Singalong With Little Willie Littlefield
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Singalong With Little Willie Littlefield
''Singalong with Little Willie Littlefield'' is a studio album by American R&B and Boogie-woogie pianist and vocalist Little Willie Littlefield. Content The album was recorded in 1987 at The Farmsound Studio in Heelsum in the Netherlands and released in 1990 on the Dutch record label Oldie Blues (OLCD 7001). The album was produced by Job Zomer. Track listing # "Love Letters in the Sand" # " Sentimental Journey" # "On the Sunny Side of the Street" # " Frankie and Johnny" # " Don't Fence Me In" # "Misty" # "Pretty Brown Eyes" # "What a Wonderful World" # "Houston" # "Looking Back" # "Bad Bad Leroy Brown" # "Mona Lisa" # " Take These Chains from My Heart" # " Moon Over Naples - Spanish Eyes" # "When I Fall in Love" # "Brahms' Lullaby" # "Tennessee Waltz" # "Blueberry Hill" PersonnelZomer, Job, ''Singalong with Little Willie Littlefield'', liner notes OLCD 7001 (1990) * Little Willie Littlefield - piano, vocals * Arthur Smit - keyboard bass, electric guitar * Harry Noordhof - bass ...
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Little Willie Littlefield
Willie Littlefield, Jr., billed as Little Willie Littlefield (September 16, 1931 – June 23, 2013), was an American R&B and boogie-woogie pianist and singer whose early recordings "formed a vital link between boogie-woogie and rock and roll". Littlefield was regarded as a teenage wonder and overnight sensation when in 1949, at the age of 18, he popularized the triplet piano style on his Modern Records debut single, "It's Midnight". He also recorded the first version of the song " Kansas City" (originally issued as "K. C. Lovin'"), in 1952. Career Early career Littlefield was born in El Campo, Texas, and grew up in Houston with his mother. By 1947, at the age of sixteen, he was already a local attraction in many of the clubs on Dowling Street in Houston and was recording for Eddie Henry, a local record shop proprietor who ran his own label, Eddie's Records.Topping, Ray (1984). Sleeve notes. ''Jump with Little Willie Littlefield''. Ace Records CHD114. He formed his first ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Tenor Sax
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ...
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Bass (instrument)
A bass ( /beɪs/) musical instrument produces tones in the low-pitched range C4- C2. Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest instruments in their families or instrument classes. As seen in the musical instrument classification article, categorizing instruments can be difficult. For example, some instruments fall into more than one category. The cello is considered a tenor instrument in some orchestral settings, but in a string quartet it is the bass instrument. Examples grouped by general form and playing technique include: * Plucked string instruments, primary bass guitar and to a lesser extent acoustic bass guitar and even less often, folk instruments like contrabass guitar, guitarrón mexicano, tololoche, bass banjo or bass balalaika, instruments shaped, constructed and held (or worn) like ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Keyboard Bass
Keyboard bass (shortened to keybass and sometimes referred as a synth-bass) is the use of a smaller, low-pitched keyboard with fewer notes than a regular keyboard or pedal keyboard to substitute for the deep notes of a bass guitar or double bass in music. History Early keyboard bass The pipe organ is the first, and the forefather of keyboard bass instruments. The bass pedal keyboard was developed in the 13th century. The keys for the hands are also capable of playing very low pipe tones. 1960s The earliest keyboard bass instrument was the 1960 Fender Rhodes piano bass, pictured to the right. The piano bass was essentially an electric piano containing the same pitch range as the most widely-used notes on an electric bass (or the double bass), which could be used to perform bass lines. It could be placed on top of a piano or organ, or mounted on a stand. Keyboard players such as The Doors' Ray Manzarek placed his Fender Rhodes piano bass on top of his Vox Continental or Gibson ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Blueberry Hill (song)
"Blueberry Hill" is a popular American song published in 1940, best remembered for its 1950s rock and roll version by Fats Domino. The music was written by Vincent Rose, the lyrics by Larry Stock and Al Lewis. It was recorded six times in 1940. Victor Records released the recording by the Sammy Kaye Orchestra with vocals by Tommy Ryan on May 31, 1940. Gene Krupa's version was issued on OKeh Records on June 3 and singer Mary Small recorded a vocal version on the same label with Nat Brandwynne's orchestra, released June 20, 1940. Other 1940 recordings were by: the Glenn Miller Orchestra (The most famous version in the 1940s. Recorded in Chicago on May 13, 1940. Catalog number 10768A and by EMI on the His Master's Voice label as catalog numbers BD 5632 and MH 92) on Bluebird Records (10768), Kay Kyser, Russ Morgan, Gene Autry (also in the 1941 film ''The Singing Hill''), Connee Boswell, and Jimmy Dorsey. The largest 1940 hit was by the Glenn Miller Orchestra, which reac ...
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Tennessee Waltz
"Tennessee Waltz" is a popular country music song with lyrics by Redd Stewart and music by Pee Wee King written in 1946 and first released in January 1948. The song became a multimillion seller via a 1950 recording – as "The Tennessee Waltz" – by Patti Page. As of 1974, it was the biggest-selling song ever in Japan. All versions of the lyrics narrate a situation in which the persona has introduced his or her sweetheart to a friend who then waltzes away with her or him. The lyrics are altered for pronoun gender on the basis of the gender of the singer. The popularity of "Tennessee Waltz" also made it the fourth official song of the state of Tennessee in 1965. Early versions Pee Wee King, Redd Stewart, and their fellow Golden West Cowboys members were en route to Nashville "close to Christmas in 1946" when King and Stewart, who were riding in a truck carrying the group's equipment, heard Bill Monroe's new song " Kentucky Waltz" on the radio. Stewart had an idea to writ ...
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