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Singet Dem Herrn Ein Neues Lied (Mendelssohn)
This is a list of compositions by Felix Mendelssohn. Listed by opus number (Note: the list includes works which were published posthumously and given opus numbers after the composer's death. Only the opus numbers 1 to 72 were assigned by Mendelssohn, the later ones by publishers. The opus number sequence does not therefore always accord with the order of composition). The list also includes the Mendelssohn-Werkverzeichnis classification code (MWV). Works with opus number assigned by Mendelssohn Op. 1–20 * Op. 1, Piano Quartet No. 1 in C minor (1822) (MWV Q 11) * Op. 2, Piano Quartet No. 2 in F minor (1823) (MWV Q 13) * Op. 3, Piano Quartet No. 3 in B minor (1824/25) (MWV Q 17) * Op. 4, Violin Sonata (No. 2) in F minor (1823) (MWV Q 12) * Op. 5, Capriccio in F-sharp minor for piano (1825) (MWV U 50) * Op. 6, Piano Sonata No. 1 in E major (1826) (MWV U 54) (actually the composer's 2nd Piano Sonata) * Op. 7, (7) ''Pièces caractéristiques'' for piano (1827) ** No. 1 ''Sanft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendelssohn Bartholdy
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (Mendelssohn)
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play ''A Midsummer Night's Dream'' (in German ''Ein Sommernachtstraum''). First in 1826, near the start of his career, he wrote a concert overture ( Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous "Wedding March". Overture The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826).''Grove's Dictionary of Music and Musicians'', 5th ed., 1954 Contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". It was written as a concert overture, not associated with any performance of the play. The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lobgesang
''Lobgesang'' (''Hymn of Praise''), Op. 52 ( MWV A 18), is an 11-movement "Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra" by Felix Mendelssohn. After the composer's death it was published as his Symphony No. 2 in B-flat major, a naming and a numbering that are not his. The required soloists are two sopranos and a tenor. The work lasts almost twice as long as any of Mendelssohn's purely instrumental symphonies. History It was composed in 1840, along with the less-known '' Festgesang "Gutenberg Cantata"'', to celebrate the 400th anniversary of the invention of Johannes Gutenberg's movable type printing system. In 1842 Mendelssohn had published his ''Scottish'' Symphony as "Symphony No. 3", however a "Symphony No. 2" had never been published during Mendelssohn's lifetime. Possibly the composer's intention was to spare this number for his earlier ''Italian'' Symphony, which he premiered in 1833, but afterwards withheld for a revision that was neve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Sonata No
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 42 (Mendelssohn)
Psalm 42, Op. 42 ( MWV A 15) ''Wie der Hirsch schreit'' (As pants the hart) is a cantata by Felix Mendelssohn, setting Psalm 42 in German. It was written and published in 1837 (revised 1838) for soloists, mixed choir and orchestra. History Mendelssohn set the music to Luther's German translation of Psalm 42. At the work's first performance, in Leipzig on 1 January 1838, Mendelssohn conducted the Leipzig Gewandhaus Orchestra, with Clara Novello as soprano. He was the orchestra's musical director from 1835 until his death in 1847. Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ... opined in 1837 that Mendelssohn's setting of Psalm 42 was the "highest point that he endelssohnreached as a composer for the church. Indeed the highest point recent church music has reached a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drei Motetten, Op (1925–1996), Italian racing cyclist
{{Disambiguation ...
Drei may refer to: * ''Drei'' (Glashaus album), a 2005 album by pop band Glashaus * ''Drei'' (Emika album) (stylised form: ''DREI''), a 2015 album by electronic artist Emika * ''Three'' (2010 film), a German film called ''Drei'' in German * Drei Oesterreich, Austrian mobile phone provider People with the surname * Alisa Drei (born 1978), Finnish figure skater * José Luis Drei (born 1973), Brazilian football player * Umberto Drei Umberto Drei (1 May 1925 – 14 January 1996) was an Italian racing cyclist. He rode in the 1948 Tour de France The 1948 Tour de France was the 35th edition of the Tour de France, taking place from 30 June to 25 July 1948. It consisted of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Wings Of Song (poem)
"On Wings of Song" (German: "Auf Flügeln des Gesanges") is a poem by the German Romantic poet Heinrich Heine. It was published in ''Buch der Lieder'' in 1827. Musical settings Felix Mendelssohn set it to music as the second of his "six songs for voice and piano" (Opus 34-2, 1834). Franz Liszt arranged On Wings of Music for solo piano (S. 547). His song has been translated into other languages and has been adopted in school music textbooks for China, Japan and Korea. Other settings include that by Franz Lachner Franz Paul Lachner (2 April 1803 – 20 January 1890) was a German composer and conductor. Biography Lachner was born in Rain am Lech to a musical family (his brothers Ignaz, Theodor and Vinzenz also became musicians). He studied music with .... Poem References {{Heinrich Heine Poetry by Heinrich Heine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schöne Melusine
''Ouvertüre zum Märchen von der schönen Melusine'', Op. 32, (German: ''Overture to the Legend of the Fair Melusine'') is a concert overture by Felix Mendelssohn written in 1834. It is generally referred to as ''Die schöne Melusine'' in modern concert programming and recordings, and is sometimes rendered in English as ''The Fair Melusine''. The overture is loosely illustrative of aspects of the legend of Melusine, a water-nymph who marries Count Raymond, on the condition that he never enter her room on a Saturday (on which day she takes on the form of a mermaid). In the 19th century the story was familiar in Germany in the retelling by Ludwig Tieck (''Melusina'', 1800) and the poetic version of Friedrich de la Motte Fouqué (his ''Undine'' of 1811).Seaton (2004), p. 107. Mendelssohn denied close musical references to the story which critics, including Robert Schumann, believed they detected. When asked what the piece was about, Mendelssohn replied drily "Hmm ... a mis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meeresstille Und Glückliche Fahrt (Mendelssohn)
''Calm Sea and Prosperous Voyage'' (''Meeresstille und glückliche Fahrt''), Op. 27, is an orchestral concert overture by Felix Mendelssohn inspired by the same pair of poems by Johann Wolfgang von Goethe that inspired Beethoven's 1815 cantata of the same title (and in the same key, D major). Mendelssohn's work was first performed on 7 September 1828 in Berlin. The titles of Goethe's two poems are not synonymous: in the days before steam, a totally calm sea was cause for alarm; it is only when the wind at last rises that the ship can continue on its journey. Mendelssohn described his interpretation of Goethe’s calm sea as: “a pitch gently sustained by the strings for a long while hovers here and there and trembles, barely audible... The whole stirs sluggishly from the passage with heavy tedium. Finally, it comes to a halt with thick chords and the Prosperous Voyage sets out.” Goethe’s lively winds that then hasten the ship into view of land are depicted with “all t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
