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Siroe
''Siroe, re di Persia'' ('' Siroes, King of Persia'', HWV 24), is an opera seria in three acts by George Frideric Handel. It was his 12th opera for the Royal Academy of Music and was written for the sopranos Francesca Cuzzoni and Faustina Bordoni. The opera uses an Italian-language libretto by Nicola Francesco Haym, after Metastasio's ''Siroe''. Like many of Metastasio's libretti, it was also set by Handel's contemporaries, e.g. by Leonardo Vinci, Antonio Vivaldi and Johann Adolph Hasse (see Hasse's ''Siroe''). Pasquale Errichelli's setting of the libretto (see Errichelli's ''Siroe'') premiered in the year of Handel's death. The story of the opera is a fictionalisation of some events in the life of Kavad II (also known as Shērōē), King of the Sasanian Empire in 628 AD. Performance history The opera was first given under the direction of the composer at the King's Theatre in London on 17 February 1728 and it was also seen in Braunschweig, Germany. It was rediscovered and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siroe (Metastasio)
''Siroe re di Persia'' is a libretto in three acts by Pietro Metastasio. Set to music by Leonardo Vinci, it was first performed on 2 February 1726 at the Teatro San Giovanni Grisostomo, Venice. It was subsequently set to music at least 35 times by different composers. Action The action is set in Selucia in the year 628. The characters are: * ''Cosroe'' (Khosrow II), King of Persia * ''Siroe'' (Kavad II), his oldest son * ''Medarse'', his second son * ''Emira'', Princess of Cambaia, lover of Siroe disguised in men's clothing as Idaspe * ''Laodice'', lover of Siroe, sister of Arasse * ''Arasse'', General and friend of Siroe The plot concerns the Persian king Cosroe, who wants to appoint his second son Medarse as his successor instead of his first-born son Siroe and thus arouses popular anger. The background to these events is that Cosroe had previously defeated his opponent Asbite, king of Cambaia, and had his family murdered. Only Asbite's daughter Emira survived to plan her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siroe (Hasse)
''Siroe'', or ''Siroe re di Persia'' ('' Siroes, King of Persia''), is an opera seria in three acts by Johann Adolph Hasse. The libretto was by Metastasio. As with many of the latter's libretti, ''Siroe'' was also set by Hasse's contemporaries, for example Vinci, Vivaldi and Handel (see his ''Siroe'' of 1728). Performance history ''Siroe'' was first performed on 2 May 1733 at the Teatro Malvezzi in Bologna. It was produced again in Naples at the Teatro di San Carlo on 4 November 1747. Hasse was asked to reset the opera for the Elector of Saxony and this version was first performed on 3 August 1763 at the Opernhaus am Zwinger in Dresden. ''Siroe'' received its modern-day premiere in an uncut version by Ensemble Serse in September 2008 in a performance which, including two fifteen-minute intervals, lasted just under five hours. ''Siroe'' was revived in an abridged form for the 2011 London Handel Festival by Ensemble Serse at St George's Hanover Square Church in London on 15 April ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kavad II
Shērōē (also spelled Shīrūya, New Persian: ), better known by his dynastic name of Kavad II ( pal, 𐭪𐭥𐭠𐭲 ''Kawād''; New Persian: قباد ''Qobād'' or ''Qabād''), was king (shah) of the Sasanian Empire briefly in 628. He was the son of Khosrow II (), whom he succeeded after having him overthrown in a coup d'état. Kavad's reign is seen as a turning point in Sasanian history, and has been argued by some scholars as playing a key role in the fall of the Sasanian Empire. Background and rise Sheroe was the son of Khosrow II, the last prominent king (shah) of the Sasanian Empire, and Maria, a Greek woman, who was reportedly a Byzantine princess. Sheroe was later imprisoned by his father, who wanted to ensure the succession of his favorite son Mardanshah, the son of his favorite wife, Shirin. His father's reputation had been ruined during the last phase of the Byzantine–Sasanian War of 602–628. In 627, the Sasanian general Rhahzadh was slain and Dastgerd, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siroe (Errichelli)
''Siroe'' is a dramma per musica or opera seria in 3 Acts by composer Pasquale Errichelli. The opera uses an Italian language libretto by Pietro Metastasio. The opera premiered at the Teatro di San Carlo in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ... on 26 December 1758. Vincenzo Re designed the sets for the premiere production. Roles References {{reflist 1758 operas Italian-language operas Operas Operas by Pasquale Errichelli Opera world premieres at the Teatro San Carlo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Errichelli
