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Sing, Sing, Sing (song)
"Sing, Sing, Sing (With a Swing)" is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. Brunswick Records released it on February 28, 1936 on the 78rpm record format, with "It's Been So Long" as the B-side. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman. Benny Goodman recording On July 6, 1937, "Sing, Sing, Sing" was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums; Harry James, Ziggy Elman, and Chris Griffin on trumpets; Red Ballard and Murray McEachern on trombones; Hymie Schertzer and George Koenig on alto saxophones; Art Rollini and Vido Musso on tenor saxophone; Jess Stacy on piano; Allan Reuss on guitar; and Harry Goodman on bass. The song was arranged by Jimmy Mundy. Unlike most big band arrangements of that era, limited in length to three minutes so that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Prima
Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s. From the 1940s through the 1960s, his music further encompassed early R&B and rock 'n' roll, boogie-woogie, and Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian and Sicilian identity with jazz and swing music. At a time when ethnic musicians were discouraged from openly stressing their ethnicity, Prima's conspicuous embrace of his Sicilian ethnicity opened the doors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Reuss
Allan Reuss (June 15, 1915 – June 4, 1988) was an American jazz guitarist. Biography Reuss was born New York City, he began playing professionally as a banjoist at age 12. He learned guitar from George Van Eps. In the middle of the 1930s, Reuss began playing in Benny Goodman's orchestra, playing with him on and off until 1943. He played with Paul Whiteman and then with Jack Teagarden from 1939 to 1940; following this he was with Jimmy Dorsey (1941–42) and Harry James (1942-43). Alongside his spots in orchestras, he was a frequent session musician for New York recordings. In 1945 he moved to Los Angeles, where he continued as a studio guitarist, played with Arnold Ross, and led a trio. Among his credits are work with Mildred Bailey, rhythm guitar for the Song "Grim grinning Ghosts" in Disneys Haunted Mansion, Bunny Berigan, Benny Carter, Billie Holiday, Lionel Hampton, Coleman Hawkins, Teddy Wilson and Charlie Ventura. He appeared on the Big Band standards "Sing, Sing, Sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick And Nora Charles
Nick and Nora Charles are fictional characters created by Dashiell Hammett in his novel ''The Thin Man''. The characters were later adapted for film in a series of films between 1934 and 1947; for radio from 1941 to 1950; for television from 1957 through 1959; as a Broadway musical in 1991; and as a stage play in 2009. Synopsis Nick and Nora are a married couple who solve murder mysteries while exchanging sharp and smart repartee. The tremendous popularity of the characters made them a media archetype, as the bantering, romantically involved detective duo has become a well-used trope in literature, stage, screen, and television ever since. Novel The characters first appear in Dashiell Hammett's best-selling last novel ''The Thin Man'' (1934). Nick is a former private detective who retired when he married Nora, a wealthy Nob Hill heiress. Hammett reportedly modeled Nora on his longtime partner Lillian Hellman, and the characters' boozy, flippant dialogue on their relationsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After The Thin Man
''After the Thin Man'' is a 1936 American murder mystery comedy film directed by W. S. Van Dyke and starring William Powell, Myrna Loy and James Stewart. A sequel to the 1934 feature ''The Thin Man'', the film presents Powell and Loy as Dashiell Hammett's characters Nick and Nora Charles. The film also features Elissa Landi, Joseph Calleia, Jessie Ralph, Alan Marshal and Penny Singleton (billed under her maiden name as Dorothy McNulty). Plot Nick and Nora Charles return from vacation on New Year's Eve to their home in San Francisco, where Nora's stuffy family expects the couple to join them for a formal dinner. Nick is disliked by Nora's aunt Katherine, the family matriarch, as his immigrant heritage and experience as a "flatfoot" are considered beneath Nora's station. Nora's cousin Selma tells Nora that her husband Robert has been missing for three days. David Graham is Selma's earlier fiancé and an old friend of Nora's family. He offers to pay Robert $25,000 to leave and gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia Dale
Virginia Dale (born Virginia Paxton; July 1, 1917 – October 3, 1994) was an American actress and dancer. Biography Dale was born in North Carolina. She was the daughter of Lula Helms Paxton, and she graduated from Central High School in Charlotte. While working with her sister, Frances, to form the dancing Paxton Sisters in New York City, she was discovered by Darryl F. Zanuck who signed her to a contract with 20th Century Fox. She appeared in a number of movies in the late 1930s and 1940s, including ''Holiday Inn'' (1942), in which she dances and sings with Fred Astaire and Bing Crosby, and she became particularly associated with musicals. In the 1950s, she worked mainly in television series such as ''The Adventures of Kit Carson'' (1951–1952), ''Highway Patrol'' (1957), and ''The Life and Legend of Wyatt Earp'' (1957–1958). She left the movie business in 1958, but returned to acting for a few films in the 1980s. On Broadway, Dale performed in ''Him'' (1928) and ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgie Stoll
Georgie Stoll (born George Martin Stoll; May 7, 1905 – January 18, 1985) was a musical director, conductor, Academy Award-winning composer, and jazz violinist, associated with the Golden Age of Metro-Goldwyn-Mayer musicals and performers from the 1940s to 1960s. He was also later credited as George E. Stoll (sometimes without the middle initial). Violin prodigy Stoll was born in Minneapolis, Minnesota, and made his musical debut as a boy violin prodigy, gaining nationwide fame. He toured North America as a jazz violinist on the Fanchon and Marco Vaudeville circuit and was part of the Jazzmania Quintet, appearing with Edythe Flynn in an early 1927 sound short. In San Diego, he became an orchestra and trio leader (his Rhythm Aces) and started to feature with Jack Oakie on radio programs, such as '' Camel Cigarette'' and NBC's ''Shell Oil Program''. In 1934, Bing Crosby selected Stoll as his musical director for the second series of the CBS ''Woodbury'' radio programs Bing Cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Benny Goodman Story
