Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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4th-century BC Deaths
The 4th century (per the Julian calendar and Anno Domini/Common era) was the time period which lasted from 301 ( CCCI) through 400 ( CD). In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two emperor system originally established by Diocletian in the previous century fell int ...
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5th-century BC Births
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was a s ...
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Tarporley Painter
The Tarporley Painter was a Greek Apulian red-figure vase painter. His works date to the first quarter of the 4th century BC. The Tarporley Painter is his period's most important representative of the so-called "Plain Style". He is considered to have been the pupil and successor of the Sisyphus Painter, as indicated by his elegant fine-limbed figures and the solemn facial expressions of his woman and cloaked youths. He painted garments in a less balanced style then the Sisyphus Painter. His heads are often oval and lean forwards. The spaces between his figures are often filled with flowers, branches or vines. Over time, his drawing style becomes more fluid, but also less precise. He painted especially on bell ''kraters'', on which he often depicted dionysiac themes and theatrical scenes. His work includes the first known ''phlyax'' vase, showing the punishment of a thief, accompanied by a metric verse inscription. Mythological scenes by him are rare. There appears to be an especia ...
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Hearst Painter
Hearst may refer to: Places * Hearst, former name of Hacienda, California, United States * Hearst, Ontario, town in Northern Ontario, Canada * Hearst, California, an unincorporated community in Mendocino County, United States * Hearst Island, an island in Antarctica * Hearst Castle, a mansion built by William Randolph Hearst in San Simeon, California, United States * Hearst Block, a provincial government building in Toronto, Ontario, Canada People * Hearst (surname) * William Randolph Hearst (1863–1951), newspaper magnate * Hunter Hearst Helmsley (b. 1969), WWE professional wrestler Arts, entertainment, and media * Hearst College, a fictional College in the CW series ''Veronica Mars'' * Hearst Communications, a privately held media conglomerate * Hearst Television, Hearst Communications' broadcast television division (formerly Hearst-Argyle Television) Other uses * Université de Hearst, a French-language university federated with Laurentian University, based in Hearst, Ontario ...
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Kodros Painter
Codrus (; ; Greek: , ''Kódros'') was the last of the semi-mythical Kings of Athens (r. ca 1089– 1068 BC). He was an ancient exemplar of patriotism and self-sacrifice. He was succeeded by his son Medon, who it is claimed ruled not as king but as the first Archon of Athens. He was said to have traced his descent to the sea-God Poseidon through his father Melanthus. The earliest version of the story of Codrus comes from the 4th oration ''Against Leocrates'' by Lycurgus of Athens. During the time of the Dorian Invasion of Peloponnesus (c. 1068 BC), the Dorians under Aletes, son of Hippotes had consulted the Delphic Oracle, who prophesied that their invasion would succeed as long as the king was not harmed. The news of this prophecy, that only the death of an Athenian king would ensure the safety of Athens, quickly found its way to the ears of the king of Athens, Codrus. In devotion to his people, Codrus disguised himself as a peasant and made it to the vicinity of the Dorian enca ...
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Dwarf Painter
Dwarf or dwarves may refer to: Common uses *Dwarf (folklore), a being from Germanic mythology and folklore * Dwarf, a person or animal with dwarfism Arts, entertainment, and media Fictional entities * Dwarf (''Dungeons & Dragons''), a humanoid race *Dwarf (Middle-earth), a humanoid race in J. R. R. Tolkien's literature * Dwarf (''Warhammer''), a humanoid race * Dwarfs (''Discworld''), a race of characters * Dwarves (''Artemis Fowl''), a race of characters * Dwarves (''Warcraft''), a short, strong race *Dwarves (Marvel Comics) Literature * ''The Dwarf'' (Cho novel), a 1978 novel by Cho Se-hui * ''The Dwarf'' (Lagerkvist novel), a 1944 novel by Pär Lagerkvist Other arts, entertainment, and media * ''Dwarfs?!'' (video game) *Dwarves (band), American punk band *Killer Dwarfs, Canadian heavy metal band *Wrocław's dwarfs, small sculptures in Wrocław, Poland Biology *Phyletic dwarfism, an average decrease in size of animals **Insular dwarfism, a evolutionary condition caused by ge ...
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Dionysos
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ...
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Theseus Amazonomachy BM F158
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra (mother of Theseus), Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the ''synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias (geographer), Pausanias reports that after ''synoikismos'', Theseus established ...
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Krater Warrior BM F158
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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