Pasquale Errichelli (also ''Ericchelli'' or ''Enrichelli''; 1730–1785) was an Italian composer and organist based in the city of Naples. Trained at the Conservatorio della Pietà dei Turchini, his compositional output consists of 7 operas, 2 cantatas, 1 symphony, 3 sonatas, several concert arias, and the oratorio ''Gerosolina protetta''. He was for many years the organist at the Cattedrale di Napoli. Operas *''La serva astuta'' (opera buffa, 1753, Naples; in collaboration with Gioacchino Cocchi) *''Il finto turco'' (opera buffa, libretto by Antonio Palomba, 1753, Naples; in collaboration with Gioacchino Cocchi) *''Issipile'' (opera seria, libretto by Pietro Metastasio, 1754, Naples) *''La finta 'mbreana'' (commedia, libretto by G. Bisceglia, 1756, Naples; in collaboration with Nicola Bonifacio Logroscino) *''Solimano'' (opera seria, libretto by Giovanni Ambrogio Migliavacca, 1757, Rome) *''Siroe'' (opera seria, libretto by Pietro Metastasio, 1758, Naples) *''Eumene'' (3 Acts) ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Vinci
Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable. Life and career He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his ''opere buffe'' (comic operas) in Neapolitan dialect in 1719; he also composed many ''opere serie'' (dramatic operas). He was received into the Congregation of the Rosary, a lay religious and burial fraternity, at Formiello in 1728. He died in May 1730. Vinci is rumoured to have been poisoned by a jealous husband in the wake of an ill-advised affair, a story which is given by several reliable authorities without evident contradictions. Music Vinci's ''opere buffe,'' of which '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Music (company)
The Royal Academy of Music was a company founded in February 1719, during George Frideric Handel's residence at Cannons, by a group of aristocrats to secure themselves a constant supply of opera seria. It is not connected to the London conservatoire with the same name, which was founded in 1822. It commissioned large numbers of new operas from three of the leading composers in Europe: Handel, Attilio Ariosti and Giovanni Bononcini. The Academy took the legal form of a joint-stock corporation under letters patent issued by George I of Great Britain for a term of 21 years with a governor, a deputy governor and at least fifteen directors. The (first) Royal Academy lasted for only nine seasons instead of twenty-one, but both the New or Second Academy and the Opera of the Nobility seem to have operated under its Royal Charter until the expiry of the original term. Handel was appointed as Master of the orchestra responsible not only for engaging soloists but also for adapting op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faustina Bordoni
Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano. In Hamburg, Germany, the Johann Adolph Hasse Museum is dedicated to her husband and partly to Bordoni. Early career She was born in Venice and brought up under the protection of the aristocratic brother composers Alessandro and Benedetto Marcello. Her singing teacher was another composer, Michelangelo Gasparini. For many years in the service of the Elector Palatine, she made her operatic debut at Venice in 1716 in Carlo Francesco Pollarolo's ''Ariodante'', singing in her home city until 1725 in operas by Albinoni, the Gasparini brothers, Giacomelli, Leonardo Leo, Giuseppe Maria Orlandini, the Pollarolos, father and son, and Leonardo Vinci, amongst others. In 1718 and 1719 in Venice she sang alongside Francesca Cuzzoni, later to become her great rival. During this period she also performed several times at Reggio nell'Emilia, Naples and Parma, and at least once in Milan, Modena and Florence. Af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scuola Grande Di San Giovanni Evangelista
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo ''sestiere'' of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five ''Scuole Grandi'' of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting ''Miracles of the Holy Cross''. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website. History Founded in 1261, San Giovanni Evangelista is the second oldest ''scuola'' in Venice.McGregor, ''Venice from the Ground Up'', p. 156 Though ''sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