Dick Winslow ''The Benny Goodman Story'' is a biographical film starring Steve Allen and Donna Reed, directed by Valentine Davies, and released by Universal-International in 1956. The film was intended as a follow-up to Universal's 1954 hit ''The Glenn Miller Story'', dramatizing a popular bandleader's life. The film captures several major moments in Goodman's life but it has been described as less than accurate in details. Goodman's Jewish background is mentioned only implicitly, despite its playing a part in his artistic and personal endeavors for decades. In one scene, where his mother tries to talk him out of a romance with Alice Hammond (played by Donna Reed), whom Goodman eventually married, she says, "Bagels and caviar don't mix." Plot The young Benny Goodman is taught classical clarinet by a Chicago music professor. He is advised by bandleader Kid Ory to play whichever kind of music he likes best. Benny begins his professional career by joining the Ben Pollack traveling ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Brown (musician)
Vernon Brown (January 6, 1907May 18, 1979) was an American jazz trombonist. Career Brown played in St. Louis with Frankie Trumbauer in 1925–26, and moved through a variety of groups in the late 1920s and 1930s, including those of Jean Goldkette (1928), Benny Meroff, and Mezz Mezzrow (1937). Brown joined Benny Goodman's orchestra in 1937 and remained there until 1940; while he only soloed occasionally with Goodman, he became particularly well known through this association. Following this he worked with Artie Shaw (1940–41), Jan Savitt, Muggsy Spanier (1941–42), and the Casa Loma Orchestra. In the 1940s, Brown switched focus from swing to Dixieland, playing often in studio recordings and working with Sidney Bechet. Brown performed with Louis Armstrong and his All Stars for the ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Famous 1938 Carnegie Hall Jazz Concert
''The Famous 1938 Carnegie Hall Jazz Concert'' by Benny Goodman, Columbia Records catalogue item SL-160, is a two- disc LP of swing and jazz music recorded at Carnegie Hall in New York City on January 16, 1938. First issued in 1950, the landmark recording captured the premiere performance given by a big band in the famed concert venue. The event has been described as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." The title, mastered from preserved acetates, was among jazz's first double albums, first live recordings, and first to sell over a million copies. One of the earliest records of Benny Goodman music issued on the new ''long-playing'' format, the concert recording was also sold in a set of nine 45 rpm records in 1950 by Columbia. The subsequent discovery of the aluminum studio masters made from the original recording resulted in several high-quality CD reissues beginning in 1998. Backg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palomar Ballroom
The Palomar Ballroom, built in 1925, was a famous ballroom in Los Angeles, California, in the United States. It was destroyed by a fire on October 2, 1939. Originally named the El Patio Ballroom and located on the east side of Vermont Avenue between 2nd and 3rd Street, it boasted being “the largest and most famous dance hall on the West Coast.” The building featured a large mezzanine, a balcony, and a seventy-five hundred square foot patio. The dance floor could accommodate four thousand couples. Admission was 40 cents for gentlemen and 25 cents for ladies. Opening night was attended by 20,000 people, including many of Hollywood's silent screen stars. Klieg lights illuminated minaret structures on the roof. The dance hall was renamed Rainbow Gardens by real estate developer Raymond Lewis, who purchased the property, added an indoor miniature golf course and changed the name to the Palomar Ballroom. It soon became a prime venue for the well-known bands that were rapidly gainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Hentoff
Nathan Irving Hentoff (June 10, 1925 – January 7, 2017) was an American historian, novelist, jazz and country music critic, and syndicated columnist for United Media. Hentoff was a columnist for ''The Village Voice'' from 1958 to 2009. Following his departure from ''The Village Voice'', Hentoff became a senior fellow at the Cato Institute and continued writing his music column for ''The Wall Street Journal'', which published his works until his death. He often wrote on First Amendment issues, vigorously defending the freedom of the press. Hentoff was formerly a columnist for: ''Down Beat'', ''JazzTimes'', ''Legal Times'', ''The Washington Post'', ''The Washington Times'', ''The Progressive'', '' Editor & Publisher'' and ''Free Inquiry''. He was a staff writer for ''The New Yorker'', and his writings were also published in: ''The New York Times'', ''Jewish World Review'', ''The Atlantic'', ''The New Republic'', ''Commonweal'', and '' Enciclopedia dello Spettacolo''. Early l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Shapiro
Nat Shapiro (September 27, 1922, New York City - December 15, 1983, New York City) was an American jazz writer and record producer. Shapiro worked in the music industry from the late 1940s; he was a promotional director for Mercury Records in 1948-50, served as head of public relations for BMI in 1955-56, and was the A&R leader for Columbia Records from 1956–66, during which time he produced dozens of records. His credits as a producer include work with Nina Simone, Phil Woods, and Michel Legrand. With Nat Hentoff, Shapiro co-edited two books on jazz, ''Hear Me talkin' to Ya'' (1955) and ''The Jazz Makers'' (1957), now recognized as classic historical efforts. He also compiled and edited ''Encyclopedia of Quotations about Music'' for Doubleday in 1978. A collection of cynical quotations, ''Whatever It Is, I'm Against It'' (1984), was published shortly after his death. Shapiro introduced Galt MacDermot to Gerome Ragni and Jim Rado, the writers of the musical ''Hair'', and MacDe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
